Meng Jiao's ancient poems

There are more than 500 poems by Meng, of which short stories and five ancient poems are the most, and there are no metrical poems. In art, I am not conformist, or I am good at drawing lines without allusions and words. My language is simple and clear, but I try to avoid mediocrity and simplicity. Or "hook the chapter and stab the sentence, pinch the stomach and kidney" ("Epitaph"), thinking about its difficulties and carving its risks; As Han Yu said, "backward scale and clever words" (Answer to Meng Jiao) swept away the weak poetic style since Dali.

Some of these poems reflect the reality of the times and expose the evils of the buffer region, such as Complaining for Women, Feeling for Feelings, Killing People Out of the Border, Wounding Spring, etc. Some people care about people's lives and are indignant at the inequality between the rich and the poor, such as poems by the Weaver Maid, which are sung to people in cold regions.

Some show the deep affection of flesh and blood, such as wandering, making love, apricot mourning and so on. Some of them describe landscapes, such as The Banquet between Ruzhou Nantan and Lv Zhongcheng, Youkou and Wang Waiya's Twenty-one Liuxi, Shilaishi, Hanxi, Seeing Your Majesty off to the Tiantai, Aixia and Visiting Zhong Nanshan. Although the contents of social life are different, they all have profound thoughts and novel language, which embodies the characteristics of Meng's poems. Some works, such as Autumn, are depressed. Poems such as "Going out is an obstacle, who is the width of the world" ("To Cui Chunliang") reflect the hardships of the world and show a narrow state of mind.

Meng Jiao [7] wrote the most ancient poems: short stories and five ancient poems. Some of these poems reflect the reality and expose the crimes of the buffer region, such as for women, for emotion, fighting for one side, hurting spring and so on. Some people care about people's sufferings and are indignant at the inequality between the rich and the poor, such as weaving women's poems and lyric poems of people in cold areas.

Some people write that their official career is frustrated and attack the wind that pours the world, such as falling behind, Liyang Qiuji, being injured, choosing friends and so on. While others complain about their poverty and lament their old illnesses, such as autumn, life and old hatred.

However, poems such as "going out is an obstacle, who wants the world to be wide" ("To Cui Chunliang") reflect the hardships of the world and also show the author's extreme state of mind. The artistic style of Meng Shi's poems is either longer than simple description, without using words and allusions, and the language is plain and unpretentious while avoiding mediocrity and simplicity; Or think hard and carve miracles. These two styles of poetry have many excellent works with profound thoughts and novel words. But some poems are too stiff and dry, lacking natural taste.

He is as famous as Jia Dao, and both of them are famous for their bitter songs. Zhang Wei, a poet in the Tang Dynasty, called his poems "lonely" and Su Shi called them "cold country and thin country". Later, some commentators called Meng and Jia representatives of bitter poets.

Today's biography of Meng Dongye's poems is 10. People's Literature Publishing House published Hua Chen's Revision of Meng Dongye's Poems. Xia Jingguan and Hua both have their own chronicles. Geng Jie was a poor man all his life, and his poems described the sufferings of the people and the cruel world. Language abstains from mediocrity and pursues a thin, hard and eccentric style. With the same name as Jia Dao, it is called "Bojiao Island".

Select and include

1. Wandering songs

The mother used the needle and thread in her hand to make clothes for her long-distance son.

Meng Jiao broke up with her mother.

Meng Jiao broke up with her mother.

Before leaving, I had a stitch for fear that my son would come back late and his clothes would be damaged.

Who can say that a filial child like the weak can repay his mother's love like the sunshine in spring?

make love

The heart is dying, and the affair is deep.

I once wanted to leave, and I tied my skirt a thousand times.

I will stick to my ambition alone, and I will return to my will early.

It is better to tie your heart than to tie your clothes.

Sit and settle, and settle for a hundred years.

3. After graduation

The previous filth was not enough to brag, but now there is no end to debauchery.

In the spring breeze, this proud horse runs at the speed of two beats. I visited all the sights of Chang 'an gracefully in one day.

4. Female sexual intercourse

The branches and leaves of the male martial arts spread for the rest of my life, and two pairs of mandarin ducks and waterfowl died together.

Pictures of Meng Jiao (optional)

Meng Jiao photos (optional) (20 photos)

If a sincere girl only loves her husband in her life, she will live faithfully like them.

Swear to God that my heart will always be faithful, just like a quiet old well!

Note: According to legend, the phoenix tree is a male tree and the tung tree is a female tree. In fact, the phoenix tree is monoecious. Martyrdom: Follow death.

This is a poem praising virtuous women and brave women. The phoenix tree grows old together, and the mandarin duck dies, which is a metaphor for a chaste woman's martyrdom. At the same time, comparing with the ancient well water, praising women's chastity and not marrying. The content of this poem may be pinned on this, expressing the poet's character of sticking to integrity and refusing to go along with the powerful. However, as far as the whole poem is concerned, from the title to the content, everything is for a clear theme. As far as poetry is concerned, we can't rock the boat. Therefore, we can't help but say that it maintains feudal ethics, belongs to feudal dross and should be criticized.

Complain about poetry

Try my concubine and your tears, two drops of water.

Look at Furong, who will die this year!

Han Yu praised Meng Jiao's poem "Close your eyes and rest your mind, be open-minded." . Tickle the sentence and pinch the stomach and kidney. Ghosts and spirits stand up and see each other one after another "(Epitaph of Mr. Yao Zhen). To put it bluntly, Meng Jiao loves to dig deep into poetry; To put it mildly, it's about artistic conception.

Artistic conception is very important, and sometimes it is the key to the success or failure of creation. For example, writing about women's lovesickness is the most common theme in classical poetry, and different poets have their own faces when writing. Xue always said in his heart, "What is the resentment of a beautiful woman? She leans affectionately on the golden pavilion. If you don't laugh or talk, tears will fall. " Seeing the bitterness of resentment from tears is peaceful and tasteless. The women in Li Bai's works are different: "And my once sparkling eyes are now tears. Oh, if you ever doubt the pain in my heart, come back and see me in my bright mirror! " Sauvignon Blanc. I also wrote tears, but I said it in the form of "endorsement", hoping that my husband would come back and have a look to verify the depth of my lovesickness (I didn't expect that when that person could come back, "I" would have to smile through tears, so why did I burst into tears? ), but this stupid thing is showing a very infatuated look, which is interesting. However, it is said that Li Bai's wife read this poem and said, "Don't you know the poem after martial arts?" I can't believe I often cry. I opened the box to check the pomegranate skirt. "Make it" too white and refreshing "(see Liu Hua). Why should it be "refreshing when lost"? Because the marquis of Wu had the same idea first, Li Bai realized that his poem had not been turned out of her palm.

It seems that Meng Jiao wrote this strange poem of "resentment" on purpose to compete with his predecessors. He also wrote tears, but he didn't cry alone; I also wrote the meaning of verifying lovesickness, but I didn't ask my husband to come back to "see" or "stop" tears. Poetry is also a first-person narrator, but the words of women in poetry are more infatuated and stupid than those in poetry and Shi Li. She asked for a competition with her husband (who she thought was also lovesick) to determine who was lovesick more. Acacia is something that can't be seen or touched, and has no size, volume or image. It is really not easy to measure. But how wonderful the way women come up with competition is. She said innocently: You try to drop our tears in the lotus (hibiscus) pool, and see whose tears the beautiful lotus drowned for this summer. Obviously, in her mind, whoever has more tears and whose tears are more bitter will "die for whom". Then, who loves acacia more, naturally there is a conclusion. What stupid words, what lovely words! There are tears in the pool, and flowers die for them. Their feelings are so deep that they can really make the gods cry. This idea visualizes the love of acacia, and the "hibiscus flower" coming out of the mud will be its reliable witness. In Li Bai's poem, he said, "In the past, hibiscus flowers are now heartbroken grass", which shows that "hibiscus flowers" are also symbolic to lovesick women. This is thinking in images. But not infatuated, I'm afraid you can't imagine. It can be seen that Meng Jiao's poems are really "blind" and "choke the stomach and kidney", and readers have to admit that Han Yu's "Taste of Algae" is Meng Shi Zhi's comment.

"For your heart, for my heart, I know I should remember it deeply" (Gu Kui's "Complaining about Love") is an incisive sentiment, and Meng Jiao's "Complaining about Poetry" seems to be saying the same thing, but he didn't express it directly, but pretended to speak in words. However, "all scenery words are sentimental words" (Wang Guowei's "Words on Earth"). This writing is more memorable. His artistic conception is not only original but also successful. The rhyme of this poem is also elegant. Instead of using the flat tone as usual, it uses the implicit rhyme of "paper", which is very suitable for expressing low-key and thoughtful feelings.

Complaining about women

My wife left yesterday, and the moon is not round.

No tears of my own, scattered in front of the brothel.

Your tears are full of towels and mine are full of dust.

I have a long scarf in my hand, so I have to follow my body today.

Road dust, like the wind, is the wheel of the king.

Yuyang is thousands of miles away, as close as the threshold.

If there are more doors in the middle, the fish will grow in the eyes.

Born under the green radish, I don't know how to fish.

A lover comes from his own defense and dreams every night.

7. Ancient separation

Where will Lang go today if he doesn't want to take Lang's clothes?

Don't hate coming back late, and don't go to Lin Qiong!

8. Ancient unlucky

Don't hesitate to play the ten-fingered string for you.

I'm always afraid of new sounds, so I can't sit still.

Abandoning today's sadness is yesterday's happiness.

It's easy to make new changes, but it's hard to cling to the past.

There are weeds in the green hills, and the tears are long.

Empty future generations and adopt the orchid of meditation.

9. Old grievances

In the bleak autumn season, a couple forced by life can't go to never say goodbye.

At the moment when he was driven away, he faced each other with tears in his eyes and wanted to say something to each other, but he cried before he opened his mouth.

There are thousands of words in my heart, but at this moment, I am too sad to say them.

Don't think that there is only a queen, and heaven remains our neighbourhood.

10. See Luo Qiao at night.

When Tianjin Bridge was frozen, Luoyang became a stranger.

Yuliu Qingxi is idle, and the snow in Songshan Mountain can be seen directly in the moonlight.