Recitation requirement
Reciting is a vivid language art.
Recitation should have the basic skills of standardizing language. Clear articulation and clear pronunciation are required.
Recitation should be able to reproduce the ideological content of the work, and the inner things should be the same as the work and the author. It must require that the inner video that you think and see can reproduce and reproduce the original scene.
Recitation should be an artistic language close to life, rather than imitating accents blindly.
The tone of recitation is determined according to the content of the work.
Reciting also needs aesthetic feeling. When reciting poems, we should pay attention to the distinct rhythm and adopt the corresponding speed according to the basic rhythm of the works. Lightly carry your back lightly, and slowly carry the heavy ones calmly. As far as a poem is concerned, the reading speed is not fixed, but varies according to the needs of expressing the content of the work.
Poetry is interrelated and needs your reading comprehension and language application. Speaking of reciting, there are always many people who think of the stage, classroom or related chat rooms.
In fact, recitation really needs specific occasions and contexts to set off an artistic conception.
What are the main points of reciting?
First of all, our premise is that you have a foundation of speaking Mandarin, so do you have literary literacy, or do you have a good sense of reading words? This is related to reading and personal accomplishment. Why do you ask? Because you must master the meaning of words and even the writing background before reciting. How to express the scene in the text with sound has become a problem that we have to think about. For example, we usually choose modern poems or ancient poems to choose materials. Then we should deeply understand the artistic conception in the poem and the author's creative period. If your reading experience is integrated into the text, you can be there, so that you and the audience can slowly and quietly experience the scene, the person, the event and the moment of writing in your voice. Secondly, there should be ups and downs in the emotion of sentences, and there should be obvious contrast between coherence and fault. What is often said is cadence, but what is mentioned is not climax, and what is frustrated is not foreshadowing, which will cause a big drop. Reading should be combined with the understanding of words, and even one's own understanding can conform to the logic of language, so as to truly appreciate the ups and downs and emotional trends in this article, so that people's ears can hear the main idea and let people follow your voice. In addition, some friends put too much emphasis on enunciation in recitation, ignoring the transition of feelings, slips and paragraphs, and a little lost the meaning of watermelon picking sesame seeds. Pay attention to recitation, which also has its melody and sense of language. You can't forget important feelings just to pronounce words.
Flat tongue and convex tongue
In Putonghua, the pronunciation of Z, C, S and zh, ch and sh are completely opposite, namely, the front tongue sound (also called flat tongue sound) and the back tongue sound (also called tongue sound), and many people will read the back tongue sound as the front tongue sound.
In order to change this situation, we must first master the pronunciation characteristics and laws of these two types of initials, and then we can accurately distinguish different words containing these two types of initials.
The specific distinction method is:
First, it is distinguished by the phonological coordination of Putonghua. The regularity of phonological coordination in Putonghua is as follows:
(1) words with ua uai uang as vowel and zh ch sh as initial consonant, such as "grasping, beating, dragging, Zhuang, Chuang, Shuang";
(2) For words with en as the vowel, except for words such as "How, Shen (poor), Cen, Sen", words with eng as the vowel, except for "Zeng" and a few numbers with "Zeng" as the sound side, the initials of other words are all behind the tip of the tongue.
(3) For words with ou as the vowel, except for a few numbers such as "together", all the other initials are CH;
(4) Among the words with the vowel of uen, only the initials of "Shun, Suction, Shun and Instant" are sh, and the initials of other words are S;
(5) In words with ong as the vowel, the initial is only S, and there is no sh.
Secondly, according to the phonetic function of pictophonetic words, the pronunciation of a group of words next to homophones is inferred by using the known phonetic words. Although there are exceptions to this method, we might as well try it, but we should be careful when using it to avoid differences.
Third, rhythm: rhythm is a cycle of cadence and priority voice form under the control of certain ups and downs of thoughts and feelings.
Basic essentials: the beginning of the sentence is different, the end of the sentence is different, and the waist of the sentence is different.
And if the sound condition is not very good, you can find a good sound through hard training. You can recite it well.
I'll tell you more about speed: that is, whether the rhythm of reciting is fast or slow.
The speed of enunciation is determined by the characteristics and ideological content of the work. For example, the broadcast speed in Han Qiaosheng and Song Shixiong is relatively fast, which is determined by the requirements of sports competitions. In a word, mastering speed, stress and pause is necessary for reciting. As a very good reciter, you should first speak Mandarin very well and practice hard. The standard pronunciation should be based on the northern dialect. I also talked about the basic knowledge of Mandarin, such as vowels, tones and so on. And the basic requirements of recitation, how to grasp the theme, passion is a necessary condition, pay attention to breathing and so on. One more thing to say in particular is that a person's voice is born, and a good voice is the premise of reciting well. Friends should pay attention to the protection of the voice. Smoke less, drink less and make no noise.
In addition: pay attention to the tools and methods of reciting.
If you want to go on stage, you should also pay attention to the rhythm. There is a training problem here. Tilt your head to the audience, don't bow your head, but turn your head sideways, smile at the audience and applaud. Introduce yourself first, and then speak and read "Scenery of the North". . . "It feels right. Because you have to give the audience a time to get to know each other. Also, don't open your legs, but tighten them slightly to face the audience. Friends can usually practice in front of a mirror or family at home. Don't forget to bow to the audience when you finally leave. When you retreat, put your right foot back and leave sideways instead of turning around. This is impolite to the audience.
Tone: including intonation (tone and intonation), cadence (stress), Ji Xu (rhythm), etc. On the use of reciting breath-teach you a few tips;
1, experience chest humming: slightly open your mouth, relax your throat, close the glottis (vocal cords), and make a sound like a goldfish spitting bubbles. Or hum in a low voice and feel the vibration of the chest;
2. Lower the position of the larynx: (ditto); Relax your throat, relax, relax again.
3, clench your teeth: the so-called clench your teeth is to open the upper and lower teeth (molars), leave a * * * for your mouth, and touch the position of the front teeth at the root of your ear with your hand to see if it is open. Then pronounce some vowels, such as "a", and feel the change of your voice;
4, lift the zygomatic muscles: smile and talk, the corners of the mouth are slightly upturned, and at the same time feel the nose wings open, try, the voice is clearer.
5, quite soft palate: yawning, whistling by the way (pay attention to whether there are people around! )。
The above skills are actually the main points of opening. When you speak loudly in the future, paying attention to the above conditions will improve your voice. However, remember, you must "relax yourself", don't overdo it, and don't just pay attention to the form of pronunciation and forget what you said, which will put the cart before the horse.
Let's talk about breath again.
Pronunciation * vibration, vibration * breath, so to make your voice loud and full of breath, you must have a full breath. Keep breathing deeply and keep a certain breathing pressure at all times. Usually you can do more deep breathing and slow breathing exercises. It's best to stand up when practicing speaking, so that you can easily find the state of breathing. If you want to sit, sit up straight and lean forward slightly. When using breath, don't be discouraged, release it slowly under the above breathing pressure, and be good at holding breath together with your lips. This can keep the pressure balance between the chest, abdomen and lips.
Finally, by the way, the sound line problem.
Our pronunciation has an imperceptible line, such as whistling, which is very loud. The reason lies in smooth breathing, concentrated voice and smooth passage. It's the same when talking. Try to let the breath run through and let the sound come out along the middle and vertical lines in the mouth. Only in this way can the sound be concentrated and bright.
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1. Pronunciation skills and methods in recitation
2. Reciting skills
3. Recite vocal skills
4. Reciting skills and breath control
5. Reading skills and poetry reading requirements