1, Xian xián, a sage, wrote the word "sh" in C, and zǒng called chēng "Wen wēn zhāng" instead of fēi using C ǐ i, so why? Husband's fū water Shu ǐ \ \ \ "Tiger H, Leopard B, without Wu Wen wén, then zw.
2. Rhinoceros has yǒu skin, while ér color sǒu If you are Nǒ i, I will describe the spirit of stone xìng, use the image of writing ang, carve Lu's heart and carve Jǎ.
3. So, Gù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù ù 249
4. Five-color se mixed with zá and ér became chéng fú, five-tone Y and N were better than bǐ and ér became Ché ng "shiao" and "Xiaà", and five-color Q "filial piety to Xiào jīng jρng" mourned for sàng's "indecent words".
Therefore, Guo knows that he often talks about Yū n with Junzhen's son, but he has never tasted the quality of Chang. Old l m: o is diagnosed as J I and pseudo wěi, so gù calls chēng "beautiful měi says yán doesn't believe X ě n"; And ér five wǔ thousand qiān fine j ǔ ng wonderful mio, then é non-fēi abandon it. Zhuang zhāng Zhou zhōu Yunyong "argued about carving diāo Yao Wan, wù", which means Wé i algae Z m: o decorative stones and yě.
6. Han Hanfei's F ǐ i cloud yún "Yan Yan adopts C ǐ i to argue that Bi An says shuō ǐ", which means Wé i is beautiful and Q ǐ. Qi qǐ Li said that shuō not uses yǐ Yan, algae Z ǐ o to decorate shǐ and yǐ to argue that Bi ǐ carves diāo, and the article W \ u \ u \ u \ u \ u \ u \ u.
7. Look at Xiang's Zhuang zhāng and Han hán in detail, then look at Jian's Hua Hu Shi Xin, and he is a slut. If you choose "Yu" as the source of "Z" in Yang Jiang's zh and Li's by Wei Wei Jiang, you can also use "Y" ? 2 by pressing "P" in ZH Road by Yang Xie and Zhang Zhen.
8. The husband in article 36, paragraph c, so the person who loves Qying is zhě, and zhě of Wen wén is jěng；; ; The person who says cí is zh, and the person who says lǐ is ZH and Wei W ě i.
9. After J Wu was right, Hu's latityuáNDE wìI became chéng；; Following the resignation of Lòòòòòòòòòòòòòòò ò ò ò ò ò ò ò ò ò ò ò ò ò ò ò ò ò ò ò 24
10, he used y ǐ?? It covers the wind fěng of gài and ZH and xìng of elegant yǐ, and for ZH, thinking S ē, product Xǐ, and
65438+ Therefore, g \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u 24 However, ZH
12 Therefore, ZH Qing killed G ǐ ˇˇˇˇˇˇˇˇˇē n and killed Z \ u \ u \ u \ u \ u \ u \ u \.
13, Fu Taotao Lifu f\ take y \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \\ u \\
14, say yán and f n, and the text n is qǐ ǐ ǐ ǐ ǐ ǐ It is Li's words of stone, Li's words of Ji; If you use c m: I insult l an, then you will feel better. If you know that ZH and Cui Cui LUN lún are bait and bait, you will lose Shi and Yu.
15, it is said that yán hides yǐn statue róng Hua huá, which is almost dǐ i, which means that wǐ i is also yǐ. It is a stone {\ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ u \ fu fécan néng set shè mo mó arranges lǐ and Wé I in yǐ position.
65438+ the quality that makes shǐ wen wén indestructible, Bo ǐ does not drown the heart of Nǐ xǐ n; 41377777 was adopted by Zheng Zheng.
17, but n m: I can be kě, which means that Wé i carves the Q chapter zhāng of diāo Qiezu, Bin B: n Bin B: n Jun jūn Ziyi yǐ. Praise Zan, Yue Yu: It is far from Y ǐ ˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇ.
18, and the complex number fán is c????????????????. Soft water can make ripples, while solid trees can produce flowers: it can be seen that literary talent must be attached to specific objects. If the fur of butch and leopard has no patterns, you can't see the difference between them and the skins of dogs and sheep.
19. Rhinoceros skin is useful, but it needs to be painted with Dan paint to be beautiful: the essence of visible things also depends on beautiful appearance. As for expressing the author's thoughts and feelings, describing the image of things, thinking carefully about words, and then organizing them into sentences and writing them on paper; Can be brilliant because of the lush literary talent.
20. Therefore, there are three ways of literary and artistic creation: the first is the creation of forms, which depends on various colors; The second is the creation of phonograms, which depend on various sounds; The third is the creation of expression, which is based on various temperament.
2 1, various colors are mixed with each other to form a bright pattern; All kinds of sounds are in harmony with each other, forming a beautiful movement; All kinds of temperament are shown, which constitutes a beautiful work. This is determined by natural reasons. For example, the Book of Filial Piety teaches future generations: "You don't need any literary talent to mourn your parents."
22. It can be seen that most people have no literary talent. Another example is Lao Tzu's opposition to hypocrisy, so he said, "Gorgeous language is often unreliable." But the five thousand words of Tao Te Ching written by him are very wonderful. It can be seen that he is not opposed to gorgeous literary talent. In addition, Zhuangzi once said that "everything is described by clever words", which is a modification of rhetoric.
23. Han Fei once said "eloquent and gorgeous", which means too much literary talent. There are too many literary criticism, too many cleverly decorated descriptions, and the changes in the article are extreme. Understanding the words in the Book of Filial Piety, Laozi and other books shows that the form of the article is attached to the author's emotion.
24. Take a closer look at the words in Zhuangzi. If you do everything wrong, you will understand that the gorgeousness of the work is too extravagant. If we can make a proper choice between the clean stream and the turbid stream, and calmly consider the evil path and the right path, we can properly control literary talent in literary creation.
25. But indigo naturalis in red can only modify people's exterior, and charming modality can only be produced from people's inner beauty. Literary talent can only modify language, and clever and gorgeous articles are based on their ideological nature. Therefore, ideological content is like the warp of words, and words are like the weft of content; You must determine the warp before you can weave the weft.
26. Therefore, when writing an article, we must first determine the content, and then we can produce fluent words: this is the fundamental principle of literary creation. In the past, the authors of the Book of Songs wrote poems to express their thoughts and feelings. The works written by later writers of ci and fu are all fabricated emotions for writing.
27. How do you know? Because articles such as "Guo Feng" and "Xiao Ya" in The Book of Songs were produced because the author's heart was full of anxiety and resentment, he expressed this feeling through poetry to convince the rulers at that time: this is to write articles to express thoughts and feelings.
28. Later lyricists, without any sadness in their hearts, reluctantly exaggerated and sought fame: this was to write articles to fabricate emotions. Articles written to express feelings can generally be concise and true; Articles that are barely written just for writing are often too gorgeous and the content is messy and vague.
29. However, most scholars in later generations love vanity and despise truth, abandoning the ancient Book of Songs and learning Ci and Fu. As a result, there are fewer and fewer works that express feelings, and more and more works that only pursue literary talent. Some people deeply miss senior officials, but they are full of praise for seclusion in the mountains.
30. Some people take people's fame and fortune seriously, but falsely express their interest in the outside world. There is no real feeling, the article only has the opposite description. The ancients once said: "people come and go under the tree and don't speak." That's because there are fruits on the trees.
3 1, an ancient book once said: "Even if the orchids planted by men are beautiful, they have no fragrance." That's because men lack sincere and meticulous feelings. Such tiny things as flowers and trees rely on emotions and fruits; What's more, people should write articles based on expressing their feelings.
32. What's the point of this kind of work if what the screenwriter writes doesn't match his feelings? So when writing an article, the purpose of using rhetoric is to explain things clearly. If the literary style is vague and unfamiliar, the ideological content of the work will also be vague. It's like a fisherman using jade feathers as fishing line and cinnamon as fish food, but he can't catch any fish.
33. Zhuangzi said in "The Theory of All Things" that "the meaning of words is covered by too much literary talent", which refers to this kind of thing. The Book of Songs Feng Wei Shuo Ren said, "I wear gorgeous clothes and a blouse outside", because I don't want to be too dazzling. The original divination of cultural ornaments in the Book of Changes is still white, so it is very important to keep the true colors when choosing ornaments.
34. When creating, we should establish correct norms to arrange the content of the works and draw up appropriate basis to express the writer's mood; The thoughts and feelings embodied in the works can only be matched with syllables and embellished with words if they are determined; Thus, although the form is gorgeous, it does not hide its content; Although rhetoric is rich, it will not bury the writer's mood.
35. We should carry forward the positive colors such as red and cyan, and abandon the variegated colors such as red and purple: this is a writer who can beautify his works and make the content and form conform to the ideal. In a word, a language can last only if it has gorgeous literary talent, which is really good. Since the method of using literary thinking is clear, we can appropriately enrich the literary talent in our works.
36. However, the splendid scenery produced by Wudi is easy to change color. Although hibiscus is beautiful, it can't last long. If writing articles is like this, if it is only rich in literary talent and lacks profound thoughts and feelings, it will be very boring.
Emotional appreciation
1. Emotion and talent is one of Liu Xie's Wen Xin Diao Long, which mainly discusses the relationship between emotion and literary talent in literary works. First of all, Liu Xie thinks that emotion is the core of literary works, and works without emotion are like bodies without souls. He advocates that literary works should be dominated by emotion and express the author's thoughts and feelings through emotion.
2. At the same time, Liu Xie also emphasized the importance of literary talent in literary works. He believes that good literary talent can make the works more vivid and attract readers' attention. In Cai Qing, Liu Xie put forward the viewpoint that "emotion is the foundation, words are the end" through the analysis and research of ancient literary works such as The Book of Songs and Songs of the South.
In his view, emotion is the foundation of literary works, and language is the tool of emotional expression. Only when emotion and literary talent are integrated can we create excellent literary works. In addition, Liu Xie also emphasized that literary works should pay attention to substance and content. He believes that if literary works only have gorgeous words and lack substantive content.
4, it's like a tree that doesn't bear fruit and is worthless. Therefore, he advocates that when creating literary works, we should pay attention to substance and content, and express our thoughts and feelings through the combination of emotion and literary talent.