The work is divided into early stages. Elizabeth I's central government from 1590 to 1600 is still consolidated, and the temporary alliance between the royal family and businessmen and new noble is still developing. 1588 After defeating Spain's "Armada", Britain's national strength was greatly boosted. This makes the author full of optimism about life and believes that humanism can be realized. The historical dramas and comedies created in this period all showed a bright and optimistic style. 1590 historical drama "Henry VI" Part II "To King Henry VI" Part III 159 1 historical drama "Henry VI" Part I "King Henry VI" Part I 1592 historical drama "Richard III" Part III E King Richard's. 593 Tragedy titus Androni Coos Comedy The Taming of the Shrew Poetry Venus and adonis Ven and adonis 1594 Comedy Two Gentlemen in Verona Comedy Love in vain/The futile drama of love Romeo and Juliet Poetry The Disgrace of Lucretius Rape of Lucretius 1595 History. A midsummer night's dream 1596 historical drama "King John" comedy about the life and death of King John * Venetian merchant, a poet, complaining about his lover, a lover's complaint 1597 historical drama "Henry IV" King Henry IV 1598 comedy "Much ado about nothing" comedy. Ry Windsor's Wives Historical Drama Henry V's King Henry V 1599 Tragedy Julius Caesar's Life and Death Comedy * Happy as You Wish Enthusiastic Pilgrim 1600 Comedy * Twelfth Night, or, As you wish 160 1 ~ 1607 The "enclosure movement" in rural England is accelerating, and the temporary alliance between the monarchy and the bourgeoisie and new noble is disintegrating. After James I succeeded to the throne, his profligacy and depravity made the people more and more miserable, and they rebelled again and again. In this case, Shakespeare deeply felt that the contradiction between humanistic ideal and reality was getting bigger and bigger, and his writing style changed from bright optimism to gloomy grief and indignation. The focus of his tragedies is not to praise humanistic ideals, but to expose all kinds of evils and darkness that criticize society. 160 1 Tragedy * Hamlet, Prince of Denmark 1602 Tragedy troilus and Cresida Troilus and Cressida 1604 Comedy, All's well that ends well, all's well that ends well. Ns 1605 Tragedy * Othello Othello, Venice's Moore Tragedy * King Lear's Tragedy * Macbeth's Tragedy 1606 Tragedy Antony and Cleopatra 1607 Tragedy Part of Leolin nast's Tragedy, Leoline's Tragedy, Timmins of Athens. 8+0608 comedy Prince Tyr Perikles, Prince Tyr's later works 1608 ~ 16 12 James I dynasty was more corrupt and social contradictions were more acute. Shakespeare deeply felt the disillusionment of humanistic ideals and retired to write romantic legendary dramas. His creative style is also romantic and illusory. 1609 comedy cymbeline (adapted from the drama of Boccaccio's story) King cymbeline of England 16 10 comedy Winter Story 16 12 comedy The Tempest historical drama Heng
Style of Works and Style of Works with Artistic Characteristics Shakespeare's earliest plays were written in the popular style at that time. He writes in standard language, which often cannot be released naturally according to the needs of the role and plot. Poetry depends on unfolding, sometimes containing elaborate metaphors and ingenious ideas, and the language is usually gorgeous, which is suitable for actors to read aloud rather than speak. Some critics think that the solemn remarks in Titus Antelo Knicks often hinder the development of the plot, while the lines in Two Gentlemen of Verona are criticized as artificial and unnatural. Shakespeare soon turned from the traditional style to his own characteristics. The monologue at the beginning of Richard III created evil characters in medieval drama. At the same time, Richard's vivid monologue full of self-awareness continues the monologue in Shakespeare's mature plays. No single script marks the transition from traditional style to free style. Shakespeare combined these two styles in his whole writing career, and Romeo and Juliet may be the best interpretation of this mixed style. By the middle of 1590, when he wrote Romeo and Juliet, Richard II and A Midsummer Night's Dream, Shakespeare began to write in a more natural language. He gradually turned his metaphors and symbols into the needs of plot development. Shakespeare's common poetic form is blank verse combined with iambic pentameter. In fact, this means that his poems are usually rhyming, with 10 syllables in each line, and are stressed every other syllable when reading aloud. The blank poems in his early works are quite different from those in his later works. Poetry is often beautiful, but sentences often start, pause and end at the end of a line, which may lead to boredom. When Shakespeare mastered the traditional blank verse, he began to interrupt and change the law. This technique has released new strength and flexibility in the poems of Julius Caesar and Hamlet. After Hamlet, Shakespeare's writing style has undergone more changes, especially in the more emotional paragraphs in later tragedies. Andrew Cecil Bradley, a British literary critic, described this style as "more compact, vivid and diverse, with irregular structure, often complicated or omitted". Later in his writing career, Shakespeare used many techniques to achieve these effects, including continuous lines, irregular pauses and endings, and extreme changes in sentence structure and length. It is a challenge for the audience to fully understand the meaning. In the later legendary drama, the plot changed in time and unexpectedly, creating a poetic style at the end, which is characterized by the fusion of long and short sentences, the arrangement of clauses, the inversion of subject and object, and the omission of words, resulting in natural effects. The characteristics of Shakespeare's poems are related to the actual effect of the theater. Like all playwrights of that era, Shakespeare adapted the stories written by Francisco Petracca and Hollingstock into plays. He adapted each plot, created several centers of audience's attention, and showed as many story fragments as possible to the audience. The characteristics of the design ensure that our drama can be translated into other languages and interpreted loosely without losing the core plot. When Shakespeare's skills improved, he endowed his characters with clearer and more diverse motives and unique speaking style. However, in his later works, he retained the characteristics of his early style. In later legendary dramas, he deliberately turned back to a more illusory style, emphasizing the effect of the theater. Artistic features The artistic features of Shakespeare's creation can be summarized as follows: 1. Insist on the principle of realistic creation and think that drama is a mirror reflecting life. The second is the performance theory of pursuing nature, which holds that the performance should be true and should not be overdone. Third, the plot is vivid and rich. A drama often has several complicated clues intertwined, and the factors of tragicomedy are intertwined. Fourthly, a series of artistic images with distinctive personalities have been created. Such as Hamlet and Falstaff. Fifth, the characters' language is personalized, such as Hamlet's words are philosophical and poetic, Polonius, the minister of command, is artificial, and Egu's language is full of foul language. According to computer statistics, there are 29,066 words created by Shakespeare.