Li Qingzhao's poetic style is

With the change of living environment, Li Qingzhao's life style of ci can be divided into two periods: E68A84E8A2A616964654757A 68696416F313337616565, and the difficulty of Jing Kang (Qin Kang is two years old, 6545). Antique classics and calligraphy and painting collected for many years were lost in the war. Soon after (Zhao Mingcheng was forty-six years old in the third year of Emperor Gaozong in the Southern Song Dynasty), her husband died of illness. She wandered around with loneliness and sadness, and she was at a loss at the thought of her native land. Coupled with illness and unfair imprisonment, as a weak woman, she bears the heavy suffering in life. First, the style characteristics of Li Qingzhao's early ci: expressing true feelings in a fresh, beautiful and euphemistic style. Looking back on Li Qingzhao's life, she had a comfortable early life and a happy family, so most of her early works were about leisure, love, beautiful scenery and thoughts of leaving her husband. The style is fresh and charming. Beautiful and exquisite words, written fresh and lively, full of life interest. They described her lively girlish feelings and warm first love life, with joy as the keynote. For example, she wrote the word "like a dream" in her early years: I always remember the sunset in Xiting, and I don't know where to go. I am eager to go back to the boat at night and walk into the depths of the lotus. I fought for crossing, crossing and starting a honeymoon of seagulls. The author used the technique of blank line painting. The girls "strayed into the depths of the lotus" because they were "intoxicated", but this mistake "mistakenly" gave a wonderful artistic realm: "Fight for crossing, fight for crossing, and start the gull and heron pool." The silent lotus pond suddenly boiled up because of this group of stragglers. From the girls' exclamations, paddling and the sound of waterfowl flapping their wings, we feel the poet's kind heart affectionately. The author uses simple, natural and unpretentious language to write fresh and lively, full of life interest. His fingertips don't seem to be carved or pecked, and a vibrant sunset Gui Zhoutu can be outlined in Lotus Lake with only a few strokes. It is exquisite and elegant, moving in silence, lifelike characters, with strong artistic charm and thought-provoking. It creates an intriguing and beautiful artistic conception, and also allows us to see a kind of beauty. It should be green, fat, red and thin. "This is a poem about a stormy spring night in nature. The poet foresaw that the flowers and trees in the garden must be lush and the flowers are dying. In the morning, she eagerly asked the shutter man about the outdoor changes, but the careless shutter man replied with "Haitang still". In this regard, the poet could not help but use two "know" and one. It vividly reflects the author's regret that spring will pass away, reflects the carefree and elegant life interest, and embodies the author's love for nature and spring. His imagination is unique and meticulous, and his words are fresh and flexible, especially the word "green fat", which has a beautiful image. Hui Zongjing Guoyuan Year (1 1), 656538.10066666 I started the most beautiful and unforgettable period of my life. Love is the most beautiful chapter in my life. My husband, Zhao Mingcheng, is a charming teenager. They are literary confidants. Zhao Mingcheng's father is also a DPRK official, and the two families are suitable. What is even more rare is that apart from the general literati's interest in poetry, chess, calligraphy and painting, they also have a more congenial professional combination point-epigraphy research. When free love is not allowed, they must rely on the media. It is a godsend that they can have such a love ending. Sweet love makes Li Qingzhao, a newly married couple, full of thoughts, and excellent works come one after another. She boldly expressed her feelings in her poems, expressing the sincerity and lingering tenderness unique to a newly married woman. Please look at this song "Broken Magnolia": I sell flowers on my shoulders, and I want to buy a spring flower. My tears are light and even, lest Lang guess. This is a flower with real life, it will open with the warm spring breeze and sunshine, and it will wither with the change of seasons. The petals like a red sunset glow are dotted with traces of dew, and the author imagines it as tears left on the face of people hurt by spring. Therefore, petals and people's faces, tears and dew can't tell each other apart. What a subtle psychology, what a subtle association! Compared with flowers, I am afraid that Lang will say that she is not beautiful. Finally, I put the flowers in my hairpin obliquely for Lang to compare. Which is more beautiful? " Afraid that Lang can't guess ",the word" afraid "contains a little sour meaning, but it is sour and sweet, so it is deliberately modified to teach comparison. Is a person more beautiful than a flower? This is simply a series of beautiful drama scenes. The author uses lively, clear and vulgar words to show a shy and moving figure, which reflects her leisurely and happy life in the early stage of her wedding. It is not only a coquetry to her husband, but also reveals her confidence in her beauty. Another example is "Drunken Flower Yin", where the fog is thick and the clouds are sad all day long, and the brain sells golden beasts. The festival is also the Double Ninth Festival, with jade pillows and cupboards. West wind blinds, people are thinner than yellow flowers. "Li Qingzhao and Zhao Mingcheng have deep feelings, and they often write poems. In the year of the Double Ninth Festival, Li Qingzhao wrote this famous poem "Drunken Flowers" and gave it to her husband who was an official outside, showing that the poet stayed alone in the empty boudoir on the Double Ninth Festival and missed her husband's loneliness and melancholy. It is said that Zhao Qing Ming-cheng wanted to beat his wife, forgot to eat and sleep, and worked hard for three days and three nights to force out fifty words and invite friends. People are thinner than yellow flowers, which fully shows that literature is the most real art and can't be forced at all. Ming Cheng's creative skill may not be under the photo of Ming Che, but his purpose of writing lyrics is to compete with his wife. Out of a game mentality, of course, it can't be compared with those works that reveal Zhao Qing's true feelings. The last movie was written from day to night, full of sadness and loneliness. It was dark outside the window, and cigarettes filled the room. The words "forever" and "quality" express a person's state of mind of being alone in a boudoir. The second day is the Double Ninth Festival. I miss my relatives more and more during the festival, and I can't sleep at night with a pillow. It's Cold at First is about the bleak autumn festival and my sad mood. The next movie flashbacks the bitterness of drinking alone at dusk, and the last three sentences are wonderful in imagination and metaphor. Li Qingzhao is unique in the field of ci with her natural and delicate writing style, graceful and graceful writing style, fresh and delicate wording and sentence making. She writes lightly, touches the tenderness of women to the extreme, and depicts the delicacy and weakness of women in detail. Zhao Mingcheng is a smart and studious young man who likes to collect inscriptions for exams since childhood. Li Qingzhao, who loves literature and art, is naturally like a duck to water when she marries such a husband who is obsessed with literature and art collection and appreciation. The couple are congenial and have a very happy life, but after all, she bid farewell to her unrestrained girlhood. In this deep, prominent and heavily guarded Zhao family, only her husband Zhao Mingcheng is a bosom friend. However, her husband often goes out to study and be an official, which brings great sadness and anguish to affectionate Li Qingzhao. As a wise, knowledgeable and talented cultural woman, she can't help but pour her thoughts and feelings into her pen. Therefore, most of Li Qingzhao's early words are about her feelings about love, especially her feelings of parting from acacia, which belongs to the traditional theme of ci. However, in the past, most male writers wrote such words in a female tone, which was inevitably affected. Li Qingzhao uses her unique female perspective and female brushwork to understand life and express her inner feelings, so her words are particularly sincere, delicate and euphemistic. The tenderness of women is vividly expressed in her words. Starting from women's psychology, she chooses things that are easily associated with women's melancholy and sadness, and organizes them with women's delicate brushstrokes, which makes her different. In the creation of ci, Li Qingzhao often expresses her feelings of joy or sadness in a simple way. For example, in Dianjiang Lips, she wrote, "Leaning on the railing without emotion." Even the sky is covered with grass. You can't stop looking back. "This is a simple way to express emotions. Without words piled up and carved sentences, it naturally reveals the loneliness of the boudoir leaning on the bar and the melancholy of looking back, which is meaningful and memorable. Another example is her "Huanxisha": "On a cold spring day, the jade furnace sinks. The word "wet swing at dusk" describes the typical girlhood things such as incense, flower buds, fighting grass and autumn grass in a simple way, so as to express the author's feelings of loving and cherishing spring. Besides, like Nian Nujiao, The Story of Liu Yanmei is also used to describe the spring return in late winter and early spring. Under the moist and warm spring rain and sunny spring breeze, the frozen weather is slowly dispersing. Plum blossoms with white petals and yellow plums are like the cheeks of the spring god who just woke up. A sensitive poetess felt the heartbeat of the spring god. She not only gives full play to empathy, but also vividly shows the life phenomenon of the whole earth. And "A Cut of Plum, Sweet Lotus Root" was written shortly after Li Qingzhao got married for the first time, and Zhao Mingcheng left home for a long trip. The west building is full of moons. Flowers bloom and water falls, a kind of acacia, two places idle. This feeling can't be eliminated, just frowning, but in my heart. " "Red lotus root smells good for a long time", which laid a sad and deep tone for the whole poem from the beginning. The autumn wind was bleak and the lotus flower was defeated, adding a bit of sadness to the rich sadness. In order to dispel his lonely sadness, the poet hopes to receive a letter from her husband in the west building full of bright moonlight. The first one is mainly about scenery, and it doesn't mean to write about lovesickness. However, from the place where "the red lotus root eats the lotus root" in autumn scenery, the author's melancholy mood is vaguely revealed: seeing her husband off, there is inevitably a sense of loss, and everything she sees, whether it is white clouds, flying geese, bright moon or water, is always associated with her husband. I can't shelve it. I don't write about my troubles, only my own. I don't talk about my feelings. Very tactful, tortuous and touching. The next film focuses on the suffering of lovesickness. The poet put his lovesickness into the water and imagined that her husband was missing himself. Acacia and yearning are one of the most common feelings of human beings. Once germinated, it is difficult to disappear. "Two leisure worries" implies the deep love between husband and wife. It can disappear from the brow of external modality, but it cannot but enter the heart. From the outside to the inside, it depicts the melancholy expression of homesick women and shows the poet's deep yearning. Li Qingzhao made a unique and profound observation and grasp of this feeling, from which we can see that Li Qingzhao has both the gentle, kind and delicate characteristics of ordinary women. As a cultural woman, there is also a sentimental side. Another example is "Nian Nujiao Chun Qing": It is windy and drizzling in the gloomy courtyard, and the heavy door must be closed. Stroking willow flowers and eating cold food is near, and all kinds of nasty weather are coming. Writing a poem is a kind of leisurely taste, which helps you wake up and is hard to worry about. It was chilly in the spring upstairs for several days, and curtains hung on all sides, and the jade fence was dry and casual. The sky is crisp and the smoke is rolling. Is it sunny today? Zhao Mingcheng, her husband, is not in the official spring, and the wind and rain are mixed, leaving the poet alone in the boudoir, leaving thousands of feelings. She wants to drink and write poems, but she is afraid of attracting leisure worries. I want to think a thousand times, but I am afraid that no one will pass it on; I want to lean on the fence and look far away, but I feel weak; Wang Guowei said: "All the scenery is kind." In the poetess's view, all the scenery descriptions contain the author's feelings, and Red Lotus, Yuzhu, Blue Boat, Depression, Petting Flowers, and Magnolia Dry all incorporate the author's feelings. The expression is warm and generous, and there is no wriggling state. Here, we can see a sincere and innocent love, which shows the depth of its love, its eagerness to think, its sadness and its infatuation. It can really be described as "I don't know how to start, but I have gone deep". Ci is a charming literary genre, and the so-called "poetry has charm". Ambiguous feelings are precious, and female beauty is precious. Li Qingzhao, as a pure poet, expresses her subjective lyric style appropriately. The so-called "colorful flowers" and "true colors" are the highest praise for Zhao Qing's ci. Li Qingzhao is also good at expressing her feelings with exaggerated words. For example, Dead Hua Lian said that "40% off" and "all over Qian Qian" expressed her infinite feelings of parting. Another example is Acacia in "Touching the Lips", which says, "Lonely boudoir, tender heart is full of sorrow. "The tender heart is only one inch long, but it is full of sadness. It's really unbearable! In a word, Li Qingzhao was immersed in love and career happiness before she was forty-five, so she described an innocent and sentimental intellectual woman in her works. Secondly, the content and style characteristics of Li Qingzhao's later poems. Sad style, mostly with parting, acacia, homesickness as the main tone, 5438+0 nomads from the invasion of South China, returned the following year. Evonne and his son were captured, and Zhao Gou fled to Shangqiu to establish the Southern Song regime. He is partial to Jiang Zuo and unwilling to recover lost ground. Disappointingly, Li Qingzhao lived a drunken life. In this regard, the great changes of the times have broken Li Qingzhao's leisurely and quiet life. At the beginning of Southern Song Dynasty, Zhao Mingcheng was appointed as the magistrate of Jiangning. After seeing Ming Cheng off, Li Qingzhao couldn't face the reality that her relatives were far away and loved her most. The taste of sadness began to invade her mood. With the extension of Mingcheng's away from home, Li Qingzhao's lovesickness is increasing day by day. Because of her bad mood and lack of sleep, her body gradually lost weight. Li Qingzhao is a sentimental person. At this moment, flowers bloom and fall, seasons change, autumn wind and spring rain will all cause her thoughts and emotions to fluctuate. The poet frankly described the suffering of lovesickness and sincere feelings for her husband. For example, the masterpiece "A Flutter on the Phoenix Platform" expresses the feeling of lovesickness. It smells cold and golden, and I have no intention to comb my hair when it turns red. Ren Bao is full of dust, and the curtain is hooked. I'm afraid to leave my arms, but I want to rest. I'm thin, I don't drink, I'm not sad. Going back to Yangguan for thousands of times is hard to stay. You miss Wu Lingren in the distance, and smoke locks Qin Lou. Only the running water in front of the building misses me and stares at me all day. From now on, there will be new sadness. When the word came out, it was praised as' overwhelming an eyebrow'. " Newcomers are thin, not dry wine, not sad autumn. "Denied twice. The sentence is novel and unique, with endless aftertaste. The annotation in the Complete Collection of Poems of Shen Jifei's Herbal Hall says: "It's wonderful to say it smoothly. It is especially wonderful to lose weight. "Poems of Yu Juan in the Cottage" also said: "Writing about parting from your heart is really like the sound of a girl's building in A Qin. "Suggestions for three years (1 129), her husband Zhao Mingcheng suddenly died in health. When the family died and the country perished, she moved to Piaoping, and now she is alone and widowed. The blow is self-evident Since then, Li Qingzhao has been a good girl, wandering around and going through hardships to arrive. It gives Li Qingzhao a heavy tremor. Her life is full of heavy sadness, sad mood, mourning for homesickness, expressing the sad mood of the country's ruin and death, and her vicissitudes have also changed her ci style. In the past, she wrote, "When someone comes, she slips away. She walked away shyly, leaned against the door and looked back, but smelled the smell of childhood. "I'm intoxicated, I don't know the way back. Happy to return to the ship at night "("Dream Order ") has disappeared. Her lyrics are more profound and touching, and her perspective has also expanded. Her ardent yearning for her hometown and uncontrollable yearning for her loved ones hurt her scenery. But she is sad for her middle age, so she only pursues the warmth of the past in her dreams. Sitting alone in the curtains during the day, she is refreshed. At night, there are bursts of plum blossoms, filled with poems that you sing and I drink. " Where is your hometown? Forget it unless you're drunk. "(Bodhisattva Man);" Things are people who don't stop doing everything, and if they want to say it, they should stop crying first. "(Wu Lingchun); These works not only reflect his personal misfortune, but also have a deep pain in his home country. They link his personal misfortune with the national disaster and family feud, and euphemistically express sadness, loneliness and melancholy. The word "Qing Ping Le Nian Li Xue" uses the words "This year's ends of the earth, rustling temples give birth to China". The depression of exile. "Bodhisattva Man" is soft and early in spring. It expresses the author's longing for his hometown and his sorrow for the decline of his hometown in deep and implicit language. It is sincere and devastating. His poetic style has become sad and deep, desolate and sad, with a distinctive flavor of the times, which can quite touch people's hearts. For example, Lonely Goose wrote lonely and melancholy feelings: "Very compassionate. Moreover, the song "Lonely Goose" was specially chosen to symbolize that you are a swan flying alone in the autumn sky. The lyrics are full of loneliness and sadness. Another example is "adding words to pick mulberry seeds": Who planted banana trees in front of the window? The atrium is full of trees. Leaves are full of hearts and feelings. It rained on the sad pillow at night, bit by bit. I'm afraid northerners are not used to listening. What are northerners like? Li Qingzhao is one of the drifters and the lost country. In the history of China, foreign invasions were mostly from north to south, so the flight of "northerners" became a historical and literary phenomenon. Worried about hurting northerners, they are not used to listening. What did we hear? I heard Zu Ti's cry of hitting the water in the middle stream, Lu You's sigh that "the adherents shed tears and looked south at Julian Waghann for another year", Xin Qiji's helplessness that "there is a crow club drum under the beaver temple", and I seemed to hear the sad song that "my home is on the Songhua River". For example, the wind blows away the fragrant flowers, and I am tired of combing my hair at night. I can't bear too much worry. This word was written in Jinhua, Song Gaozong in the fifth year of Shaoxing (1 135). She took refuge in Jinhua when the nomads invaded. She was 5 1 year-old. The scenery is very beautiful. The wind swept away all the flowers, and there was a faint scent in the dust, a sad scene of withering. "Things are different, and things don't stop." This is the truth that "if you want to talk about it, tears will flow first." In the face of all kinds of misfortunes, the protagonist is helpless and hopeless, lamenting that "everything stops." Then, tears flow first, euphemistically and implicitly. "I heard that Shuangxi Spring is not bad, and I plan to make a canoe." I changed my head, but the pen broke my meaning. It's hard to get rid of a person's emotional troubles. A materialized word "sadness" turns the spirit into matter, gives weight and makes people feel stronger. Ci has feelings in the scene, which is based on the scene. By describing the scene, it shows sad mood, tragic scene and sad sentence; Why are you sad? Why are you worried about taking over? In the next film, I changed my head, and the "scenery" was not broken. I wanted to drive away my troubles with the scenery. The last two sentences are full of "worries" and cannot be dispelled. The waves are ups and downs, and I speak hesitatingly. Through magical artistic conception, I express my sad mood, deep anxiety, grace, ups and downs. The feelings expressed in the whole word are strong and sincere, and it expresses "sadness", which is wise. Because the poet feels psychologically depressed, he also feels that his troubles are heavy, as if they are as heavy as a thousand pounds, so heavy that the ship can't carry them. The word "worry" is the word "eye". With the word "eye", the word "god" comes out. The "worry" in the whole word is not a personal worry, but the worry of 10,000 people in Qian Qian. It reflects the pain brought to the poet by the decline of the country and the destruction of the family. The word "eternal happiness, sunset melts gold" focuses on the Lantern Festival in Bianjing. The smoky "peak of Zhongzhou" and the hard years of "today" set off the prosperity of the past and reflect the loneliness of today. Among them, "it's better to listen to people laughing under the curtain." In contrast and contrast, the suffering of leaving home is vividly shown. The strong yearning for the old country and homeland has deeply infected people, and even aroused the heartfelt cries of patriotic poets such as Xin Qiji and Liu Chenweng. Looking at Li Qingzhao's ci works in this period, Slow Whispering is his later masterpiece, which vividly shows the tragic and lonely night scene of the poet for the rest of his life: seeking. The geese are sad, but they are old acquaintances. Yellow flowers were piled all over the floor, withered and damaged. Who can pick them now? Looking out the window, how can you be black alone! The phoenix tree is raining and dripping at dusk. This time, what a sad sentence! In a very gloomy and sad style, Ci describes the poet's lonely and sad mood from early morning to dusk on an autumn day, which is actually a true portrayal of the author's life in his later years. The word twists and turns typically summarizes the poet's wandering life, tragic situation and sad inner world after crossing the south. Obviously, personal misfortunes are intertwined with the decline of the country, and this kind of "national mourning for family hatred" is essentially different from the kind of "mourning without hatred" before the poet crossed the south. It contains a certain color of the times and social content, so it has a certain typical significance. The poet skillfully uses the language of music to enhance the appeal of art, beginning with fourteen overlapping words: "seeking, cold, miserable." Zhang's "Gui Er Ji" was rated as "Sword Dancing", praising her skill, seeking is the narrative of action, indifference is the description of atmosphere, and sadness is the portrayal of emotion. This word, like a hurried orchestral performance, gradually entered a state of sadness, which was completely different from the soft and elegant mood of her early middle-aged words. Emotionally, it was a painful conversation with overlapping words. Then "the accumulation of yellow flowers on the ground" symbolizes the cohesion of sadness. When I wrote a letter to the window alone, I said, "How can I be dark alone?" I vividly described the pain of suffering. Finally, I described the rain. I used the word "dribs and drabs" to express my affection, singing and sighing. The tone was like the beauty of pouring large and small pearls into a plate of jade, which was beautiful in music. With the cadence of four tones, the musicality was brought to the extreme, and it was in this grief that Li Qingzhao spent the rest of her life after crossing the south. 2. Li Qingzhao's later poems are handsome, cheerful and heroic. Since Li Qingzhao is a poetess, her poems can't get rid of the spirit of boudoir, but this is by no means an ordinary "boudoir word". This is the case with Shen's Talking about the Wind Pavilion. This evaluation points out the special temperament contained in Li Qingzhao's boudoir rhyme. Her ci has both the gentleness and wisdom of women and the delicate and cheerful qualities that ordinary women lack. She can combine euphemistic feelings with detached mind, making her words graceful but not elegant, soft with rigidity, and containing passionate and heroic momentum in gentleness, charm and husband-like. On the basis of early sadness, she became more sad and depressed, and her feelings were more profound. She entered an artistic realm with high personality and high writing quality, which reflected the political feelings of an intellectual. The word "fisherman's pride" fully shows the magnificent and broad side of her spiritual realm: the sky meets the clouds, and the Milky Way wants to dance in Qian Fan. It's as if the dream soul belongs to the emperor, and Wen Tian asks me where to go. Learning poetry has amazing sentences. In Wan Li, the wind is blowing and the ship is blowing away three mountains. With romantic sleepwalking, dry dream description and rich imagination, the poet created an imaginary mythical world, imagining dialogue with the Emperor of Heaven, which fully reflected the author's enthusiasm for life, yearning for freedom and pursuit of light. The most impressive words are boldness and rich imagination. The author created it. Connect the milky way in the sky with the rivers on the ground, and imagine the twinkling stars as a ship full of sails. It was on this "spaceship" that the author sailed into the fairy world and was received by the "God of Heaven". This is indeed a clever trick to "wear the heavenly heart and go out to the ground." It's amazing that such a pen was written by a woman in a feudal society. In short, driven by the wind of 90,000 Li, her overseas trip shows the poet's dissatisfaction with the darkness of the world, her longing for the bright sky and her search for spiritual home, which fully embodies her desire for freedom and her pursuit of light. This wish can't be realized in the real life of her life. So she had to pin her hopes on the illusory fairy realm in her dream and seek a way out in this realm. Although there is no phenomenon in her words, there is no straightforward rhetoric in the poem Wujiang. However, we can feel the heroism of Li Yian. A wandering poetess is eager to reflect herself into a strange fairy-tale world with the help of the wind. This strange fairy tale world is the destination of the poet's ideal and spirit. For a depressed and subordinate woman in feudal society, this idea itself is full of heroism and shows Li Qingzhao's broad-minded mind. This word has a broad and heroic meaning. The combination of Li Bai's dissolute attitude and Du Fu's depression and frustration finally makes this poem "The Pride of Fisherman" a unique poem in Shuyu Collection, which shows that she has become an intellectual woman who cares about the country and the people through wind and frost. With her superb artistic talent, Li Qingzhao spun silk from the sky and then spun silk carefully, turning worries into beauty. Zheng Zhenduo commented in the History of China Literature: "She is original, independent of a group of poets ... She is too tall, and mediocre writers will never catch up with her. Countless poets and poets have written countless poems, which will remain in my heart forever ... all these poems are worthless until they are cleaned up. The worries of the nation, family and feelings, she was sometimes caught in the middle and tortured, and sometimes forced to think calmly. Her works are the expression of true nature, the portrayal of real life and the crystallization of the integration of subjective lyric and real life. To sum up, the specific life path and living environment, rich emotions, absurd ideals and unique creations have brought about the changes in the ideological content and style of Li Qingzhao's Ci in the early and late periods, and also laid the foundation for her.