Tao Qian Tao Yuanming (365-427) was born in Chaisang, Xunyang. Shi Tao played down Qingyuan's pen and wrote about rural life and street scenery, which opened up a new realm for poetry.
Southern Dynasties
Xie lingyun,
Xie Lingyun (385 ~ 433) was a poet in the Southern Song Dynasty. He is the pioneer of a new generation of poetic style, and he is the first person to change from the primitive wind with heavy temperament to the aesthetic wind with heavy melody. A large number of landscape poems broke the rule of metaphysical poetry in the Eastern Jin Dynasty, expanded the field of poetry themes, enriched poetry creation skills, and had a great influence on later poets. Many famous lines in Xie Shi's poems, such as "The wild sand shore is clear, the sky is high and the autumn is bright", "Spring grass grows in the pool, willow trees turn into songbirds in the garden", "Green rocks are high in the Spring Festival Evening" and "Woods are colorful and sunset clouds gather", vividly and meticulously depict the beauty of natural scenery, giving people a fresh and pleasant feeling.
Thank you
Xie Tiao is a representative writer of Yongming style poems in Southern Qi Dynasty. He, He and others studied the harmony of sound, rhyme and tone in poetry according to the four tones of Chinese, and put forward the theory of "eight diseases", which created the eternal style and made contributions to the development of modern poetry. His main achievement in poetry creation is the development of landscape poetry. Xie Shu's landscape poems are as famous as Xie Lingyun's, and the world thanks him. Because it belongs to the same family as Xie Lingyun, it is also called Daxie. Daxie (Lingyun)' s landscape poems have never been separated from the influence of metaphysical poetry style, and there is always a color of Hyunri after the model landscape; Xiao Xie's landscape poems are completely descriptions of natural landscapes, and Hyunri elements have been eliminated. Xie Shu's poems have beautiful language and harmonious phonology, which embodies the characteristics of Yongming's poems. For example, "The sunset is scattered into a enchanting scene, and Chengjiang is as quiet as practice" ("Going to Sanshan and Returning to Beijing at night"); "The boat is known in the sky, and the river tree is distinguished in the cloud" ("Xinlinpu to Banqiao in Xuancheng County"). They are all fresh and elegant, and the police are all beautiful women. This is a famous sentence that has been passed down through the ages. Li Bai, a great poet in the Tang Dynasty, had the deepest feelings for Xie Shu. In Qing Dynasty, Wang Shizhen said that Li Bai "bowed his head and thanked Xuancheng all his life" in On Poetry. Xie Mao's poems not only influenced the poets in the Tang Dynasty, but also influenced the poetic style of a generation.
Tang dynasty:
Landscape pastoral poetry school is one of the two major poetry schools in the prosperous Tang Dynasty. This school of poetry is the successor of Tao Yuanming, Xie Lingyun and Xie Yao. The poets of this school are famous for being good at depicting pastoral scenery, and their artistic styles are close. They reflect their quiet mood or quiet thoughts by depicting quiet scenery, so they are called "pastoral poets". Its main author is Meng.
Meng Haoran's pastoral poems were mostly written in the form of five-character poems, which were very famous at that time. In his poems, there are descriptions of magnificent mountains and rivers, descriptions of secluded mountain forests, descriptions of travel scenes, and reflections on rural farmers' lives, such as
Wang Wei is the most accomplished poet among the pastoral poets in the prosperous Tang Dynasty. His poems are poetic and picturesque. Su Shi, a great writer in the Song Dynasty, once spoke highly of them: "There are paintings in poetry". Since then, "painting in poetry" has become the final evaluation of Wang Wei's poetry.
Wang Wei's pastoral poems vary widely, with different styles and artistic conception. They are sometimes magnificent, sometimes detailed and intriguing, sometimes vivid and vivid, and sometimes subtle and concise. Wang Wei is also good at vividly expressing natural scenery with various colors, such as "the grass in the rain is green and the peach blossoms on the water are red." "Gray rain curtain, green grass and pink peach blossom interweave into a colorful spring dawn picture of mountains and rivers, which is really picturesque in poetry", which is intoxicating.