The following is taken from the network:
In the first half of this century, Li Wei's History of Poetry paid more attention to the position of Shen and Song in the history of Tang poetry. There are three chapters in this book, all of which are about "Poetry Style in Early Tang Dynasty and Song Shen". "Five words can only be called dharma when they arrive in Shen Song, but most of them are incomplete, and Shen has a good one." The so-called six methods, showing five talents, making words in the middle, singing into sound, and applying for the merits of Song Dynasty. "
Zheng Bin's On Songs of Shen and Song Poetry in the History of China Literature Development is more specific. The book first discusses the contributions made by Shen and Song to the creation of regular poetry, and emphasizes the importance of their opportunities to advocate regular poetry in officialdom. Secondly, he analyzed some of Shen and Song's five-law and seven-law works to illustrate the strictness of their metrical rules. However, his evaluation of Song poetry songs is not high: "There are few good poems! Concentrated people, the style is getting higher and higher, and the seven words are like' In the cold pool of the bright moon, the pines are faint and strong; I don't want to tell the laity that I love but I can't see endless hatred. The five words' Yuan Pan sleeps in the suburbs, loves to sit and ask questions', and' the sound is broken outside the ridge, and the winter is repeated in spring; Now, close to my village and meeting people, I dare not ask a question and so on. There are really few articles to enjoy. -probably because of his works, seven laws must be written, and the five laws are flat and shallow, which led to this result. "
The second volume of Zheng Zhenduo's Illustrated History of China Literature holds that the greatest success of Shen and Song lies in promoting the establishment of the seven-character law, and "their initiative and call seem to be more important than their creation". At the same time, the book also emphasizes their contribution to the establishment and exclusiveness of quatrains. As for the reality of their poetry creation, the book thinks: "Shen and Song's poems should be the best after this move." What should be done is not subtle, but it is not all from the heart, so few people have souls and true feelings. "
When analyzing the reasons for Shen Song's composing regular poems in Su's Introduction to Tang Poetry, he thinks that one is the brewing since the Qi and Liang Dynasties, the other is that the predecessors have been emphasizing duality for a long time, and the third is the emperor's melting of pottery.
Wen Yiduo emphasized the leading role of Shen Song poetry in the study of Tang poetry in the 1940s. He believes that Shen Quanqi's seven-melody "The Girl of Lu Family in Jinmutang" has restored the normal relationship between poetry and language, and it is "the first work that opens a new trend in the times". For Song, he thinks that "most people know that his modern poems are very famous, but there are actually good ancient poems, such as a poem" Rain in the Mountain "in the Five Dynasties. ...
After 1950s, 1960s and 1950s, some newly edited works on literary history also affirmed the position of Shen and Song in the history of poetic metrical development, instead of giving due high praise to their poems, they praised their relegated works. Therefore, I won't introduce them here.
When it comes to Song Shen's poems, Ma Maoyuan's Notes on the Second Reading of the Literary Biography of the Tang Dynasty is quite opinionated. For example, the book says: "From the last years to the last years of Qianlong, the law was very smooth. The author Yun Xing, one holding a spirit bead and the other holding a jade ruler, Shen and Song summed up the experience accumulated by the previous generation and the achievements created by the people. Those who are bound to be influenced by the words and rules of the world of poetry, based on the complexity and beauty of their articles, carefully compile and sort out, and lead them to the process of poetry development. It has not surpassed Shen and Song, and the poet has no good method. " For another example, "Shen and Song also said that their poems are often confused with each other, and some of them are difficult to identify. Their life experiences are similar and their styles are similar. However, there is no difference between them. Gai's questioning and thinking are meticulous, graceful and elegant, and his five words are good at playing. His "Kunming Pool" should be written, which has been overwhelming, but it is open-minded and has written seven words alone. His "single chapter" and "singing high and covering ancient songs far away" are also beyond his power. ..... Shen and Song, arranged in five words, with no more than 100 words; The article "The Demon Answers" is 48 rhymes long. Its arrangement is laid out and full of descriptions, which began to flourish in the Tang Dynasty. "
Liu Kaiyang's poems include Shen Quanqi, Song, Li Qiao and Du Fu. This paper introduces Shen and Song's metrical poems and classical poems in detail. He thinks that several of Shen Quanqi's poems, such as Three Miscellaneous Poems and Qiao Zhi, are wonderful, followed by prison poems, exile poems and some Yuefu poems. In addition, he believes that the poems of Song Dynasty have a great influence on Du Fu and other great poets in later generations. "Du Fu is indeed a master of poets of past dynasties, but he seems to particularly like the poems of the Song Dynasty. Not only are the scenery similar, but poetic language and expression are also better than blue. " "Besides, the Long Rhyme of Chenyu Temple reached 20 rhymes, and the Long Rhyme of the Book of Changes reached 24 rhymes, which also influenced Du Fu's writing of long rhymes in his later years."
After 1980s, there appeared some articles on Shen Song, such as Li's Mistaken Poet's Name, Shen Quanqi and Song's Poetic Rhyme, Liu Zhenya's General Understanding of Song Poetry Creation, Wang's Shen, Song Dynasty, Cha Hongde's A New Theory on Shen Quanqi, a Great Master in Early Tang Dynasty, etc.
Among them, Cha Wen pointed out that there are 37 poems that Shen Quanqi should write, accounting for only 22.5% (Shen *** 160). Compared with other poets in the early Tang Dynasty, "there are not many poems that should be written". Moreover, some of his poems are of good quality, and the author praises his book "Wind and Spring Prosper the Palace of Spring", saying that it is "mellow in form" and the content is "not as disgusting as human poems". "It has no rhetoric, no allusions, is natural, smooth and unpretentious, and has real scenery and true feelings". The author divides Shen Quanqi's poems into four aspects: gloomy self-report poems, affectionate parting poems, contradictory war poems and magnificent landscape poems, so that readers can clearly see the whole picture of Shen Shi for the first time. Finally, the author expounds Shen's position in the history of China's poetry from three aspects: "a master in the early Tang Dynasty", "a powerful promoter of the change of poetic style in the early Tang Dynasty" and "a poet with far-reaching influence on later generations".
Since the beginning of this century, no one has systematically sorted out the poems of the Song Dynasty, but the sorting results of Shen Quanqi's works include the collation of Shen Quanqi's poems by Cha Hongde and Lian Po.