Moonlit Night on the Spring River is a well-known masterpiece, which follows the old theme of Sui Chen Yuefu and expresses sincere and moving feelings of parting and philosophical life perception. The language is fresh and beautiful, and the rhythm is melodious, which washes away the thick powder of palace poems and gives people a clear, ethereal and natural feeling. Known as "an orphan poem covering the whole Tang Dynasty". Wen Yiduo commented on this poem.
Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide.
I drift with the tide for thousands of miles, and there is no moon by the river.
The river flows around Fangdian, and the moonlight shines on the flower forest like graupel.
Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.
There is no dust in the sky on the river, and there is a lonely moon in the sky.
Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year?
Life is endless from generation to generation, and Jiang Yue is only similar year after year.
I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
The white clouds have gone, and Qingfeng is at a loss.
Who will go boating tonight? Where do you miss Mingyue Building?
Poor people wander upstairs for the moon, so they should leave someone to fill the mirror.
The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil.
At this time, I don't know each other. I hope China will shine on you every month.
Hongyan flies in the sky, and fish Long Qian jumps in the water.
Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned.
In spring, the river flows away, and the pond falls in the moon and the west.
The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite.
I don't know how many people return home every month, and the moon is full of rivers and trees.
There was no such thing as poetry anthology in the Tang Dynasty. Until the Yuan Dynasty, the poet's poem "Moonlit Night on a Spring River" was almost neglected. Many anthologies, such as Selected Poems of Hundred Schools and Three Hundred Poems of Tang Dynasty, have never seen his poems.
Not only is the Selected Poems of Tang Poetry not included, but it is also not mentioned in more than 20 kinds of poems from Tang Dynasty to Ming Dynasty.
The earliest collection of this poem is Yuefu Poem written by Guo Maoqian, a poet of the Song Dynasty, and only two poems are included in The Whole Poem of Tang Dynasty, and the other one is Answering a Lady's Dream, but its achievement is different from that of A Moonlit Night on a Spring River.
It's too early to close the fort. Don't look at the balcony.
Try on a shirt with heating and open the mirror to find spring.
Swallows peep at the curtains and bees draw clothes.
Love urges Tao Liyan, and my heart sends strings to fly.
Make-up wash each other, and the wind, flowers, snow and moon do not return.
Where the dream soul enters, silence covers the heavy door.
I'm sorry to say that I haven't read this poem in Tang poetry. It transcends the simple landscape poems of Moshan in the past, the philosophical poems of "longing for the infinity of the universe and mourning my life" and the love poems expressing the feelings of children's parting.
Poetry, painting, philosophy, the poet completely integrated them in one place, but there was no sense of disobedience. By describing the moonlight and flowers on the riverside, he praised the magnificent scenery of nature, eulogized the beautiful love, expanded his sympathy for stray women, and combined the pursuit of life philosophy with the exploration of the mysteries of the universe, thus merging into a management of love, scenery and water.
The poet deliberately hides the profound and beautiful artistic world in a vague artistic atmosphere, and the whole poem seems to be shrouded in an ethereal and confused moonlight, attracting readers to explore the true meaning of beauty.
This is also the fundamental reason why this poem can be called a masterpiece.
This is a sad story full of uncertainty. It is said that the poet met a woman when he went out to play. At first sight, he was shocked by nature. It was love at first sight. Unfortunately, it was Shangyuan Festival. Based on a certain custom, he didn't dare to speak, so he missed the opportunity to know.
After a long time, after a long time of twists and turns, the two finally met again. It was a strange fate. To commemorate this event, he wrote this poem.
Poets express their thoughts and feelings in real time, and never think too much about the subsequent influence. However, it is undeniable that this poem plays an inestimable role in Tang poetry and has a far-reaching influence on later poetry creation.
For example, Cui Hao's "The yellow crane never returns to earth, and the white clouds will never fly without him" is probably realized through one of them, "The white clouds are long gone, and the green maple is full of sorrow", Zhang Jiuling's "When will the bright moon cross the sea, and Su Shi's" When will the bright moon be there? " Ask heaven for wine, you can find a trace in the poem more or less.
There are few records about Zhang in history. There are only a few words in the whole Tang poetry: "Zhang, a native of Yangzhou, was a soldier in Yanzhou. Two poems by He, Zhang Xu and Bao Rong's' Wuzhong Sizi'. "
The wine garden poetry also said, needless to say, the fame of this poem. In terms of style, Liu Xiyi's Yi Dao is similar to it.
There are only two poems left, not that he is "too lazy", but that years have passed and many poems have been lost. Whether it is good or bad can only be judged by future generations at will.