Who is the representative of the pastoral poetry school in Tang Dynasty?

The representatives of pastoral school are Wang Wei, Meng Haoran and Chen Ziang.

Wang Wei is a representative of the pastoral poetry school in the prosperous Tang Dynasty. He inherited and carried forward the landscape poems initiated by Xie Lingyun, and was unique, which made the achievements of landscape pastoral poems reach the peak and occupied an important position in the history of China poetry. Wang Wei also has excellent works in other aspects. Some reflect the life of the army and the frontier fortress, some show chivalry, and some expose the shortcomings of the times. Some small poems that bid farewell to relatives and friends and write about daily life, such as "Farewell to Yuan Er Shi Anxi", "Acacia", "Thinking of Shandong Brothers in the Mountain" and "Farewell to Shenzifu Jiangdong", have been passed down from ancient times to the present. These poems are all five-character poems or seven-character poems, which are sincere, unadorned, simple and profound, comparable to Li Bai and Wang Changling, and represent the highest achievement of quatrains in the prosperous Tang Dynasty. His poems, which should be written, sung and preached to Buddha, are occasionally famous, but they are not enough. Wang Wei has the highest attainments in five laws, five unique skills and seven unique skills, and he is also good at other aspects, which is very prominent in the Tang Dynasty poetry circle. Its seven methods, either vigorous and gorgeous, or beautiful and elegant, are all imitations of the seven sons of the Ming Dynasty. The seven ancient forms are neatly arranged and the momentum is erratic. Prose is quiet and meaningful, full of poetry, such as The Mountain and Pei Xiucai's Book. Wang Wei enjoyed great fame both before and after his death, and was known as "the literate sect in the world" and "Shi Fo". Have a great influence on future generations.

It is precisely because he often looks at everything with the eyes of a Zen master that his poems have a kind of beauty of tranquility, openness and quietness that other poets can't reach. In particular, the dynamic images in his description of nature in A Moment are so pure and quiet and full of Zen, such as: "People are idle with osmanthus fragrance, and the night is quiet and the mountains are empty." When the birds are startled in the moon and the springs are singing. "("birdsong ")" In the autumn rain, there is a shallow pomegranate flow. The jumping waves splashed from themselves, and the egret was shocked. "("Luan Jia Se ") and the famous sentence" There is moonlight in the pine forest and crystal stone in the stream "("Autumn Night in the Deep Mountains ") often purify readers' hearts and give people endless quiet reverie.

2. Meng Haoran

Poets in Tang Dynasty. Xiangyang Xiangzhou (now Xiangfan, Hubei) Xiangyang is known as Meng Xiangyang in the world. In the first half of my life, I mainly stayed at home to study and adapted my own poems. Once lived in seclusion in Lumen Mountain. At the age of 40, you should travel to Beijing and return to Xiangyang. I made friends with Zhang Jiuling and Wang Wei when I was in Chang 'an. There is a poem title. After roaming in wuyue, the landscape is extremely poor, so as to solve the frustration of official career. He died of overeating. Meng Haoran's poems are mostly five-character short stories with limited themes. He writes more about landscapes, pastoral areas, seclusion and travel. Although it is not without cynicism, it is more of a poet's self-expression. He and Wang Wei also said that although his poems were not as broad as Wang's, they had unique artistic attainments, and he was the pioneer of the pastoral poetry school in Tang Dynasty after Tao Yuanming, Xie Lingyun and Xie Tiao. Meng Ke's poems are unpretentious, cordial and true, full of life breath and wonderful and complacent interest. Such as "Autumn Boasts Send Zhang Wu", "Passing the Old Village" and "Spring Dawn", which are light and elegant, integrated and elegant. Meng's poems are based on broad-mindedness and broad-mindedness, but there is also a vigorous and free spirit, such as Dongting Lake Newspaper, Clouds and Clouds, and Yueyang City Trapped, all of which are vigorous and free, overlooking everything. But this kind of poem is rare in Meng's poems. Generally speaking, the content of Meng's poems is thin, and it is inevitable to be embarrassed by the length. Meng Haoran's Popular Collection contains 263 poems, but some of them are the works of others.

"Prepare chicken and rice for me, old friend. You entertain me on your farm. Green Woods surround the village and green hills are located outside the city. Open the window facing the valley vegetable garden and pass the glass to talk about crops. Wait until the mountain is on holiday, and I will come back in chrysanthemum time. " . Green trees, green hills, cottages, nurseries and Sang Ma blend harmoniously. This is a beautiful and quiet rural scenery, emitting a fresh earthy atmosphere. There is a strong atmosphere of life here. Here is "too light to see poetry" (Meng Haoran in Wen Yiduo's works), but there is no lack of artistic beauty and simple life beauty that are deeply integrated into the whole poem. Meng Haoran seems to have found the feeling of conversion here. The poet finally forgot all the setbacks and gains and losses of fame and fortune in his political pursuit, and even completely abandoned his lonely and depressed mood in seclusion. Finally, the mind is relaxed, and even the poet's movements are very flexible, which naturally shows its conquest here.

Sleeping sickness in spring unconsciously broke the morning, and the chirping of birds disturbed my sleep. But now I remember that night, that storm, I wonder how many flowers were broken? "These four poems are the works of Meng Haoran, and his artistic realm and spiritual realm have reached the realm of transformation. But now I remember that night, that storm, I wonder how many flowers were broken? Wang Guowei commented that Li Yu's words "have the meaning that Sakyamuni Christ bears human sins", and Meng Haoran's two poems also contain great and profound feelings. His feelings and feelings for all things have a * * * sound, and there is a deep sympathy for the universe and life. This poem expresses the highest metaphysical heart and the greatest romantic feelings. This is the most natural poem, and it is heavenly. Meng Haoran is happy. He changed the realm of life from the realm of utility to the realm of heaven and earth, and I reached the realm of no self. Although I suffered hardships during the period, I finally endured it.

Dull: Dull is different from mediocrity and insipid. It is the deep feelings and rich thoughts expressed in simple language, full of affection, so it is often dull and thoughtful. As Wang Anshi said, it seems the most bizarre, but in fact it is easy to achieve but difficult.

Tao Yuanming is the first plain poem, and few people can write plain poems. Li Yu's ci is definitely not dull, on the contrary, it has strong emotional power.

Chen Ziang: (661-702), whose name is Apollo, was born in Shehong, Zizhou (present-day Sichuan). The world is a noble family, less known for its chivalry. Later, I went to Chang 'an to travel to Imperial College. The first scholar of civilization worshiped Lin Tai's orthography. From the expedition to the western regions, I returned to Zhangye. Then turn right and pick it up. He also joined the army to crusade against the Khitan and gave advice to the army. After returning to Beijing, it was still right. There are many differences because officials have returned to their hometown. Framed as a county magistrate, imprisoned, persecuted to death. It urges poetry to restore the style of Han and Wei dynasties, change the style of poetry in the early Tang dynasty, or satirize current politics, or realize life experiences, and make a golden voice. He was a pioneer of poetry innovation in Tang Dynasty.