Autumn serenade
Author: Wang Wei
At the beginning of the month, the moon rises, the autumn tea is thin, and the thin silk gown does not change clothes.
The long night is full of affectionate silver, guarding the empty room with fear and jealousy, and can't bear to sleep.
translate
When the moon first rises, the autumn dew is thin, so I wear a thin Luo coat and don't change into other clothes.
The long night was full of affection for Yinzheng, and I was afraid of being alone and couldn't bear to go into the house to sleep.
To annotate ...
Autumn Nocturne: It belongs to Yuefu Zaqu Fu and is an implicit poem by in my heart forever.
Ghost woman: The moon. According to legend, there is a osmanthus tree in the middle of the month, and it is called the osmanthus tree at the dusk of the month, so it is called the month.
Luo Qing: Lightweight silk fabrics are suitable for summer clothes, which is the summer clothes of this generation.
Thin: I feel thin.
Zheng: A plucked instrument with thirteen strings.
Note: pluck hair frequently.
Vacant room: it means to be alone, without company.
Distinguish and appreciate
This is a poem about palace grievances.
The first two sentences write that the autumn night is cool and the scenery is sad;
The last two sentences are lonely and sleepless. I am diligent in flying kites.
The so-called "fear of vacant rooms" is actually a euphemism for no one being lucky. The language is extremely euphemistic and the feelings are extremely delicate, which masks the child's sense of shyness. Once discovered, resentment will surface.
The first sentence pointed out the time, and the moon just rose in the east at the beginning of the night. Although the autumn dew is raw, it is still meager, indicating that the weather is cool, but it is not cold, giving people a coolness and setting off the heroine's cold and lonely mood. This echoes the following sentence, because the weather is already cold, and I feel thin in my light and soft clothes. But I still can't stand the cold, so I haven't changed my clothes yet. Between the lines, there is a faint feeling that the heroine misses her distant husband because she wants to change clothes in the cool autumn.
The third sentence describes the action of the heroine playing the guzheng, which is actually based on music. It is about the heroine who has been playing the piano outdoors. From the rising of the moon until late at night, she is still plucking frequently, without any intention of going back to her room. In fact, the heroine is obsessed with playing guzheng and even forgets to eat and sleep. In fact, drunkenness is not about wine. She is not obsessed with playing guzheng, but "afraid to leave the room" to reveal the inner secrets of the heroine.
The last sentence shows the sadness of the heroine living alone in an empty room through her psychological activities with clever ideas and strange expressions. Write that the heroine deeply misses her husband far away. She can't sleep at night and doesn't want to live alone. She plays the guzheng only to relieve loneliness. The room is empty, the heart is more empty, and the feelings are sad.
The first two sentences of this poem are about scenery, which is quite leisurely. The autumn night is cool and the scenery is bleak. The poet described a cold scene as a "background" and then wrote the heroine's "clothes" to set off her loneliness. The last two sentences are about love writing. The protagonist is lonely and sleepless, and diligent in playing the piano. He seems to be obsessed with music, but in fact he gives love to music. The last sentence makes the finishing point, vividly and profoundly depicts the psychological activities of thinking about women through positive lyric, and suddenly feels infinite bitterness.
This poem is euphemistic and delicate, which masks the child's shyness. The poet expresses the heroine's sadness of living alone with her psychological activities, and her songs are wonderful; It is more profound, delicate and vivid to write about the feelings of missing women, express the pain of emptiness inside, reveal the resentment of the heroine who lives alone and misses her husband, and show the poet's poetic art.
Shi Fo, Wang Wei
At the age of twenty, he was a scholar He is young, handsome and clever. He is a unique painter and musician who is good at calligraphy and painting, music, poetry and prose, and his sensitivity is beyond others' reach. In addition, Wang Wei, an introverted, peaceful and indifferent teenager, has been widely welcomed and respected by the royal family and the cultural circles in Beijing.
3 1 year-old, his wife died, he lost his lover and never got married again. Later, it experienced the involvement of the Anshi rebellion, although it was safe in the end. But at this time, he has developed a strong sense of seclusion.
He submitted his resignation to the emperor, but the emperor did not agree. So he bought a house in Wangchuan. He has something to do in court and nothing to do at home. From then on, I lived a semi-official and semi-secluded life.
Wangchuan is a ten-mile-long narrow valley with fertile land and beautiful scenery. Wang Wei plays the piano, writes poems, paints, drinks tea, listens to the morning bells and drums, and watches the flowers bloom and fall.
Although he was an official of the imperial court, you Cheng, he gained inner freedom and tranquility here, and he was more than willing to advance and retreat. Between his official career and Shan Ye, between social and natural, between survival and life, and between art and life, Wang Wei found his own ways to drive away sadness, heal wounds, soothe his soul and settle his soul: seclusion, playing the piano, whistling, chanting, meditating, watching nature and listening to it. ...
Many people live in seclusion because they are dissatisfied with their official career, so as to resist. If you don't need me, you will lose an available talent, and your heart will be full of depression and resentment. If the emperor wants to recall me, he will be happy to go to Beijing. Wang Wei's semi-official and semi-secluded life in his later years is to let nature take its course, whether he does it or not. Hidden or not. This is the casual indifference of those who realize the Buddha's meaning in their hearts.
It is probably this attitude that creates the soft tones in his poems. Reading Wang Wei's landscape poems is a kind of aesthetics and a kind of spiritual purity.