Interpretation of Zhou Mengdie's Poems

Zhuang Zhou dreamed of butterflies, butterflies dreamed of Zhuang Zhou, butterflies are not dreams, dreams are not butterflies, butterflies are also butterflies, dreams are also dreams, butterflies have no dreams, dreams have no butterflies, Zhuang Zhou dreamed of butterflies, snow turned into water difference, dreams are butterflies in Zhuang Town, and snow is also in the void of water. Perhaps this is the impression that mainland readers are very unfamiliar with Zhou Mengdie, a Taiwan Province poet who sticks to the "lonely country" of poetry, and his poems.

Zhou Mengdie is a poem, and the most important thing is the material expression of snow.

The material imagination of snow in Zhou Mengdie's poems, from the initial lonely image, to the nihility image and then to the tranquility image, presents three aesthetic images of his material imagination of snow. As far as appearance is concerned, this loneliness, nothingness and tranquility inherit China's Confucianism, Buddhism and Taoism respectively, which can be expressed as "snow is"

In Zhou Mengdie's poems, snow has become the objective counterpart of the poet's mind, which embodies the spiritual realm of China traditional literati. The special images he can imagine, the complex scenes he encounters, and the ideological confusion he can and can't control are all reflected in his poetry texts. Snow is the background of Zhou Mengdie's poems and the background of his life. Zhou Mengdie's poetry works are completely based on the heavy narration of his personal experience. The effect of "snow", such as pure and natural silence, visualizes the deterrent force produced by the joint action of religious nature and physical human body, gives people a strong spiritual impact, fully embodies the highest dignity of life that can not be profaned or violated, reveals one aspect of the relationship between religion, man and nature, and has a very unique aesthetic value.

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Who can make a fire in the snow and throw it into the snow?

Zhou Mengdie's poetry is mainly divided into three stages, here I will randomly choose a "Qin":

Let the light red and soft fragrance marry the spring water,

Let the butterfly kiss the last rose in summer,

Let Qiuju's Leng Yan and Light Worry

Fill the poet's empty cup;

Let the wind and cloud belong to me, and loneliness belongs to me.

If I have to die, or shine—

I'd rather be a candle on the altar.

Or shake the night with flashing tears.

Poets write snow not only to describe the physical state of snow, but also to express their feelings, feelings and festivals through snow, so this "material imagination" is "spiritual imagination" to some extent. Although the growth environment is not good, I am still tenacious from bottom to top, and I don't keep my true self with the ups and downs. The poems "Let the snow and snow belong to me" and "I would rather light a candle on the altar and/or shake the night with twinkling stars and tears" seem to convey a tragic feeling of "I won't go to hell, underwater hell", and that feeling of loneliness is exactly the experience when life encounters setbacks. Snow takes care of the poet's concern for life and society, and embodies the dual emotional orientation of lofty aspirations and loneliness. Poets are always reflecting, hiding in a secluded place, with a bitter smile, examining the prosperity and loneliness.

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The main reference materials "Poetic Vision"/Fang Huanhai, Shen Ling.

The first chapter "Butterfly Shadow in Snow Country" discusses Zhou Mengdie's poems.

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