Author: Cao Pi
Works: Qiu Huxing
Content:
During the Korean-American period, the sun never appeared. If you can't taste delicious food, you will stop drinking.
Send a message to a bird, but tell me I can't. Bent orchid, bent cassia twig.
What will happen if the beauty is not here? What did you do?
In the corner. If the soul speaks, it will become a pearl.
Enterprises expect, one step at a time.
Beauty doesn't come, why not?
I have an appointment with a beautiful woman in the morning. It's already evening, and the beautiful woman has not arrived yet. If you don't taste the delicious food, stop drinking the nectar. Please take a message, bird. I have nothing to lose and nothing to do. Bend over to fold orchids, look up and form a wreath with cassia twig. What's the use of doing this without beautiful women around? Beauty, where are you? On the distant sea. I want to tell you that I will give you the pearl of the night stork. Looking forward to, wandering. What if the beauty doesn't come?
Annotation of works
Precautions:
Autumn Hu Xing belongs to Xiang He Ge Qing Diao Qu by Yuefu. The original intention of this ancient word is to praise the chastity of Hu Qiu's wife.
The first two sentences come straight to the point and point out the whole story and the result: I met a beautiful woman in the morning and didn't come until the evening. His painful tone and strong sense of loss immediately enveloped the whole article.
At this point, readers may have two questions: First, who is the "beauty" in the poem? Are the beauties really attracted by Wei Wen and Cao Pi? Or is he a saint eager to achieve great things? Second, why did the beauty miss the future? Is it a mountain pass, and the road will be difficult to walk? Or is it another turning point, changing your mind halfway? Interestingly, I wonder if these questions that readers care about are unimportant to the author.
Otherwise I couldn't mention it, so I didn't mention a word outside the poem. In sixteen sentences, the poet just poured out repeatedly, pouring out a theme in an extremely subjective and aria way, that is, the strong sense of loss brought by a beautiful woman standing up for the future. Literally, this sense of loss and anxiety seems to refer to the beginning of meeting beautiful women in the morning and the end of the day when beautiful women are not there.
For a while. In fact, morning and evening are just metaphors and symbols of time, that is, a day symbolizes a lifetime. From morning till night, it refers to a lifetime from adolescence to old age. In my life, there is always an unattainable pursuit and a huge and irreparable regret caused by unrealizability. Understand this. Is the "beauty" a man or a woman? Why don't you stand me up?
These questions may really be irrelevant and can be omitted. What is important is how the poet organizes and expresses this anxious mood, so let us experience it:
The first one is "If you don't taste delicious food, you will stop drinking." For beauty, tea and rice are unintentional. Even the wine and food are too lazy to touch it. When the wine touched his lips in mid-air, it suddenly stopped like a movie. What surges in my heart is a deep sense of loss that I will never understand. Second, "Bend over LAN Ying and bend over Gui Zhi", although the pursuit can't be realized, he doesn't stop this pursuit, so his line is also high.
His ambition is also clean. This paper uses the sentence patterns of "lingering in the orchid" and "lingering in the cassia twig" in Qu Yuan's Lisao and Jiuge to show that he is staying in fragrance and waiting for someone in the distance. The third is to express his willingness to go to the ends of the earth with beautiful women and let Poseidon give her the most precious "pearl". Four is? Seeing far away, hesitating, longing, almost impatient. To this end, the poet tried his best to tell the story.
My feelings were entrusted by "Bird", "Lan Ying" was broken, "Gui Zhi" was married, and the oath was made. Although "step forward" and "why do you need it" are unbearable anxiety for a while, "beauty" has never arrived. This is in line with the first sentence, and all kinds of efforts show that this is an eternal despair. The whole poem is like facing relatives and friends, expressing tirelessly, pouring out repeatedly, and staying up all night.
Heart to heart; Another example is hiding in the center. When will it be forgotten? Stagnation, pretending to be a passionate, subjective and paranoid personal monologue. Have a touching charm. Chen Ruoming's "Selected Ancient Poems from Caijiantang" said: The advantage of Cao Pi's poems lies in "being able to turn and hide". Those who "turn", that is, "change is constant", such as "Good deeds" (picking roses on the mountain), write their own emotional process of "change is constant" with multiple metaphors.
. Those who "hide", that is, "implicit and meaningful", are meaningful, and express their lost melancholy and "complex" with soothing brushwork, lingering and graceful style and aria-like formal characteristics. This form of expression, compared with his father Cao Cao's "Short Songs", "the mountain is not too high, and the sea is not too deep; The duke of Zhou vomits food, and the world returns to his heart ":one is lingering, the other is desolate;" A graceful, a generous, its
It's different.