Appreciation of the hostel

When Lu You was forty-eight years old, he was transferred from Kuizhou to Nanzheng as a guest of Sichuan Ambassador Wang Yan. Seven months later, he was transferred to Chengdu, where he participated in the Senate for Fan Chengda. In the following years, although he had the right to judge Zhou Shu, he always took Chengdu as the center and gave up his contacts. The time to Chengdu is short, and many guests live in Houwu Temple (when they arrived in Chengdu at the age of 50, they once lived in Duofu Hospital, and there is a saying that "the older they get to Chengdu, the older they get". This song Accommodation and Interpretation is about his thoughts and feelings in a post office for the third time.

Probably, the post station is also different according to the size of the official position, right? This place where he lives is obviously not the place where Da Liao stays. The land belongs to a secluded "leisure square" (square, street), and the post station is an ancient "ancient post station". Although the door is "Zhu Fei", it is often covered, and the living room is an empty hall. At the beginning of the poem, it seems that the reader has been brought into an ancient temple, and a desolate and lonely atmosphere is coming. When I first learned about customer service, I felt very lonely when I looked at it. I couldn't help thinking of the ups and downs of my career in recent years, so I took out my couplets and wrote down my feelings about this trip. "Kun" turns Kun into a story of Peng with a carefree trip to Zhuangzi, which means that many successful people have a prosperous career, but it has nothing to do with me. "The Return of the Crane" uses the story of Ding Chengxian's seclusion in "The Epilogue of Searching for God", on the one hand, he broke his hometown, on the other hand, he lamented the changes of the world. The two allusions of this group, the motto ups and downs, have deep feelings. Sanlian is firmly committed to "going home", and on this day, it writes down the action of pursuing the traces of the old days. Revisiting the old place has changed the yard in the post. That piece of bamboo is taller than before, and the plant in Gu Song is bigger than before. Bamboo, he is one by one; Gu Song, he took off his belt and measured it: This is not counting bamboo, nor is it measuring looseness. He is clearly thinking about those idle years, and he is clearly looking for the footprints of these years. I The longer the bamboo grows, the looser it becomes, and the years flow like a stream. It can be seen that in these seemingly leisurely movements, there are infinite feelings and 10 thousand kinds of sadness. When Lu You first entered Shu, he came to the front line of Nanzheng, where Song and Jin confronted each other, and regained his ambition. He has made many plans for Wang Yan to forge ahead and restore the original works in Chang 'an, and he also "shot it with colorful lanterns and carved saddles", which is so heroic. Who knows that Wang Yan was summoned soon, and he changed his official position in Chengdu to restore his ambition. At first, he couldn't work in Jianghuai, but now he is stuck in the northwest. All my worries were in vain; How many years have passed? What should I do if I delay? Today, the old place is back, and the bamboo is scattered and happy. The sigh of "how can people get off without it?" is very profound and complicated. Where to pursue the lost years? Where to find the lost heart? The poet lingered and stroked. Suddenly, he found-

The wall is engraved with the poem "Only poems in the wall, dark dust and ink". The handwriting is scattered and the cobweb is full of dust, which is still faintly discernible. The poem on this wall left behind the mud claws of the past, and also recorded the intense feelings at that time. Looking back, how could he not concentrate on "dark dust" and "residual ink" and respond to the sentence "idle ancient posts", which deepened the homesickness of the whole poem. "Yi Yi" is full of words and sounds, leaving endless bitterness and endless meditation for people to taste.

This poem has a heavy atmosphere and strong feelings. When the words "idle", "ancient", "hidden" and "empty" are put together, the words "dark dust" and "residual ink" at the end are always dark and cold. The loneliness of the guests and the emptiness of the hall, the fantastic color rendering of the story of the crane, the counting of scattered bamboo and the action of rubbing the residual ink all make the atmosphere look dull and depressing, giving people a sense of oppression. Emotionally, the whole poem is full of energy and deep sorrow. What is unique is that the whole poem does not say "love", but its images contain deep and strong feelings everywhere. For example, taking "idle ancient posts" as the way to contain the ebb and flow of the world, turning Kun crane into a way to make people rise and fall, sending away the years with bamboo pine and recalling the past with residual ink are all contained, thus gaining the power to destroy and suppress people's hearts. As for the confrontation between China and the United States, there are other things. Zhao Yi's Poems in Oubei praised Lu Ji, saying that he "has unforgettable friendship" and "there will be a happy meeting at every intersection, which is meaningful and never exhausted." Pan Deyu's Poem of Raising Azhai says that the best of Lu You's Seven Laws is "a poem that is short and full of warnings." Gaizhong is angry, and his ambition is to be angry, which is unusual. "When evaluating Lu's poems, they all set out from the sincerity and profundity of their thoughts and feelings to explore their practical style, which is unique and promising outside. (Lai Hanping)