The Dancer of Izu is Kawabata Yasunari's early masterpiece. The plot of this novel is very simple. A beautiful encounter happened on a lonely journey, just like the autumn wind gently blowing a leaf. There is a faint love between the hero and the dancer, but the story doesn't fall into the stereotype like some love stories. The dancer Xunzi's pure and innocent temperament brings not only the beauty of love, but also the purification and washing of the soul. The environment described in the novel also sets off the hero's mood. The peaks and peaks, the leaves in autumn, the drums beat by wandering artists and the lovely skirts of dancers all have strong Japanese characteristics.
Mr. Kawabata Yasunari's works can not only infect people with beautiful plots and meticulous language, but also infect people with characters or scenery, with real aesthetic feeling, appearing in front of people bit by bit and making people understand.
In the travel with * * *, the wandering artists show more and more trust and gratitude to the protagonist. The protagonist is also "neither curious nor contemptuous. I completely forgot that they belong to that kind of wandering artist. " My unusual kindness seems to penetrate into their hearts. "So he overheard the dancer Xunzi's praise:" What a nice person! "Sincere and frank praise is the expression of the dancer's pure feelings, and it also brightens the hero's mood.
After bidding farewell to the dancer, the hero embarked on a new journey. On the boat, a middle school student saw him crying and asked him. He answered the question naturally. "'No, I just said goodbye.' I'm very frank. I don't care if others see me cry. ""I don't want anything, I just want to sleep comfortably. My mind turned into clear water and dripped out, leaving nothing behind, only feeling sweet and happy. " A faint sense of travel arises spontaneously. In sadness and loneliness, I can feel my sad heart become calm and natural.
Izu Dancer 2 is a novel by Japanese writer Yasunari Kawabata. This novel was written in 1926, and it is also Kawabata Yasunari's famous work. I watched Mr Kawabata Yasunari's works again today. The novel was made into a film and won the Nobel Prize in Literature. To my surprise, this novel is about love, but there is not a word about love.
Izu in late autumn. 20-year-old Yasunari Kawabata wears high-toothed clogs and walks alone in the colorful valley. "I" is actually Kawabata Yasunari in high school. On the way, he met a dancer of 14 years old and had an indescribable affection for her. The object of the author's description is the miserable life of middle and lower class artists in the 1920s and 1930s. The experience of the girl Kaoko's family is also a true portrayal of the life of Japanese lower-class artists at that time: running around and being helpless. In the movie of the same name (directed by Katsumi Nishikawa 1974), there is a scene in which the family of a man and a dancer are sheltering from the rain at a post station. He asks the old woman at the post station: Where will those people stop today? The old woman said, who knows where the buskers will stop? Where there are guests, stop there. Who let them be artists? Only Sihai is at home. I advise you not to be with them, which is not good for you. From the perspective of reflecting social reality, the ending of Dancer of Izu will not be a happy comedy.
"The road in the mountains is foggy, the clothes are wet with misty rain, and my chest and feet should feel cold, but behind me I am sweating because of my quick action and anxious because of unbearable emotions. The first time I met love at such a young age, in such a dreamlike mountain, it was destined to be an unforgettable but impossible feeling. "
What he did in this novel didn't instill any ideas into the readers, and the protagonist was not perfect. Even at the beginning, he had evil thoughts about the dancers like ordinary people and wanted them to stay in his room that night.
After reading this work, I felt the profound skill of the literary master. The Dancer of Izu covers art, natural beauty and pleasant beauty in structure, plot and writing.
After watching Izu's Dancer 3, Izu's Dancer has been filmed many times. I started reading first, and then I watched Yamaguchi Momoe's movies. I haven't finished my aftertaste, and then I read the book again. It seems that in May, when I was watching Liu Yifei's Heroes of the Condor, I wrote on my blog: Compared with the two, the image is more gorgeous and the text is more natural. All the preparations of the former are to add flesh and blood to the main line. The latter is intangible and needs to be explored by readers themselves-probably, the original text is not clear.
The impression of the text version and video version of "Dancer of Izu" is similar to that of May. The text is clear and bright, like a fresh core in bud. To smell its fragrance, you must get it yourself in reading. The image is intuitive and direct, and the impact is strong, but it is for this reason that a kind of confusion is caused. Performers and learners can never have the same understanding of roles. This stems from human characteristics: unique body and mind. The second time I read it, I specially wrote reading notes. It's a general saying that it's a reading note. When reading, the influence of images has not faded: words, like clear springs, flow slowly in the foggy morning. The shadow in the distance makes me feel a little loose, and suddenly a page is full of vitality. Only at the end of the story, the heart is still moved by innocence. Everything is light, but it is endless. Images are more expressive to the whole society, interpersonal relationships based on social creation, and various contradictions brought about by interpersonal relationships, and can also make people's inner observations more profound in a short period of time. If we say that after reading the book, we feel that teenagers are happy to be recognized by others and themselves after all kinds of experiences, then after watching the video, we are sad for the hardships brought by life. The emphasis on the background is different, which makes the artistic conception created by these two expressions biased towards the north and south. In the book, the author shows several symbols: pure and hazy love; The fate of artists who are not understood; Changes after the protagonist's mental journey; The simple and honest image of mother. These elements, when forming an image, are all tampered with the tragic fate of the artist by the director except for the general consistency; Mom's shrewdness. As for the protagonist's mood on the boat after bidding farewell to Ah Xun, he didn't mention it at all. Can only say that it is a failure.
The Dancer of Izu has a very important turning point: "I am a 20-year-old man, and I have repeatedly and seriously reflected on my strange spleen developed because of loneliness." ...
After reading Izu's Dancing Girl, there is a kind of love that is doomed to be found in real life, just like this ethereal, quiet but faintly sad story written by Yasunari Kawabata. In this story, there is no vigorous pledge of eternal love, no lingering appearance, or even a little secular powder.
The plot of the story is simple: in a foggy season, a teenager who is in college preparatory course met a beautiful dancer on a lonely trip. Here, if you follow the secular ideas, then the next step is to spend time together, very much in love. But in this story, the teenager and the dancer only explained this youthful and hazy relationship through a few eyes and a few words. We can't blame them for being young and ignorant, nor can we blame them for being ignorant and green. Such sadness, like that beautiful meeting, is doomed. One is a lonely teenager, and the other is a wandering dancer. Meeting in such a beautiful season may be their greatest fate. When the journey was over, the dancer who came to see him off remained silent, although she felt unspeakable sadness in her heart. When the boat left, the dancer's posture gradually disappeared. The teenager lay in bed in frustration, tears streaming down his face. And that agreement about winter, we don't know whether it can be realized, maybe only such a fruitless ending can make people feel meaningful and memorable.
After reading the story, I suddenly remembered an evaluation of Izu: Izu is different from Tokyo, and the prosperity of Tokyo is not there; Izu is different from Nara, who has no wisdom; Izu is even more different from Kyoto, without the ancient rhyme of Kyoto. All it has is the melancholy and innocent nature in the off-season, which is just suitable for this hazy first love, so this story only makes people feel reasonable in places like Izu.
After reading this story, I suddenly remembered an old saying: "Knowing a gentleman's feelings is also good, but remembering people is all in silence." Perhaps this is the best interpretation of the ending of this story. If there is no ending, everything is self-evident ...
After reading Izu's Dancer, I picked up the book Izu's Dancer. The cover as pure as cherry blossoms, just like its introduction-"the most beautiful first love in the world". This is a collection of Yasunari Kawabata's short stories. The first half is his autobiographical experience, and the second half has written many life-oriented stories, including the dancer of Izu.
Every character described by the author seems to be kind, such as the old woman who met while staying in the mountain, the paper merchant who met in Nanyidou Hot Spring, Rongji, Chiyoko and EMI who accompanied the protagonist all the way, Xunzi who communicated with the protagonist, the miner who met on the last trip and the teenager who sat next to him on the boat and prepared to go to Tokyo for the exam. And of course, the hero himself. In several short essays, the author described in detail all kinds of people he met during this short trip. They live their own lives and engage in their own careers. But you can always see * * *: they are so approachable, and simple folk customs are accompanied by warm folk customs. It makes people feel warm from beginning to end.
Kawabata Yasunari's writing has a strong sense of image, and his brushwork is particularly delicate. I have the illusion of watching movies on paper. When I watch them, I always have frames in my mind. The most beautiful things are often full of regrets. The first love between teenagers and dancers is beautiful because it is transparent and broken. Dark tunnels, cold raindrops, and the exit to Izu reveal a little light ... These lines are ambiguous, but love is on the tip of your mouth, but no one can say it, and even the joy in the corner of your eyes should be properly hidden. Teenagers love, with unwarranted fear and hesitation, without money, even if they can't give up their sincere dancers, they finally leave out of turn. The dancer's love is sincere and pure, but she is just a street performer with no fixed place. She may lose her virginity under the pressure of life and never dare to expect the love of that teenager.
Close the page, faint sadness haunts my heart, immersed in the sense of powerlessness brought by the story. Kawabata Yasunari's words are like a cup of fragrant tea. After reading them, there is a faint fragrance between the lips and teeth. The feeling of beauty is like what the teenager in the book said: "My mind seems to have turned into a pool of clear water, which overflows one by one. Then there was nothing, and I suddenly felt very comfortable. "
After reading Izu's Dancer, I saw Kawabata Yasunari's Dancer, and I was deeply moved by the faint love between the author and the dancer. After reading the whole article, I found that there are many details in it, such as the world's views on dancers: who knows where that kind of person will live; Beggars and roving artists are forbidden to enter the village ... but these secular languages do not affect the dancer's kind nature, self-esteem and self-love soul: the bird dealer patted the dancer on the shoulder, and the grandmother said with a terrible face: "Hey, don't touch this child, she is still a girl"; Follow me quickly. She walked behind me without keeping a distance of two meters. She doesn't want to shorten the distance, nor does she want to lengthen it. I went back to talk to her, and she smiled in surprise and stopped to answer me. I waited for her to catch up, but she still stood still. She didn't take a step until I started. Later, my grandmother wouldn't let me go to the movies with dancers, and so on These plots fully show the artist's noble character and humanity.
The profound friendship and subtle feelings between the author and the dancer are not described in my mind, but everyone can feel them. If we stay together only out of respect for each other, but as a prerequisite for friends to communicate with each other, and then we leave for home, I think that we slept too late last night and couldn't get up this morning, and everyone couldn't come to see us off ... When we arrived at the shore, I suddenly remembered the beautiful image of the dancer squatting on the shore. At this time, we can see what kind of emotion this is without any psychological description. We liked each other and had to leave at the dock. The dancer's listless tone showed that she didn't want to leave the author. After the author boarded the ship, he communicated with the teenager: "I just left her." I don't care if others see me crying. These also fully show the author's deep nostalgia for the dancers. I admire Kawabata Yasunari's superb narrative art and like his feelings of getting along with others and respecting each other.
The full text is full of Kawabata Yasunari's unique narrative atmosphere, which makes people feel the atmosphere of a 20-year-old student traveling to Izu alone. A newborn boy's simple understanding of the world; A dancer who is still a child has a simple view of the world. It is precisely because of these two simple hearts that the whole article is more simple and touching.
Thoughts on Izu Dancer 7 Kawabata Yasunari: "No matter Izu Dancer or Snow Country, I wrote it with gratitude for love." For me, no matter "Dancer of Izu" or "Snow Country", I read it with gratitude for love. This sentence doesn't seem to suit me, yes, it doesn't suit me.
The dancer's name is Xunzi, and the cardamom is in its prime. A woman in her prime is the loveliest and most beautiful. For the author, she has a longing for love, but also makes people fondle it. Just as the author was stunned when he saw the dancer, the shyness and reserve of the dancer made the author fall in love.
In fact, the author's love for dancers has never stopped from beginning to end. At first, he came to travel, but after seeing the dancers among the artists, he lost his mind and began to follow them wholeheartedly. There is a wonderful psychology: after the dancer left, the author did not catch up immediately, but calculated the time to go again. The conversation with the old woman showed that the author was impatient and devoted himself to the dancer; After catching up with the dancer, she didn't stop immediately, but walked on. This is the same as in The Adventures of Tom Sawyer. Tom met a beautiful girl and did a set of difficult gymnastics. Although he likes it in different ways, it is essentially the same.
The author likes the dancer's reserve: be polite when playing chess, keep a great distance, and then climb on the board. This kind of performance, most girls have. For example, the dancer wanted the author to recite it, but she didn't say it. Who doesn't like this purity? The author likes the dancer's innocence: streaking outside the bath and seeing the author is full of joy. This kind of performance is rare for girls. Of course, the dancer is still a child. The author also likes the shyness of dancers: when talking about a student's brother swimming, the shyness that he wants to say but dare not say makes the author feel very excited. The author prefers the dancer's silence: when she left, the dancer squatted on the shore without saying a word, and didn't wave goodbye until she left, which made people feel pity.
Comments on Izu's Dancer 8 Aesthetically Japanese Literature, Aesthetically Chuan Ruikangcheng and Aesthetically Izu's Dancer.
The Dancer of Izu is a short story written by Chuancheng in his early days, and the sad style of lavender is growing wildly. It tells an unforgettable love experience between the author and the singer. The whole story is like an ink comic book, relaxed and dignified, fresh and elegant as a pot of green tea.
As a student, "I" went to Izu alone in order to send out suffocating melancholy. During the trip, I met a group of touring artists, such as the dancer Xunzi, the dancer's brother and sister-in-law. So, during the four-day journey, "we" walked hand in hand and gradually established pure friendship and trust. In particular, there is a pure and hazy love between "I" and dancers. At the end of the trip, "I" stood at the bow of the return boat and felt infinitely disappointed. ...
Chuan Cheng's artistic sense is keen and delicate, but Izu's dancers have no coherent story. It seems that all his creations are based on interest. His unique artistic conception, touching artistic image and sad artistic conception make his novels have distinctive features, and pure dancers become the symbol of purity in his works.
At the same time, the coherent sadness and impressionistic aesthetic mood in the text can always catch the reader. For example, at the end of the novel, "I let my tears surge …" makes the author express the infinite sadness of parting with the dancer and the sweetness and vividness of past contacts with the dancer in a subtle and tortuous way.
The Dancer of Izu is a story about forgetting. Say goodbye when you meet, that is to say goodbye forever. In the whole process, nothing started, but it was over. The whole story is like a bud, which makes people unwilling and unwilling I can't bear to see that these two young people can't express their love, can't open their hearts to love, and can't willingly watch them separate like that. We just met, and we are going to say goodbye forever. This love story is as vigorous and short, bright and tragic as the cherry blossoms that Japanese love. Perhaps because of this, it is deeply loved by people.
The success of characterization in The Dancer of Izu also increases the charm of the novel. The author has successfully created the image of a dancer, so in the novel, you can see a living woman who is ashamed to offer me tea.
Today, I read The Dancer of Izu by Yasunari Kawabata. By writing about my concern for a dancer, the author writes her shy words and deeds, showing us the image of a shy dancer, and we can also feel the inner world of the dancer from these gestures.
This article is based on the changes in the whereabouts and feelings of artists such as "I" and dancers. "I" was attracted by a dancer and always walked with these artists who performed in cycles. It was "I" who gradually got to know them and became friends with them.
Artists were a humble profession in the society at that time, but they had their own freedom and happy and contented life. Even if they are despised by others, they can easily satisfy their lives. When "I" approached them voluntarily, they talked openly with me and regarded me as a friend. They think "I" is a good person, because "I" is friendly to them without discrimination. At the same time, it also makes me feel happy and happy. They are also very friendly and care about me. If they have persimmons to eat, they will think of giving them to me. When I am about to leave them, they want to prepare some cigarettes and persimmons for me to make me feel more comfortable on my way back, and sincerely hope that I can visit their hometown.
The author wants to go with the artists because he wants to spend more time with this beautiful dancer. When describing the dancer's appearance, the author focuses on her thick hair and hazy love and shy eyes. She not only likes singing and dancing, but also plays chess very well and is loyal to poetry and articles. I was deeply impressed by the way she concentrated on playing chess and listening to articles. From this dancer, people can get rid of the stubborn impression of this dancer, but see the image of a pure and elegant, shy and sad dancer.
Kawabata Yasunari won the Nobel Prize in Literature for his article. He used very detailed details to let us enter the inner world of the character. The thoughts of these characters are also worth pondering by every reader.
A dancer in Izu's random thoughts on reading 10 A young student met a group of vagrants on his trip and walked with them. What kind of story will happen between them?
Izu Thin Dancer in My Hands contains several short stories by Yasunari Kawabata, and Izu Dancer is probably the most famous one. The story tells that an orphan preppie traveled to Izu accompanied by a group of wandering artists and fell in love with one of the dancers, who was 14 years old.
The plot of this novel is very simple. A beautiful encounter happened on a lonely journey, just like the autumn wind gently blowing a leaf. There is a faint love between the hero and the dancer, but the story doesn't fall into the stereotype like some love stories. The dancer Xunzi's pure and innocent temperament brings not only the beauty of love, but also the purification and washing of the soul. The environment described in the novel also sets off the hero's mood. The peaks and peaks, the leaves in autumn, the drums beat by wandering artists and the lovely skirts of dancers all have strong Japanese characteristics. Mr. Kawabata Yasunari's works can not only infect people with beautiful plots and meticulous language, but also infect people with characters or scenery, with real aesthetic feeling, appearing in front of people bit by bit and making people understand.
Mr. Kawabata Yasunari arranged a sad tone in his novel. The protagonist saw the pain of the old man's stroke, three orphans whose parents were killed by the flu, and the poor grandmother who lost her son and daughter-in-law. Rong Ji, who was down and out among the discriminated vagrants, Chiyoko, the wandering wife of Rong Ji, and her children died prematurely during the journey, but refused to become a dancer's brother, her grandmother who despised women because of social customs, and Yuriko, who left her hometown to become a dancer alone, all reflected a kind of sad and helpless mood, which was related to "distorted personality due to the root of orphans" and "suffocating depression to travel to Izu". This may be inseparable from Mr Kawabata Yasunari's own experience.
After reading it, Izu's dancer felt that 1 1 picked up Yasunari Kawabata's light book and read it with longing for her first love, but when she looked up again, she seemed to have experienced the love and grievances of the world of mortals. At first, I didn't cry. When the girl waved a white handkerchief to a distant ship, Kawabata Yasunari's pen and ink stopped abruptly, so I think I am full of hope-the girl will always feel warm for this encounter.
I can feel how beautiful the scenery on that mountain is from the author's brush strokes. Green is lingering in the misty rain, and cabins appear intermittently on the bumpy and muddy mountain road. On a reverse journey, a teenager wearing a student hat sat quietly on the wooden steps, smiling, staring at a little girl with a small drum and twisting her waist in front of the hall. Two pink peach blossoms appear on the jade surface like water, intoxicated with the Japanese melody, just like a girl's shy posture swaying from side to side, erratic, but so beautiful and moving. Perhaps this is not a stunning encounter, but it makes people feel as fresh as a mountain spring. We can't find a trace of evil desire, and we can't find out whether the young man has planted the root of love in his heart, but he is willing to read on without hesitation.
The singer admired by the teenager stepped on the easy-to-drop clogs and rushed forward to walk with the teenager. She is stubborn and sweaty. After saying goodbye to the girls, the teenagers went to the old lady's house. The old lady's old voice tells the bitterness of the girls in this world. In front of us are scenes of smiling girls singing and dancing with rattles and ukuleles, like a sharp sword, which instantly cuts off all the beautiful things. It turns out that everything beautiful is so terrible behind it. Those singers sell not only women's bodies and faces, but also irreparable years. When we meet again, the teenager is contentedly chasing the girl's footsteps, and she will glance shyly. The young singer's pure voice flashed in the fragmentary light, and the teenager understood everything around him alone with anxiety. He stayed up all night until he saw the girl's naked and clean body, and he broke into a very comfortable smile.
Parting is just around the corner, the girl born late silently sends a wooden comb firmly inserted in her hair. Deep helplessness and passion that has not completely dissipated or even been revealed all follow the ruthless sea. The persistent singer on the shore looked at the lover who was farther and farther away, and finally couldn't help it anymore. She stood on tiptoe, filled with tears, and waved her white handkerchief with all her strength.