(2) The east wind has risen, and a hundred flowers are blooming: this refers to the late spring season, when a hundred flowers wither. East wind, spring breeze. Remain, wither.
⑶ silk perfection: silk is homophonic with "thinking", which means "thinking" and contains the meaning of acacia.
(4) wax torch: candle. Tears began to dry: tears refer to the burning candle oil, and pun here refers to the tears of acacia.
5. Xiao Jing: Get dressed and look in the mirror in the morning. Mirror, used as a verb, means to look in the mirror. Yunbin: A woman's beautiful hair is a symbol of her youth.
[6] response: the word of imagination. Leng Yue: It refers to the deepening of the night.
(7) Pengshan: Penglai Mountain, the legendary sea fairy mountain, refers to fairyland.
⑻ Jade Bird: a mythical messenger who sent letters to the Queen Mother of the West. Diligence: Friendship is sincere and profound. Explore (kān): visit. The first couplet is a deep sigh caused by extreme lovesickness, which highlights the pain of parting in the gathering and parting of two lovers. The phrase "the east wind rises and a hundred flowers blossom" not only describes the natural environment, but also reflects the poet's state of mind. Things blend with me, and the mind and nature reach a subtle fit. This kind of description that reflects people's situation and feelings with scenery is common in Li Shangyin's works. For example, the first two sentences of "A note to friends in the north on a rainy night" say: "Jun asked that the return date is undecided, and the rain rose in the autumn pool in the evening." The second sentence not only symbolizes that the poet stays in Bashu, but also reflects the boredom of leaving. For example, in "And the East Wind Has Arised, Let a Hundred Flowers Bloom", realism and symbolism are integrated into one, giving feelings a tangible external form, which is usually called the lyrical way of feeling in the scene. The word "don't" doesn't mean we say goodbye now, but refers to the forced separation that has been completed. In previous poems, some sentences such as "It's a piece of cake to meet difficulties" (Ge Yanxing by Cao Pi) and "It's a piece of cake to meet difficulties" (Hugh by Ding Du by Song Wudi) all emphasize the difficulty of reunion and lament the pain of parting. Li Shangyin went further from here, saying that "seeing each other late" means "parting is also difficult"-it is difficult to give up and the pain is unbearable. "East wind" points to the season, but it is a metaphor for people's acacia. Because of lingering feelings, people are as lifeless as dead spring flowers. These two difficult words have different meanings. The first difficulty is to write how hard it was for them to get together and how many ideas they had to pursue. The last word "difficult" describes the difficulty of parting and the emotional suffering experienced by both sides after parting, which shows how difficult and bitter the love life of the lovers is. In the second sentence, it is written that people who hurt others tend to be late spring. Flowers bloom with the power of spring breeze, and when the spring breeze is exhausted, the flowers will wither. As long as the flowers are like this, people can do nothing. Here, the poet further expressed his deep sorrow for the world with the scene of late spring.
Zhuan Xu went on to write about the feelings of "short encounter" and "difficult to leave", which was even more tortuous. The poet wrote his infatuation and bitterness and his unrequited love pursuit by symbolic means. The word "silk" in "Spring silkworms must weave until they die" is homophonic with "thinking". You miss each other like silkworms until you die. "And the candle will cry the wick every night" is a metaphor for the endless pain of not being together, as if the candle burned to ashes and the wax tears ran out. Miss more than, showing deep attachment, but will spend a lifetime in miss, but it also shows that meeting is indefinite and the future is hopeless. Therefore, his own pain will accompany him all his life. However, although the future is hopeless, she loves it to death and will be attached to it all her life; Despite the pain, there is only patience. Therefore, in these two sentences, there are both disappointed sadness and pain, as well as lingering and burning persistence and pursuit. Pursuit is hopeless, and we still have to pursue it in hopelessness, so this pursuit is also pessimistic. These feelings seem to circulate endlessly, and it is difficult to find the end; It seems to have formed a multi-faceted solid, and light can't see the whole picture from one angle. The poet successfully expressed such a complicated psychological state with only two metaphors, which shows that his association is very rich. The phrase "Spring Silkworm" is first of all the association between the lingering attachment of human beings and the endless spinning of spring silkworms, and then from the spinning of silkworms to the ending of "death" and then to the unswerving love of human beings. So writing "silk to death" gives this image various metaphorical meanings. "Silk Making", a western song of Yuefu in the Southern Dynasties, said: "Spring silkworms are not old, and they are pregnant with silk day and night. What a pity! When you are exhausted, it is time to be lingering. " The intention is similar to the sentence of "Spring Silkworm" in Untitled. The idea of "how to be tired" of spring silkworms here is a kind of idea of "lingering has its own time", and its future is quite promising. The phrase "spring silkworm" in Untitled is not like this. As far as its pursuit spirit is concerned, its pursuit is hopeless, but it doesn't care if there is hope. Different emotional realms make associations more tortuous. In the Yuefu before Li Shangyin, it was not uncommon to compare burning candles with suffering. For example, "I miss you like a candle and set myself on fire in the middle of the night" ("Out of the King"), "I miss you like a candle and tears explode thousands of lines" ("Out of the King" by Chen) and so on. "Every night the candle will cry the wick away" is also a metaphor of the candle, but it does not simply compare the pain with wax tears. But through "starting from the ashes", it further embodies the painful feeling of life. Lenovo is much more profound and complicated than previous people, and its image is much richer. The above four sentences focus on revealing inner emotional activities and concretizing unspeakable complex feelings, which are beautifully written.
Necklace guesses and imagines each other's lovesickness from the perspective of the poet's considerate care. The last sentence is to write the image of a young woman looking at herself in the mirror and touching her temples, which implies her thoughts and worries. "Changing temples" refers to being unable to sleep at night because of painful torture, resulting in the loss of temples and gaunt face, which is what Wu Yun, a poet of the Six Dynasties, said: "Worrying changes temples, crying makes beauty disappear" (Six Poems with Ma Xiaoxi). However, the sentence "Xiao Jing" in Untitled said that when I looked in the mirror in the morning, I was worried about "cloud change" and it was "but worried"-just worried. This vividly describes the spiritual activities of graceful songs, rather than simply describing the fact that youth is consumed by pain. The night is haggard because of pain, and the morning is haggard and painful. The pain at night is because the pursuit of love cannot be realized; The next day I was worried about haggard, hoping to stay young for love. In short, I am haggard with love, but I am depressed with pain. This lingering feeling day and night still shows a painful and persistent heart. The next sentence, "You should feel the cold of moonlight", is to reflect the psychological desolation through the feeling of physical coldness. The word "should" is a tone of conjecture and expectation, indicating that all this is my imagination of the other party. The imagination is so vivid that it reflects her eagerness and deep understanding of her lover. Write the sadness of lovesickness of young women on a cold night. If they meditate late at night and feel lonely and unaccompanied, they will feel the biting cold of moonlight. Delicate description of each other's sadness shows the poet's consideration for the woman and the poet's deep affection.
The more concrete the image of the tail, the deeper the yearning, and the more eager for satisfaction, which is its content. Since there is no hope of meeting, I have to ask the messenger to pay tribute to myself and visit him in person. Poems often compare immortal couples. Jade bird is the messenger of a goddess, the Queen Mother of the West. Pengshan is a fairy mountain in myths and legends, so here Pengshan is regarded as the symbol of the other party's residence, and Jade Bird appears as the messenger of the lyric hero. This hope at the end of the messenger has not changed the painful situation of "meeting each other late", but it is a hopeless hope and the future is still slim. When the poem is over, the pain and pursuit of the lyric hero will continue.
This poem is full of pain, disappointment, lingering and persistent feelings from beginning to end. Every couplet in the poem is a reflection of this emotional state, but the specific artistic conception of each couplet is different. They repeatedly show the complex emotions throughout the poem from different sides, and at the same time reflect the psychological process with this complex emotion as its content vertically with their close connection. This continuous, implicit and profound lyricism successfully reproduces the deep affection in my heart.
Li Shangyin had similar descriptions in the first, third, fourth and fifth sentences of his previous poetry creation. The poet was inspired, inherited and used for reference by his predecessors. However, he did not simply imitate his predecessors, but took a big step forward with high creativity, transforming the original simple means of expression into more tortuous and vivid, so as to reflect richer and deeper thoughts and feelings. In fact, he has removed the old traces and become a new creation. It can be seen that the poet's rich literary accomplishment and exploration of artistic conception and means of expression are important conditions for the success of this poem. Autumn rhyme: Li Yishan's untitled poem: Spring silkworms have to spin until they die, and the candles have to cry dry every night. "This is another situation. Nowadays, this body is a slang word, which has been handed down by many people and is not enough.
Four styles of poetry: "In spring, silkworms will weave until they die, and candles will drain the wick every night." Beautiful wording, just like the Six Dynasties.
Good poetry collections in the Five Dynasties: Bixing in poetry originated from Yuefu in Han and Wei Dynasties, and was the highest among untitled poems.
Chu Baian's Poetry Review: What kind of charm it is to write "Don't be embarrassed" in March and April!
Yingkui Rhythm and Essence Comments: Feng Shu: The second sentence can't be found in the ends of the earth, and the second sentence of "collecting wind" and "Linxi" is fascinating. Feng Ban: Beauty is in the first league. Three or four are also Yang and Liu Yueer. He Yimen: "The east wind is powerless", and there is no owner in the world. "A hundred flowers blossom", you are old enough. What do you think of the poem A Journey?
"Tang Poetry Piercing the Pearl": This poem plays with the general chapter, and the corner of Guangxi is too exposed, so the word is skin, but the essence of God has another meaning. If you make an erotic solution, it is close to anger and illegal. If you carefully measure its purpose, do you want it in the right way?
An Interpretation of Li Yishan's Poems: Eight Sentences Turn a Thousand Times.
Yuxi's poetry: three or four steps. This knot is very powerful with a pen.
Revise the annotation of Li Yishan's poem: Mengxing Cheng said: This poem seems to meet a powerful person, so I hope it can be quoted into the DPRK, so it is inconvenient to say it clearly and it is untitled. The first sentence is tender and affectionate, and the second sentence is smooth. Three or four words are in a bad mood, and five or six words are also pitiful. Seven or eight times, I hope it is the Queen Mother, Pengshan Road.
"The Seven-character Method of Annotating Tang Poems on a Mountain Full of Buildings": When reading the first sentence extensively, I doubt that it is not a good time to say goodbye. When playing the first sentence, I remembered it after saying goodbye, but I knew it was an inverted sentence ... Alas! At this point in love, you can really make God cry. "Jade platform", "fragrance" or dirt! Lettering (under the sentence "Spring silkworms die").
Poetry about the studio: If you are too emotional, you can't take pictures of yourself. You can only understand it by reading Li Yishan's sentence, "Spring silkworms keep spinning until they die, and every night candles are crying to dry the wick".
The First Collection of Poems of Longxingtang: Li Yishan is an expert in wisdom, and Taosun Ao said that his poems are "beautiful and elegant, but only applicable", which is similar. "Untitled" by Yishan says, "Spring silkworms will weave until they die, and tears will run out every night." "What is the life of angels except dreams, if they don't bring their lovers into their rooms? "It points out infatuation, drinks flower sticks, and almost has both.
Note of Tang poetry: The first sentence is seven words, which is difficult to meet, so it is even more difficult.
Tang xian's little samadhi collection continues: Yuxi's untitled works are affectionate and beautiful, unparalleled throughout the ages. After reading them, you can't say how good they are.
On Yuxi's Poetry: An emotional work, easy to arouse words. This cloud says, "There is no road from Pengshan to Bluebird. Listen! -bring me what she said! " , is not a desperate words, but also a solid purpose of the poet. But three or four are too small to hear.
Three hundred Tang Poems: There is still a breath and a lot of ambition. You can express your feelings and metaphors.
Seven anti-singing rhythms: an unforgettable word. A thousand years of love words can't compare with it.
"Poems on Lianshan": A mountain "weaves with the silkworm to death, and tears at the wick every night" is about lifelong learning, which is imitated by future generations four times. There is no such strange sentence.