"Su Liuchi Songfeng Pavilion" Li Zengbo, translated as follows:
The sedan chair rocked and creaked as it headed for Jianmen Mountain. In the depth of spring, people's bodies also look particularly light and healthy. The mountain wind blows, driving down the peach blossoms like red rain, and the fragrance is overflowing; the distant mountains are carrying green smoke, as if they are about to enter the traces of burning incense and praying for blessings. I admire the spring scenery, but I can't write a good poem. I just have a glass of light wine to remove the thoughts of the journey. If I can connect with the pine breeze, elegant people will be very happy, but I don't want to let the beautiful pear blossoms enter my dreamland.
The first two lines of the poem "Su Liuchi Songfeng Pavilion" are rushing to the sword gate, spring and health are faster than running. It depicts the poet riding a sedan chair to Jianmen Mountain. It also expresses the strong breath of spring and the poet's feeling of good health. Faster than running here does not refer to the speed of travel, but refers to the poet's excitement and excitement about the beauty of nature.
In the third and fourth sentences, the wind blows and the red rain destroys the fragrant letter, and the green smoke of the mountain belt enters the burn marks. It describes the scenery on the mountain. The red flowers are blown down by the mountain wind, and the blue mountains are shrouded in smoke, forming a beautiful but slightly desolate picture. The fragrant letter here refers to the fragrant smell of flowers, and the burn marks refer to the traces of wildfires in the mountains and forests, implying the ephemerality and changeability of natural beauty.
In the fifth and sixth sentences, there are no good sentences about neighboring things, but there are clear bottles to break the travel thoughts. It expresses the poet's feeling of loneliness during the journey. Although the scenery around him was beautiful, the poet was frustrated by his inability to express his feelings in verse. In order to relieve the loneliness during the journey, he could only drink to drown his sorrows and use wine to anesthetize his soul.
The last two sentences are that the master is happy to meet the pine breeze, and do not send pear blossoms to the dream soul. It expresses the poet's love and pursuit of natural beauty. He hopes to connect with the pine breeze and become one with nature, but also warns himself not to let the loneliness and worries during the journey affect his mood.
The creative background of "Su Liuchi Songfeng Pavilion":
1. Era background: Li Zengbo was an official and writer in the late Southern Song Dynasty. He experienced the Lizong and Duzong dynasties of the Song Dynasty. At that time, the Southern Song Dynasty was declining, foreign enemies invaded frequently, and the country was in a state of turmoil. This background of the times had a profound impact on Li Zengbo's poetry creation. His poetry often showed concern for the fate of the country and concern for people's lives.
2. Personal experience: Li Zengbo took the imperial examination when he was young, but failed. Later, he was awarded an official position through Xian Shu Que and became an official in the late Southern Song Dynasty. His personal experiences gave him profound thoughts and perceptions about life and society, which were fully reflected in his poems.
3. Natural environment: This poem was written while staying at Liuchi Songfeng Pavilion on a spring night. The spring night scenery in the natural environment triggered Li Zengbo's awe of nature and cherishing life. At the same time, he also expressed his feelings about the loneliness and loneliness during the journey by describing the natural scenery.
4. Religious belief: Li Zengbo is a devout Buddhist believer, and Buddhist images and Buddhist thoughts often appear in his poems. In this poem, he expressed his feelings about life and his understanding of Buddhist faith by describing the natural scenery and the loneliness during the journey.