Jiang Nanchun's Poems

Jiangnan spring

Author Du Mu? the Tang Dynasty

Jiangnan, the sound of green and red flowers, the waterside village in the foothills.

More than 480 ancient temples were left in the Southern Dynasties, and countless pagodas were shrouded in wind and rain.

Translation:

Thousands of miles south of the Yangtze River, everywhere is full of singing and dancing, pink and green, a scene full of spring. In villages near the water and battlements surrounded by mountains, there are wine flags fluttering in the wind everywhere.

In the past, there were deep palaces filled with smoke everywhere in the Southern Dynasties, but now these pavilions stand in the misty rain.

Content reading:

Jiangnan Spring is a four-line poem written by Du Mu, a poet in the Tang Dynasty. The poem not only depicts the beautiful spring scenery in Jiangnan, but also reproduces the misty balcony scenery in Jiangnan, making the scenery in Jiangnan more magical and confusing.

This song "Jiangnan Spring" has enjoyed a high reputation for thousands of years. Four sentences, not only wrote the colorful spring scenery in Jiangnan, but also wrote its vastness, profundity and confusion. ?

With light words and extremely general language, the whole poem depicts a vivid, colorful and verve picture of spring scenery in the south of the Yangtze River, presenting a profound and beautiful artistic conception and expressing a series of subtle and profound feelings, which has enjoyed a high reputation for thousands of years.

Du Mu is especially good at depicting beautiful and moving pictures with just four sentences and twenty-eight characters, presenting profound and beautiful artistic conception, expressing implicit and profound feelings, and giving people the enjoyment of beauty and the enlightenment of thinking. "Jiangnan Spring" reflects that the aesthetics in China's poems and paintings are beyond time and space, indifferent and free and easy, with the thought of "epiphany" of Confucianism, Buddhism and Taoism, and more poetic feelings of nostalgia, seclusion and freehand brushwork.