Looking at the red maple all over the mountain, it looks like a red ocean from a distance, bright and dazzling. I couldn't help walking over and holding a maple leaf. Wow, it's beautiful! Like a slap, bright red, bright red; Like a fan, flat; Like a blooming flower, it will never fade! .
What poems can describe beautiful language? It is best to describe it in detail and with delicate feelings! I hope to hurry.
You can forget me if you like.
Moon-watching poems
1, "Jiande River Night Sleeping" Tang Meng Haoran
Stop the boat in a foggy small state, when new worries come to the guest's heart. The vastness of the wilderness is deeper than trees, and the moon is very close to the moon.
This poem is not set in the background of pedestrians or ships, but in the background of boating at dusk. Although there was a word "sorrow", he immediately turned his brush strokes to the description of the scenery. It can be seen that it is very distinctive in material selection and performance. The poem begins with "when my boat is moving on the misty mooring", "moving the boat" means moving the boat to the shore; "Park, here is the meaning of stopping for the night. The ship docked at the edge of a misty continent in the middle of the river. On the one hand, it is a point, on the other hand, it also prepares for the scenery and lyrics behind.
This poem first writes about staying overnight, and then adds sorrow to the sunset; Then I wrote that the universe is vast and quiet, and the bright moon is closer to people. A hidden, a present, virtual and real alternate, two sets off, complement each other, forming a special artistic conception. Although there is only one sad word in the poem, it vividly describes the poet's inner sadness. However, the Qingjiang River is wild and autumn scenery is vivid.
2. Li Yu's "When a Young Beauty, Spring Flowers and Autumn Moon" in the Five Dynasties
When is the moon in spring and autumn? How much do you know about the past? The small building was easterly again last night, and the old country could not bear to look back on the moon.
Carved fences and jade bricks should still exist, but Zhu Yan changed them. How much sadness can you have? Like a river flowing eastward.
Yu Meiren is Li Yu's masterpiece and Li Houzhu's desperate words. Legend has it that on his birthday night, he ordered a geisha to have fun in his apartment and sang the word "young beauty", which is well known to the public. Song Taizong was furious after hearing this, so he ordered people to poison his medicinal liquor. This word shows the endless sadness of a king who has died in the country in a way that contrasts the past with the present.
3, "Looking at the Moon and Thinking Far" Zhang Tang is nine years old
The moon, at this time is at sea, over the end of the world. People who love hate long nights and sleepless nights and miss their loved ones.
Put out the candle to love this moonlit room, and I wander in the deep night dew in my clothes. You can't have beautiful moonlight, just want to meet you in your dreams.
"Looking at the moon and thinking about the distance" is a poem that misses people far away on a moonlit night. It was written by the author when he was away from home, looking at the moon and missing his distant relatives. "When is the bright moon, the sea is vast and the sky is vast" is a timeless quatrain. Like Xie Lingyun's Spring Grass Growing in the Pond, Bao Zhao's The Bright Moon Shines on Snow, Xie _, and the author's own A Lonely Swan Flying on the Sea, they look bland, without a strange word or a trace of color. I blurt it out, but naturally there is a high-profile and harmonious atmosphere. This sentence is a complete scene, pointing out the "full moon" in the title. "Tianya * * * the second sentence at this time, that is, from the scene into the scene, into the" Huaiyuan. Before that, there was Xie Zhuang Yuefu's "The Moon is separated by thousands of miles", and after that, there was Su Shi's "When is the Moon?" "I hope people will live for a long time, and thousands of miles will be beautiful." They are all famous sentences about the moon, with roughly the same intention. However, due to different expressions, it is manifested in different genres. These two sentences capture all the scenes of the poem together, but effortlessly, which is still the natural style of Zhang Jiuling when he wrote ancient poems.
4, "Drinking the Bright Moon Alone" Tang Libai
Flowers in the next pot of wine, no friends, drink alone. Raise my cup, I invite the bright moon, which brings me its shadow and makes us three people.
The moon doesn't know how to drink, but the shadow in front of it is behind. I have to mingle with them and enjoy the happiness of spring.
The song I sing is bright and wandering, and I dance the shadow before wandering. Wake up and be happy together, and disperse after drunkenness.
I am willing to stay with them forever and forget the harm of friendship, just like the Milky Way.
There are four original poems, and this is the first one. Poets who write poems drink alone in the moonlight, and no one is close. With the rich imagination of 32313888889999313888999363533E59E7ad94313888999966, the poet showed a complex feeling from loneliness to non-loneliness, and then from loneliness to loneliness. Li Baixian is broad-minded and has no tolerance between things and me. This poem fully expresses his thoughts. The first four sentences of the poem are the first paragraph, which describes flowers, wine, people and the moon. The poem expresses loneliness, but till, raising my cup, I asked the bright moon, conjures up the moon, shadows and people; However, the moon cannot be drunk, and the shadow is still lonely. Therefore, from the fifth sentence to the eighth sentence, from the discussion of the moon shadow, it is pointed out that the meaning of "eat, drink, and blossom in spring" is the third paragraph. The poet made unremitting efforts to travel with moonlight and figure, and reunited in the fairyland far away from heaven. The whole poem shows the poet's loneliness and detachment, as well as his wild and uninhibited character. Invitation to the Moon Projection is an eternal quatrain. The front looks like you can really enjoy yourself, but the back is extremely bleak. 1. Quiet night thinking
Author: Li Bai era: Tang Dynasty
The foot of my bed is shining so brightly. Is there frost already?
I looked up at the moon and looked down, feeling nostalgic.
Appreciation: This poem is about the feeling of missing my hometown on a silent moonlit night. The first two sentences of the poem are an illusion created by the poet in a specific foreign environment in an instant. A person who lives alone in a foreign country and is busy during the day can still dilute his sadness. However, in the dead of night, the waves of missing his hometown will inevitably surge in his heart. Not to mention on a moonlit night, not to mention on a frosty autumn night. "Could there have been frost?" The word "doubt" in the novel vividly expresses that the poet woke up in his sleep and mistook the Leng Yue in front of his bed for the thick frost on the ground. The word "frost" is better used, which not only describes the bright moonlight, but also expresses the cold of the season, and also sets off the loneliness and desolation of the poet wandering abroad.
On the other hand, the last two sentences of the poem deepen homesickness through the description of actions and ways. The word "full moon" takes care of the doubts in the previous sentence, indicating that the poet changed from a daze to a sober one. He stared at the moon eagerly and couldn't help thinking that his hometown was under the bright moon at the moment. So it naturally leads to "sinking back, I suddenly remembered the sentence of home." Bow your head and paint the poet completely lost in thought. The word "miss" has left readers a rich imagination space: the old brothers, relatives and friends in that hometown, the mountains and rivers, the grass and trees in that hometown, the lost years and the past are all in my thoughts.
Looking at the moon, thinking of a distant one.
Author: Zhang Jiuling years: Tang Dynasty
The moon, at this time is at sea, over the end of the world.
People who love hate long nights and sleepless nights and miss their loved ones.
Put out the candle to love this moonlit room, and I wander in the deep night dew in my clothes.
You can't have beautiful moonlight, just want to meet you in your dreams.
Appreciation: The ancients had deep feelings for the moon and rich associations. Looking at the moon and cherishing people is often the theme of ancient poetry, but it is rare to see Zhang Jiuling writing so quietly, lightly and deeply. Poetry expresses the poet's yearning for people far away through the description of the ups and downs of the protagonist's thoughts when he looks at the moon.
"The moon, now full of across the sea, the end of the world * * * at this point, two sentences lyrical, every sentence scenery. The poet painted a picture in simple and natural language: a bright moon rises from Ran Ran on the other side of the East China Sea, showing an infinitely vast, magnificent and moving scene. It is precisely because the bright moon is so mysterious and unpredictable that it naturally evokes the endless thoughts of the people in the poem. He imagined that people who are far away from the world may be thinking about the moon at this time. In the poem, people don't say they miss each other at the full moon, but imagine they miss themselves at the full moon. The conception is ingenious and meaningful, which vividly reflects the profound sustenance of this poem. The poem is full of "new words", which is very vivid, similar to the "new words" in Zhang's poem "The Moon on the Sea is Born with the Tide." At this time, Tianya * * * comes from "A Thousand Miles of Bright Moon" in Xie Zhuang's Yuefu. These two sentences are composed of the sea, the bright moon and the horizon. Looking at the moon is a real scene, and looking at it from a distance is an artistic conception. The poet skillfully combines scenery writing with lyricism. While writing * * * to each other on the bright moon, it also contains homesickness, leaving room for association and imagination. Thinking of Tang Libai on Christmas Eve
The foot of my bed is shining so brightly. Is there frost already?
I looked up at the moon and looked down, feeling nostalgic.
Appreciation: This poem is about the feeling of missing my hometown on a silent moonlit night.
The first two sentences of this poem, "The foot of my bed is shining so brightly, is there frost already?" It's all a temporary illusion of the poet in a foreign country and a specific environment. A person who lives alone in a foreign country and is busy during the day can still dilute his sadness. However, in the dead of night, the waves of missing his hometown will inevitably surge in his heart. Not to mention on a moonlit night, not to mention on a frosty autumn night. "Could there have been frost?" The word "doubt" in the novel vividly expresses that the poet woke up in his sleep and mistook the Leng Yue in front of his bed for the thick frost on the ground. The word "frost" is better used, which not only describes the bright moonlight, but also expresses the cold of the season, and also sets off the loneliness and desolation of the poet wandering abroad.
The last two sentences of the poem, "Looking up, I found that it was moonlight and sank again, and I suddenly remembered my home", which deepened my homesickness through the description of movements and demeanor. The word "full moon" takes care of the doubts in the previous sentence, indicating that the poet changed from a daze to a sober one. He stared at the moon eagerly and couldn't help thinking that his hometown was under the bright moon at the moment. So it naturally leads to "sinking back, I suddenly remembered the sentence of home." Bow your head and paint the poet completely lost in thought. The word "miss" has left readers a rich imagination space: the old brothers, relatives and friends in that hometown, the mountains and rivers, the grass and trees in that hometown, the lost years and the past are all in my thoughts. A word "Si" contains too much content.
This five-word quatrain vividly reveals the poet's inner activities from "doubt to hope" and clearly outlines a homesickness map on the moonlit night of 62616964757a68696416fe4b893e5b19E3138889939. The language of poetry is fresh, simple and clear; Express casually, in one go. But this idea is tortuous and profound. The content of poetry is easy to understand, but poetry is endless.
Amin scholar Hu Yinglin said: "Taibai's quatrains are just words, and the so-called people who have no intention of working have no work. This poem "Thinking about a Quiet Night" can be said to be an excellent interpretation of the artistic features of Li Bai's poems, such as "nature" and "no intention to work and do nothing". Three ancient poems describing the moon and their appreciation are as follows:
1. Bai Juyi in Mujiang Song
A sunset gradually sank into the river, half green and half green.
The loveliest thing is the ninth day of September. The bright pearl's bright crescent moon is shaped like a bow.
This seven-line poem is a masterpiece of scenery writing. Beautiful and fluent language, fresh style, vivid, detailed and true picture. The poet chose two groups of scenery from the sunset to the rising of the new moon to describe it, and used novel and ingenious metaphors to create a harmonious and peaceful artistic conception. The whole article uses the word "poor" to sort out the deep feelings and love for nature. The subtleties of his scenery have always been praised. Comment on Yang Shen's Poem of Sheng 'an in Ming Dynasty: "The poem is full of rhyme. It is said that the sun is spreading water, and the blue of the river is like the color of rustling; Half the river is red, and the sun is reflected. It can be said that the work is a miniature painting. Comments on Tang and Song Poetry: "It's a colorful picture of Qiu Jiang. In Qing Dynasty, Wang Shizhen commented on Ten Thousand Selected Poems of Tang Poetry: "Beauty and rhyme are absolutely fascinating.
2. "Cold Moon Night" Bai Juyi
The wind is fragrant and dew is heavy and pear is wet, and there is no lamp sorrow in the hut.
When the songs in the north are played in the south, Chai Men is independent and neutral.
The cool wind blows gently at night, with the fragrance of pear flowers, and the pear flowers on the branches have been wrapped in dew. Looking at the thatched cottage in the dark, there is no light, no light. Heavy sadness overwhelmed me and bound me, but I couldn't lift the arm that opened the door and couldn't step out of the front room. It's almost dawn, but the singing around me still hasn't stopped. I listened stupefied, leaning against Chai Men alone, looking at the bright moon on the horizon, letting it wrap my body.
3. "Jiangcun Things" Si Kongshu
Fishing came back, but I was too lazy to tie the rope and let the fishing boat drift in the wind; At this time, the waning moon is already in the west, but I am sleeping soundly.
Even if the wind blows at night and the boat is blown away by the wind, it just stops on the shallow shore of the reed catkin beach.
This poem describes the scene in front of Jiangcun, but the poet does not describe the scenery of the village, but reflects a side of Jiangcun life through a small action and psychological activity of fishermen on the river, and writes a true and beautiful artistic conception.
The first sentence of "62616964757a68696416fe78988e698331388899936" said that the fisherman came back from fishing at night and was too lazy to tie the boat and let the fishing boat float at will. The word' don't tie the boat' is the key to the whole poem, and the later poems are born from these three words. " The moon sets in Jiangcun, and the second sentence begins with a sentence, pointing out the place, time, action and mood of the characters returning from fishing. The ship docked in Jiangcun, it was already late at night, the moon had set, and people were tired. It was time to go to bed, so they were too lazy to tie the boat. But can you sleep well without tying the boat? This leads to the following situation: "Even if the wind blows away overnight, it will only be near the shallow waters of Lu Hua. These two sentences follow the second sentence and answer the above questions. " Even if "only the echo of the two related words brings the meaning to a higher level: not to mention that there may be no wind at night, even if there is, it doesn't matter that the boat without cable is blown to the shallow water full of reeds at most. Here, the poet did not describe the quiet and beautiful environment. The fishermen's leisurely life interest and the quiet beauty of Jiangcun vividly express the poet's casual attitude towards life. The above is for reference.
Ancient poems describing the beauty of the new moon
The first quarter moon is like a bow, and the half moon flies in the mirror.
The waning moon is a white hook, which is sung in ancient and modern times.
Bright river shadow, beautiful young woman Sue.
Both inside and outside are clear, and the breeze can testify.
Autumn is crisp, and the bright moon is reflected in the sky.
When is the autumn moon? Meditation frost is quiet at night. "Two Gifts" by Li Shangyin
At dusk, I want to go to the high-rise building alone, and the cross lovers on the stairs don't come, and the crescent moon is like a hook.
Banana hearts don't show lilac's frustration, but they are also sad about the spring breeze.
Qing Ping Le Yu Qing Yan Ye by Feng Yansi in the Five Dynasties
Rain is fine and smoke is late.
The green water and the new pool are full.
Shuang Yan went to the weeping willow courtyard, and the small pavilion painted curtains with high volumes.
Zhu Lan alone at dusk.
The southwest crescent is arched.
Falling flowers blow with the wind, and Luo Yi is particularly cold in spring.
Let's see what others say. "Two Gifts" by Li Shangyin
At dusk, I want to go to the high-rise building alone, and the cross lovers on the stairs don't come, and the crescent moon is like a hook.
Banana hearts don't show lilac's frustration, but they are also sad about the spring breeze.
Qing Ping Le Yu Qing Yan Ye by Feng Yansi in the Five Dynasties
Rain is fine and smoke is late.
The green water and the new pool are full.
Shuang Yan went to the weeping willow courtyard, and the small pavilion painted curtains with high volumes.
Zhu Lan alone at dusk.
The southwest crescent is arched.
Falling flowers blow with the wind, and Luo Yi is particularly cold in spring.