Double rhyme refers to the repeated rhyme of the same word in a poem, which is a taboo in modern poetry.
Therefore, rhyming is only a taboo when writing near-object poems, not other forms of poems. Such as ancient poetry, there is this phenomenon, such as Du Fu's Du Fu:
This is an ancient style different from modern poetry. Does it read like modern poetry now? From a certain point of view, ancient style is modern poetry in classical Chinese format. Plain narration, random rhyme, random antithesis, random sentence length, random length. Therefore, ancient style and modern poetry are not taboo to emphasize rhyme.
This repetition ending in a word is actually a rhetorical device, which can be used to strengthen the expression of intonation and meaning. In China's ancient poems and modern poems, which are not strict in metrical rules, it is rhetoric that highlights romantic and free emotions, which is also the difference between them and modern poems.
Then, why do rhymes in modern poetry think that heavy rhymes are taboo?
We know that modern poetry is mainly quatrains and metrical poems with few lines. Compared with metrical poems, quatrains have the same characteristics as metrical poems, that is, the space is limited, except those * * * follow the flat and even meter.
There are only 20 words (five words) or 28 words (seven words) in quatrains, and 40 words (five words) or 56 words (seven words) in metrical poems. Then, if you want to complete a qualified metrical poem with dozens of words and not let the sentence fall into limerick, the words must be extremely refined. Especially quatrains, even if you don't waste a word, you can only use blank artistic techniques to create an effect that is intended to be outside the poem-in fact, you can't write it.
There are many words in verse, which can be used to describe, spread and enrich the content, but the words cannot be wasted. Even a poetic flat head or crossed hands (that is, saying the same meaning twice, which often occurs in confrontation) should not be done-wasting space and carrier.
An important means of refining words is not to emphasize words. Because disyllabic words will not only lead to the repetition of flat tones, but also be detrimental to flat tones. More importantly, disyllabic words will emphasize meaning. In a poem, there are not enough words to get to the point. Where else can you say the same thing twice? The use of heavy words will definitely lead to the repetition of phonology and meaning, which is irreparable by quatrains. Rhyme is relatively better because of its large space.
Rhyme and rhyme foot are the same word, fixed at the end of disyllabic sentences. In this case, it is not only impossible to distinguish between before and after in tone, but what is more frightening is that the same word has the same meaning in the same position. The repetition of this meaning will lead to the adjustment of the whole poem, and it is difficult to complete the "transition", that is, it is difficult to complete the starting point, rising, climax and ending of the whole poem.
Rhyme will do harm to both the rhythm and the content of metrical poems, which is of course a taboo.
Moreover, homophones of different words are called rhymes, which is not good, because the phonological damage is great.
In addition, there are overlapping rhymes, which basically appear in epigrams and Sanqu, similar to the repeated rhetorical enhancement of modern poetry, such as Qin Yi E:
Among them, Qin Louyue's repetition is rhyming repetition, which has nothing to do with rhyming and the repetition of modern poetry.
When we learn to write poems that are close to our bodies, we must not rhyme. Otherwise, it can only be regarded as writing an ancient style, or it is very unpleasant to read, poetic and wordy.
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