I often hear people talk about elvhua, but I always feel that she is in that distant world. But after attending the feast like Xiaoshi, I didn't expect to peek at the palace flowers.
The starry sky last night and the spring breeze last night are in the west of the painting building and the east of Guitang. Although the body flies to a place without Cai Feng's wings, the heart is connected. How warm it is to send spring wine every other seat, and the wax lamp in every other group is particularly red. Alas, I was encouraged to go to the official office, and riding a horse to Lantai was like climbing over the eaves.
At that time, I often heard people talk about sepals and green flowers, but I always felt that she was in the distant horizon. But after attending the feast like Shaw History, I didn't expect to peek at the flowers in the palace.
Note 1 "Last night" sentence: "Shang Shu Hong Fan" "The stars have a good wind." It contains the meaning of meeting each other well. 2 painted buildings: refers to high-rise buildings with gorgeous paintings. One is the painting gallery. Guitang: Describe the magnificence of the hall. Linxi: The medulla in the center of rhinoceros horn runs through it like a white line, which is a metaphor for the telepathy and metaphor between lovers. 4 "Parting" sentence: Hooking is a game between ancient banquets. Sub-Cao: Group. 5 ...: interjection. Y: Me. Drum: A drum that changes the clock. In the Tang dynasty, at five o'clock and two o'clock, drums came from inside, and all the streets were shaken, and the gates of squares and cities were all open. When the drums sound at dawn, you must go to work. 6 Lantai: the palace view of the secretary in the Han Dynasty refers to the secretary province where poets work. Class: Similar. Turn: Make a "break". 7 Zhangmen: Zhanghe River, the legendary Tianmen. Sepal green flower: the legendary fairy name. True Faith and Auspicious Image: "Those with green sepals belong to Nanshan, but I don't know if they belong to He Shan. Female, in her twenties, in Tsing Yi, the color is perfect. In the third year of Shengping, 1 1 month 10 fell at Yangquan's house at night. Since then, January has been half a year. Bring the right antidote to the corpse. " Lingling County Records: "Qin sepals are green, and female immortals are born. After three years of peace, Emperor Jin Mu fell into the hands of the Yangquan family. I have called myself a Taoist for 900 years, and the authorized Daoism and corpse antidote have disappeared. A nosy person is more than nine times suspicious of immortal sepals. 8 Here we are: Here we are, here we are. Guangya Shi: "Get to the right place." Historical Records of Qin Shihuang: "I went from Jingxing to Jiuyuan. "One is' business'. Looking at each other: looking forward to Iraq. Refers to one party, that is, one party does something to the other; Hope, hope, expectation. " "Songs of the South, Nine Songs, Xiang Jun": "Looking ahead and looking back, boasting about its differences, who thinks. "In the past few years, I have been looking forward to seeing Iraqis, but now it is so close to the horizon that it is difficult to see them. Qin Lou Guest: Use the story of Shaw History in The Legend of the Immortal. Ten look: one is "writing". Flowers in Wu Wang Garden: Feng Hao Note: "Beauty is hidden. "Li Shangyin's" Visiting General Zhao at the Beginning of Illness and Visiting Qujiang at Home ":"If you don't cross the guest screen, you have to give it. "You can use this parameter.
Two untitled poems appreciate Li Shangyin's love poems, and untitled poems are the most famous. These are two love poems. The poet recalled a banquet in your backyard last night and expressed his nostalgia and melancholy when he met the right person at the banquet. Among them, the first untitled poem (Last Night's Stars and Last Night's Wind) is even more popular.
This seven-melody, the first couplet, is caused by tonight's scene to recall the happy time at dinner last night. In this starry and breezy spring night, the air is filled with intoxicating fragrance. Everything seems to be the same as the banquet in your backyard last night, but the scene of meeting the right person during the dinner can only be an unforgettable memory. The poet did not directly describe last night's events, but with the help of beautiful stars, painted buildings, Guitang and other external scenery, set off the beautiful environment and atmosphere last night, with gorgeous words and full of sighs, bringing readers into warm and romantic memories. This couplet expresses the thoughts of the right person tonight. Although I don't have Cai Feng's wings at the moment, I can fly over many obstacles to meet the right person, but I believe that my attachment to each other is like a magical rhinoceros horn. "Being in the body" and "being in the body" reflect each other, which is an agreement and communication in the interval, a joy and comfort in the disappointment, and shows the poet's treasure and confidence in this beautiful love. The two metaphors are novel and appropriate, and they are profound and meticulous, showing the poet's superb ability to express subtle and contradictory psychological feelings. The necklace especially recalls the scene of a grand meeting with the right person last night. The poet's loneliness and depression are self-evident. The poet recalled how warm and intoxicating the scene between the banquets last night was, with colorful lights, flowers blooming and laughter! "Warm Spring Wine" and "Candlelight Red" not only vividly depict the warm and harmonious joyful atmosphere between banquets, but also remind readers of women's blushing cheeks under candlelight. The intention of each other is self-evident. It is true that wine does not make people drunk. William recalled the scene and feelings when he left the meeting this morning. Last night's feast lasted until dawn, the music in the building didn't stop, and the drums were still ringing outside. The poet sighed, like a scattered grass floating in the wind, had to go to the secretary to save a job and started another lonely and boring school life, but it was difficult to meet the right person in the table later. Have you ever missed each other alone and lamented that you have not achieved your career? The frustration of love barrier and the sigh of life experience sinking meet in the poet's chest, which expands and deepens the connotation and implication of this poem, and there is a sense of self-injury and sadness in the beautiful and elegant style of writing.
The first four-line poem is really an excellent love poem, and the second one supplements its content. The second untitled poem (Smelling Sepals and Green Flowers in Luomen) roughly means: At that time, people often heard that a woman named Sepals and Green Flowers in Luomen was beautiful, but she always felt so far away from the horizon. I didn't expect to have the urge to peep after attending a grand banquet like Shaw History last night. The poet is talking about the flowers in the garden of Wu Palace, of course, not the flowers in the garden, but the beautiful women as beautiful as flowers and pure as jade. Qin Lou Binglesbo used Shaw History's allusions to declare that he was a loving husband. Poetry is expressive and erotic, but it mainly shows the love between men and women.
This group of poems has high artistic value, especially the first poem with seven rhythms, which has deep feelings, concise sentences and colorful colors. The poet combines the feelings of life experience with eroticism, and contrasts the feelings of hardship and frustration with the gorgeous lyrics to create a colorful and elegant artistic realm. The intricate jumping of images in the poem makes its theme ambiguous and ambiguous. The depth and breadth of the poet's exploration of the spiritual world are indeed far ahead of his predecessors, and his position in the history of literature largely depends on the great and lasting influence of such untitled poems.
Appreciation of Li Shangyin's two untitled love poems: untitled is the most famous. These are two love poems. The poet recalled a banquet in your backyard last night and expressed his nostalgia and melancholy when he met the right person at the banquet. Among them, the first untitled poem (Last Night's Stars and Last Night's Wind) is even more popular.
There have always been different opinions about this poem. Some people say it's the work of a monarch and his ministers, some people say it's the work of looking forward to your concubines, and some people say it's the work of remembering the Beijing banquet ... But whether it's to restrain the happiness of officials or the covetousness of beautiful girls, the elusive mentality in the poem is obvious, and those ordinary or ordinary images are regularly placed in just eight sentences and 56 words, showing a kind of.
Add two sentences and give the time and place. Last night was even more memorable, and at the same time it gave people aesthetic enjoyment in reading. These seven words show the feeling of cold, big, beautiful and clever. The poem shows the quiet starry sky, and the cool breeze seems to blow from behind the dark blue sky. Looking deeper, the poet wrote two conceptual images, the star and the wind, which are either simple and random or have some rich connotations and symbols. In ancient times, the star not only refers to the star, but also means "going to the tower in the middle of the night and remembering my old star" (Meng Jiao's "Feeling"). Going to the tower at night misses the beauty of the past and has the meaning of years; "New lovers follow the bright candles, and the stars fly to Liang Dong" (Du Fu's "Friendship with Wei and Shaofu") means that the lights are brilliant; The ancients also called entering Chaolang "Shangxing". There are warm wind, cool wind, cold wind and evil wind in nature, which are related to human society, weathered, graceful, character and black wind, and even coincide with the meaning of love between men and women. In this way, only the first sentence leads to infinite reverie and doubt.
To the west is the studio, to the east is the osmanthus hall, a carved attic and a hall made of osmanthus wood, which is extremely luxurious and beautiful. The painted building is supplemented by Guitang, and the painted building in the west leads to the east of Guitang. "There is a figure in it", and the poet's eyes turned to Guitang. It is worth noting that the poet is not in Guitang, and his environment is in a quiet and deep night sky with stars.
The last two sentences are very clever, exquisite and famous. They are a group of wonderful antitheses, expressing the thoughts of the right person tonight. Although I don't have Cai Feng's wings at the moment, I can fly over many obstacles to meet the right person, but I believe that my attachment to each other is like a magical rhinoceros horn. "Being in the body" and "being in the body" reflect each other, which is an agreement and communication in the interval, a joy and comfort in the disappointment, and shows the poet's treasure and confidence in this beautiful love. The two metaphors are novel and appropriate, and they are profound and meticulous, showing the poet's superb ability to express subtle and contradictory psychological feelings.
The neck band writing hook covers wine, warm lights and red music. The two games of hook and shooting need the cooperation of many people and are linked with the first two couplets. In front of them, the stars are still high, and the Ling Ran breeze is empty at night, but people fall here, and the wine is warm and the lights are red. The words "warm" and "red", one describing spring wine and the other describing wax lamps, are full of wanton laughter and a harmonious scene. The contrast is disturbing. Lin Geng said in summing up the Tang poetry: "Red is a warm color, it is flowing and lively, so it is close to complexity". The suggestibility of color is the most infectious in literature and art, and the red in poetry is sometimes the opposite. In ancient times, there were "the peony was red in the faded old palace, but no one came to see it" (Yuan Zhen's palace) and "Don't open a red flame to save moths." The room full of red shadows set off the author's loneliness, and there are two scenes with such a big contrast in one world. The poet's loneliness is the loneliness hidden in the excitement, and red is the surging torrent under the appearance of harmony.
William recalled the scene and feelings when he left the meeting this morning. Last night's feast lasted until dawn, the music in the building didn't stop, and the drums were still ringing outside. The poet sighed, like a scattered grass floating in the wind, had to go to the secretary to save a job and started another lonely and boring school life, but it was difficult to meet the right person in the table later. Have you ever missed each other alone and lamented that you have not achieved your career? The frustration of love barrier and the sigh of life experience sinking meet in the poet's chest, which expands and deepens the connotation and implication of this poem, and there is a sense of self-injury and sadness in the beautiful and elegant style of writing.
In this poem, the poet's emotional fortune is very natural and smooth, but if we want to delve into the specific things mentioned in the poem, there will be a lot of imagination, and they are all reasonable. Ye Jiaying said that poetry is a conscious activity, while words are unconscious. Li Shangyin's untitled poems are close to the situation of words, and under the neat poetic format, they express a vague and inexplicable conscious expression that words are good at. Looking at this untitled poem alone, the whole poem feels like a solution to the problem under the sad musical tone, like writing it to lovers who can't be together for a long time, and also like lamenting the encounter between the monarch and the minister, but it is not so secular. Therefore, this is the beauty of Li Yishan's untitled poems.
The first four-line poem is really an excellent love poem, and the second one supplements its content. The second untitled poem (Smelling Sepals and Green Flowers in Luomen) roughly means: At that time, people often heard that a woman named Sepals and Green Flowers in Luomen was beautiful, but she always felt so far away from the horizon. I didn't expect to have the urge to peep after attending a grand banquet like Shaw History last night. The poet is talking about the flowers in the garden of Wu Palace, of course, not the flowers in the garden, but the beautiful women as beautiful as flowers and pure as jade. Qin Lou Binglesbo used Shaw History's allusions to declare that he was a loving husband. Poetry is expressive and erotic, but it mainly shows the love between men and women.
This group of poems has high artistic value, especially the first poem with seven rhythms, which has deep feelings, concise sentences and colorful colors. The poet combines the feelings of life experience with eroticism, and contrasts the feelings of hardship and frustration with the gorgeous lyrics to create a colorful and elegant artistic realm. The intricate jumping of images in the poem makes its theme ambiguous and ambiguous. The depth and breadth of the poet's exploration of the spiritual world are indeed far ahead of his predecessors, and his position in the history of literature largely depends on the great and lasting influence of such untitled poems.
Poetry: Untitled Two Poems Author: Tang Dynasty Li Shangyin Poetry Classification: Love, Poetry Group