The genre of inner painting pot

Master Ye Zhongsan, the founder of Ye Pai inner painting in Beijing, was born in the first year of Guangxu 1875 and died in 1945.

The hall number is "Xinglin Hall Leaf". He, Zhou Tiantang, Ma Shaoxuan and Ding, the masters of internal painting, are known as the "four masters of internal painting in Beijing School". Ye Zhongsan's works mainly come from some popular picture books in the late Qing Dynasty and the early Republic of China, such as The Picture of Ancient and Modern Celebrities and Fei Ying Pavilion.

Paintings with figures as the theme are mainly based on the illustrations in books such as The History of the Three Kingdoms, Liaozhai and A Dream of Red Mansions, with bright colors and plots. He created a wide range of subjects, including flowers and birds, landscapes, figures, insects, Bo Gu and so on. His serial stories are vivid, and the characters in the Red Chamber are vivid, which is called "the unique skill of painting characters inside". 1945 After Ye Zhongsan died, his eldest son Zhen Zhen, his second son Xi, his third son, and Ye Shuying, Ye Qiqi's daughter, inherited and developed Ye Pai's art of internal painting. Master Ye Shuying is the only direct descendant of Ye School's inner paintings. Since then, Ye Pai's inner paintings have absorbed Wang Xisan, liu shouben and Ding Guiling successively. As his disciple. Wang Xisan also founded the Ji School internal painting in Hengshui, Hebei Province, which made great contributions to the development of Ye School internal painting.

I'm afraid everyone who likes to draw snuff bottles inside knows Ye Shuying's name. She has such a high reputation, not only because she is the granddaughter of Ye Zhongsan, the originator of Beijing Ye Pai internal painting, but also the daughter of Ye Ruoqi. But also because she is still engaged in painting snuff bottles, the only descendant of Ye family and the only direct descendant of Ye School. Ye Shuying was born on193965438+February 4th, ranking third. Influenced by her father Ye Ruoqi and her uncle Ye Xiaofeng, she loved painting since she was a child. On September 2nd, 1957, with the mobilization of relevant government departments, she left school. At that time, she had just finished the first grade and had been engaged in internal painting with her father at Beijing Academy of Arts and Crafts. From then on, Ye Jia accepted Wang Xi San as the first disciple with a foreign surname on 1958, Ding Guiling as the first disciple with a foreign surname on 1960, and liu shouben as the first disciple with a foreign surname. Wang Xisan, Ding Guiling and liu shouben all got many true stories of Ye Pai from Ye Xiaofeng, Ye Youqi and Ye Shuying. Ye Shuying's early inner paintings were mainly figures and goldfish in the lotus pond, and later the theme was flowers and birds. In addition, he painted other subjects such as grass insects. Her flower-and-bird painting techniques and styles are very similar to the same theme in Gu, which is closely related to her painting Ye Pai Gu. During her nearly 40 years of artistic career, she has taught many disciples with foreign names. Wang Xisan, the founder of Ji School, was born in Ye School, which shows that she has made outstanding contributions to the development of internal painting.

Liu shouben is a master of arts and crafts in China and an honorary member of the International China Snuff Bottle Association. Liu shouben was born in 1943 and loved art since childhood. 1960 liu shouben studied under the teacher? Two old artists, Xiao Feng and Yi Qi, the cotyledons of Master Ye Zhongsan, made a study. After learning from the teacher, I mainly draw traditional figure paintings, as well as animals, landscapes, portraits and so on. On the basis of inheriting the traditional artistic style of Beijing School's internal painting, liu shouben gradually established a new artistic style of Beijing School's internal painting, that is, exquisite pots, wide subjects, fine painters, vivid figures and simple colors. After the 1990s, under the influence of "Beijing Culture", liu shouben created a large number of works reflecting the theme of life of the royal family and the capital, which were widely loved by collectors at home and abroad. Lupai inner painting pot is rooted in the development of glass art and originated from Zibo, the hometown of china glass. During the Guangxu period of Qing Dynasty, Li was elected to the imperial court and was called the Imperial Craftsman. Since the Xianfeng period of the Qing Dynasty, Boshan's carved snuff bottles have enjoyed a good reputation at home and abroad. The representative figure is Li.

Li is a master of arts and crafts in China. /kloc-0 was born in Boshan, Shandong Province in September, 1942. 1960 worshipped Bi Hengyuan, the descendant of Bi Rongjiu, the originator of internal painting in Shandong Province, as the first teacher. 1960 studied under Bi Rongjiu's disciples Zhang Wentang and Xue Jingwan in Boshan Internal Painting Technical School, and 1960 worked in Boshan Fine Arts Liulichang. He improved the invention of his teacher, Mr. Xue Jingwan. Invented the internal painting method (commonly known as stereoscopic painting method) and oil painting method. 1985 Xianyang, an oil painting inside, won the Best Creation Award of the National Arts and Crafts Exhibition 1988 was awarded the title of Master of Arts and Crafts in China by the Ministry of Light Industry of China 1989 was elected as the director of the snuff bottle professional committee of China Arts and Crafts Society 1989 was granted special allowance by the State Council 1 In 2007, 992 was appointed honorary chairman of the Australian Oriental Culture and Art Association, and was awarded the honorary title of Master of Arts and Crafts in Asia-Pacific by world crafts council at the World Handicraft Congress and the International Forum on World Handicraft Development held in Hangzhou in June 2008. Representative works include A Dream of Red Mansions, Liaozhai Stock Market and Riverside Scene at Qingming Festival. The work "Watching the Tide" was collected by China Arts and Crafts Museum. The art of Ji School's internal painting originated from Beijing Ye School's internal painting, which was founded by Mr. Wang Xisan after learning the skills of Ye Xiaofeng and Ye Ruoqi, two inheritors of Beijing Ye School. Mr. Wang Xisan, the tools used are small brushes with metal hooks, and the pigments are Chinese painting pigments, oil painting pigments and acrylic pigments.

The artistic characteristics of Ji School's inner paintings are diverse styles, ingenious layout, far-reaching ideas, accurate modeling, fine dyeing and elegant colors. There are both types of traditional Chinese painting, which are mainly based on the color of traditional Chinese painting, and expressions that combine the color of traditional Chinese painting with the color of oil painting to imitate various types and varieties of picture effects. Reflected in the types of painting: Chinese painting, calligraphy, oil painting, printmaking, decorative painting and so on. And subject matter: people, landscapes, animals, flowers, birds, fish and insects, portraits, still life, scenery, etc.

Wang Xisan, formerly known as Wang Duancheng, 1938, was born in Fucheng, Hebei. China master of arts and crafts, first-class artist, honorary chairman of Hengshui Municipal Committee of Jiu San Society. 65438-0958 entered Beijing Institute of Arts and Crafts to study the art of painting snuff bottles. 1958- 1966 After studying in Beijing Academy of Arts and Crafts, he transferred to Beijing Arts and Crafts Factory to create internal paintings. He is currently the president of Hengshui Internal Painting Art Research Institute. Ding Yi, formerly known as Nie Lei, was born in 1974, the owner of Zhai. He is now a master of arts and crafts in Hebei Province, a member of China Arts and Crafts Association and a member of Hebei Arts and Crafts Association. Since I was a child, I have been studying Chinese and calligraphy under the guidance of my father, laying a solid foundation for traditional calligraphy and painting. I have been to the forest of steles in Xi 'an and the forest of steles in Confucius Temple many times, and my calligraphy has made great progress. At the beginning of inner painting, he asked Wang Xisan and other masters for advice. Later, he learned from Master Ye Shuying, the grandson of Ye Zhongsan, the master of inner painting of Ye School, and became a successor of inner painting of Ye School.

His calligraphy in the pot is another powerful calligrapher in the history of internal painting after Ma Shaoxuan in Qing Dynasty. His mind is full of "truth, cursive script, official script and seal script". His internal calligraphy "Qian Wen Zi" is only about a millimeter in size, which is extremely difficult. Known as "the best internal book", Ding Yi was praised by his peers and collectors as "the first person in China's contemporary internal book", holding a steady seat. His main works include Heart Sutra, Preface to Lanting, Three-character Sutra, Hundred Family Names, Thousand-character Works, Disciples' Rules, Zhu Zi's Family Instructions and so on. Internal painting is known as "wonderful workmanship" and "a unique skill in China" at home and abroad. It is a wonderful work in China's traditional art and internal painting creation.

It requires superb skills, which is different from external painting: first, the painting order is opposite, and the inner wall is opposite to calligraphy and painting, so that the outer wall can be straight.

Order; Secondly, the small spout restricts the operation of painting and calligraphy, and it is not easy to see the position of the pen when painting the interior wall. Therefore, the inner painting should not only have a three-dimensional appearance.

Painting requires strict training to complete a good work. It is precisely because the creation of internal paintings is not easy that it is a boutique.

Products are precious only when they are presented. When I was in the crystal clear inner painting pot, I saw a new tripod flowing gracefully and fruitfully.

Park's calligraphy works are so full of charm, just like fresh life juice flowing on the jade pot wall, and the touching feeling is vivid.

Born. The more I read it, the more I feel that his calligraphy has the meaning of life, which is really difficult.

I believe that such superb art actually comes from the hands of a refined scholar, and the afterlife is terrible and sincere!

China's calligraphy art has a long history, which began in Shang Dynasty and matured in Eastern Zhou Dynasty. During the Jin, Sui and Tang Dynasties, calligraphers came forth in large numbers and reached their peak. Song and Yuan Dynasties

Calligraphy in Ming Dynasty was constantly innovated with the laws and regulations of Jin and Tang Dynasties. Calligraphers in Qing Dynasty advocated the study of North Monument, and also integrated a new style. Ding Can is one in a million.

Writing a book in a pot as big as a mile can not only achieve neat brushwork and clear stippling, but also be original in structure and layout.

It is a miracle of contemporary calligraphy art to outshine others. Chinese painting pays attention to poetry, calligraphy, painting and printing, and is a talent in four.

To make a complete work, for a China painter, not knowing calligraphy means that the future of art is dark. Decided to take up interior painting.

At the beginning of art, Ding Yi was determined to further develop calligraphy art and open up his own new artistic world.

Ding Yi, who loved calligraphy since childhood, practiced calligraphy with his father since childhood. His father is a famous local calligrapher and is at home.

Under the strict guidance of my father, I began to practice from Ou Yangxun's masterpiece "Ninety percent Palace Li Quanming", and gradually expanded to "Eight Methods of Eternal Words" and "Thirty-six Strategies of Ou Yangxun".

Methods: Huang Ziyuan 92 method. In the process of copying and learning, he did not avoid the cold and heat, tried to copy, persisted day by day, and dared not slack off.

A little sloppy, try to understand the subtlety and mystery of regular script, and understand the true meaning of the brushwork structure of European regular script. Even when eating and going to the toilet.

Don't forget to practice hanging your wrists and elbows during the intermission. I usually use chopsticks as an opportunity to practice when eating. During this period, he studied Ou Yangxun's

Huadu Temple Monument, Huangfuyun Monument, Mengdiantie, Postscript, Postscript, etc. In the long-term practice, one

Ding realized that the basis of calligraphy is pen, followed by form. Master Ding Yi's Award-winning Works

Regular script is moving silently, pointing to the back, and there are images in vertical and horizontal directions. If the bronze inscriptions are naive and natural, there are naturally ways to take them.

If it is concrete, then regular script is more abstract and standardized. To this end, in addition to studying books, the object of his study of law is not only

Limited to Ou Yangxun, but widely collected. He also studied Wang Xizhi's Preface to the Lanting Pavilion to gain his ethereal elegance and lofty sentiment. study

Yu Shinan's Monument to the Confucius Temple has the spirit of an ancient temple, and learning from Chu Suiliang's Preface to the Wild Goose Pagoda has its smart beauty.

, mellow natural wind. When writing an internal book, Ding Yi carefully thought about the coordination between writing center of gravity and strokes, and tried to master it.

The secret of writing brush is to write it as round and straight as possible, but avoid being like an operator. Try to use the center when writing, and start from a sharp place.

The pen is round at the receiving place. Considering the shape of the snuff bottle in the painting, Ding Yi realized that a slight arc from left to right would lead to strokes.

Touching and affectionate; Point should be sharp and round, pick should be sharp and sharp, bend inside and outside, and hook should be half bent and half straight. Pens are flexible and changeable.

Settings. Especially the whole word, the pen is different, but it is coordinated, written line by line, patchwork, but always in one line.

In fact, in this case, it will naturally run through and look like a pearl necklace. At the same time, he also knows the importance of extracurricular work.

He studied calligraphy from philosophy, ancient poetry, prose, rhythm, dance and other aspects, trying to figure out and understand its connotation.

Han's personality charm and ideological talent. Because of this, his calligraphy is full of skill and accomplishment, as if it were handwritten.

Relaxation and elegance are actually the result of study and training. After nearly ten years' efforts, Ding Yi finally put China's European-style character structure on the shelves.

Vivid books are in a pot, with neat structure but not rigid, compact and not cramped. This pen looks horizontal and vertical, but it's a little tilted.

The pen is clean, round and full. Every word is vivid, and every line has movable type. Like a tiger sitting on a dragon's wheel, like an eagle not showing.

Exhibition, like a busy bird looking back, is vigorous and beautiful, which fully embodies the art of internal books in the snuff bottle, and puts this difficulty,

Superb skills have reached the limit, and after Ma Shaoxuan, a famous painter of internal painting in Qing Dynasty, the calligraphy art of internal painting has been pushed to another peak. His calligraphy works are unique in strength, elegant and mellow. He is the second powerful calligrapher who rose after Ma Shaoxuan in Qing Dynasty, and is known as.

"The internal book is a must" and "the first person in China's contemporary internal book". After making some achievements in foreign books, Nie Lei turned to snuff bottle books.

A unique field of calligraphy. Ma Shaoxuan, a famous painter of internal painting in Qing Dynasty, used snuff bottles to compose poems. older generation

Although the painter has a profound skill, the words he writes are limited by the writing tool (bamboo pen), and look like an operator, which is stiff and inflexible.

Lack of change and lifelessness, like a pavilion. Now, due to the improvement of writing tools, Nie Lei has honed and explored for nearly ten years.

Finally, the characteristics of brush writing, such as shade, dryness and wetness, and urgency, have been fully reflected in snuff bottles.

The superb inner body calligraphy art has reached its peak, and after Ma Shaoxuan, it has pushed the inner body calligraphy art to its peak. In recent years, the internal book Qian Zi Wen written by him is only 1mm in size, which is so difficult that no one can match it so far, and it can be called the best internal book.

, is a rare treasure in existing books. Other works in the book include Preface to Lanting, Heart Sutra, The Story of Yueyang Tower and Hundred Books.

Surname ","thousand words "and so on. , in the book was praised as "great, great people. Among them, the book "Thousand Characters" won the grand prize in 2007.

Silver Award of "Learn Three Cups" Interior Painting Grand Prix. His cursive script "The Separation of Lotus Inn and Xin Jian" won the gold medal in the "Holy Grail of Grass" national painting and calligraphy competition, and his works

Other collected works have also been included in China Calligraphy and Painting Collection, Complete Works of International Calligraphers and China Artists' Boutique Festival.

A collection of classic works was published in China Hot Land, People's Pictorial and other newspapers. His biography is included in Who's Who in the World and Words of People in the World.

Sea ","world outstanding experts "and so on. I was awarded "2 1 Century China Famous Painting and Calligraphy Artist" and "Contemporary".

China, a China painting and calligraphy artist, is "the most collectible 100 artist" and "the backbone of China Contemporary Painting and Calligraphy Garden".

And other honorary titles. It enjoys a high reputation in the collection circles at home and abroad. It is widely concerned by many collectors and art lovers. Talented people come out of the country. Inner painting is now included in the first batch of intangible cultural heritage of the country and won the "Excellent Handicraft" of UNESCO.

Art badge "certification, history has given the great national art of internal painting the mission that must be inherited and developed, and it can only be inherited." "

Development, development is the best inheritance. Ding Yi, as one of the best, has high aspirations, hard work and constant moral and artistic accomplishment.

Explore the art of inner books! I believe that his inner world of calligraphy will be broader. 1996 won the first prize of the first Beijing Tourism Calligraphy and Painting Competition, and 1997 was collected by China calligraphy and painting.

1998' s works were included in The Complete Works of China Painters and Calligraphers.

200 1 was awarded by the Light Industry Department of Hebei Province as a folk arts and crafts artist in Hebei Province.

In 2003, his works were selected for the China Artists' Boutique Festival.

In 2004, his works won the second prize of the first national painting and calligraphy competition "Traditional Chinese Painting and Hometown Painting".

In 2007, the cursive script "The Farewell of Furong Inn and Xin Jian" won the gold medal in the "Holy Grail of Grass" national painting and calligraphy competition, which was permanently collected by the organizing committee.

In 2007, calligraphy works were included in the Representative Library of Contemporary Powerful Painters in China.

In 2007, the book "Thousand Characters" won the silver prize of "Learning Three Cups" indoor painting grand prix.

In 2007, the calligraphy works were permanently collected by the Organizing Committee of the National Calligraphy and Painting Competition "Puyang Cup Harmonious China".

In 2008, he was awarded the honorary title of "the backbone of China Contemporary Painting and Calligraphy Garden" and in 2009, he was awarded the title of "Top 100 Works".

Collection value artist "

20 10 "Heart Sutra" won the bronze prize of "Learning Three Cups" indoor painting grand prix.

20 10, 15 works were included in China's painting snuff bottle.

20 1 1, his deeds were included in the Hengshui Culture Survey by the Propaganda Department of Hengshui Municipal Committee.

20 works were exhibited in the "Shanghai Fine Exhibition of Internal Painting Snuff Bottles" on 20 1 1 year.

Six works of 20 1 1 were selected as "Ji School Painting Classics".

20 1 1, 8 works were selected as interior painting art.

20 1 1 Contemporary Painting Art Exhibition "Generous without Corner" exhibited 8 works.

20 12 was awarded the honorary title of "Master of Arts and Crafts in Hebei Province" by the Hebei Provincial Government.

20 12 won the 13th China Arts and Crafts Hundred Flowers Award Silver Award.

20 12 "Hundred Family Names" won the silver prize in the National "golden phoenix" Innovative Product Design Grand Prix.

Op. 20 12 participated in the painting exhibition of Henghu Qiuyue * Jipai.

The work 20 12 won the bronze prize in the 13th China Arts and Crafts Master Works and International Art Fair.

20 12' s work "Humble Room Inscription" won the bronze prize in the first Shanghai "Zhongfu Cup" China snuff bottle masterpiece exhibition.

20 12 Qian's work won the gold medal in the 15th Beijing China Antique Art Fair.