In late autumn, the grass is about to say goodbye. It packed the autumn seeds away, found a fertile soil to hide, and then dragged several autumn rains, together with withered chrysanthemums, to wither in the wind and frost of the left night. Autumn wind dried its branches and leaves, and it stubbornly kept its wet buds, sleeping optimistically in the soil of winter snow, waiting for the arrival of spring.
It listens to the songs of geese, counts the steps of yellow ducks, and looks forward to meeting girls flying kites as soon as possible. Only when the spring breeze blows can it see the blue sky, the green river bank and a few enchanting flowers, which makes it secretly love the whole winter.
In artistic expression, Bing Xin is good at drawing lessons from and using lyric techniques. In works, sometimes feelings are expressed directly in the narrator's tone, and sometimes the author's subjective will is revealed through language or psychological activities.
About the author:
Bing Xin (19001010.05 ~1999.02.28) was originally named Xie Wanying, a native of Changle, Fujian, and a member of China Association for Promoting Democracy. China poet, modern writer, translator, children's literature writer, social activist and essayist. The pen name Bing Xin is taken from There is a Bing Xin in the Jade Pot. When Bing Xin portrays characters, most of them don't need strong colors or elaborate carving, and only use the brushwork of sketching and lightly counting strokes. Characters are like hibiscus out of water, emerging from the water.
In Bing Xin's prose, we saw the tragic scene that in semi-colonial and semi-feudal old China, the imperialist, feudal and bureaucratic comprador classes oppressed and ravaged the people of China, and heroic people and patriotic youths rose up and fought bravely. At the same time, the theme of Bing Xin's prose also extends to the history, geography, culture and customs of many countries in the world, as well as the suffering and struggle of the people.