Appreciating pastoral poetry should pay attention to mastering it from the following angles.
① To appreciate pastoral poetry, we should fully grasp the characteristics and implications of images.
This is what we often say to grasp the poetic image. For example, in Bai Juyi's Pipa Trip, I am seeing the guests off and visiting Xunyang River at night. Maple leaves are blooming and autumn sounds are rustling. The three images of "maple leaf", "picking flowers" and "autumn" do not highlight things and seasons, but also render the environmental atmosphere and the poet's sad mood at the time of farewell through their unique attributes. The images of ancient poems often combine complexity and abstraction, combine everything into one, induce imagination with highly concentrated artistic images, and produce peculiar aesthetic effects.
② Appreciate the artistic conception of pastoral poetry.
Scenery and lyricism is a major feature of China's classical poems, especially his pastoral poems. Once the natural scenery is written by a poet, it will inevitably bring the poet's emotional color to serve the expression of specific feelings in poetry. "An old friend resigned from the Yellow Crane Tower, and the fireworks went down to Yangzhou in March. Lonely sails overlook the blue sky, but I can see the Yangtze River flowing in the sky. " It is a good poem that combines the feelings of the scene and the ancient feelings in the scene. The fireworks are sad, the lonely sails shake, and the clear water in the sky takes away the poet's endless thoughts. The poet's feeling of parting permeates every painting.
(3) Understand the poet's emotion in describing rural scenery.
Generally speaking, the feelings between the lines in landscape poems are easy to grasp, but some landscape poems that are purely landscape poems on the surface are not so easy to understand. This requires us to know the author's life experience and background at that time, that is, to know people.
As far as the world is concerned, we can accurately understand the feelings expressed by the poet's landscape writing. This involves a question of emotional sustenance. When analyzing poetry, we should carefully judge the depth of emotional sustenance and avoid arbitrarily exaggerating the ideological connotation of the work.
④ Analyze the writing skills and language features of poetry.
There are many ways to write landscapes in pastoral poems. When appreciating pastoral poems, we should mainly pay attention to the common methods and skills of writing landscapes.
A, pay attention to the author's position of observing the scene and the angle of describing the scene, such as the change of height, leaning and warping.
B master and analyze the author's methods of describing scenery, such as drawing shapes, sounds and colors. "Rocks are flying in the air, and the waves hit the shore, rolling up thousands of piles of snow."
C, understand and explain the skills of describing scenery, such as combining virtual banquet ("Xiao sees red wet place, flowers are heavy on Jinguan City") with dynamic contrast ("When the moon rises, the spring creek scares birds"), and contrast between light and shade ("The wild path is dark, the river and boat are bright"), and seeing the big from the small ("The window of Xiling contains snow, and the door is moored in Wan Li. In the use of language, we should not only learn to appreciate the magnificent scenes described by poets in the prosperous Tang Dynasty, such as Wang Wei's "Lonely smoke in the desert, the long river setting the yen", but also be good at understanding the poet's meticulous observation, capture and description, such as Du Fu's "Fish in the drizzle, Swallows in the breeze" and Lu You's "Small building listening to spring rain all night, selling apricot flowers in deep alleys".