(Part 1)
Zhu Shuzhen was a female writer in the Song Dynasty. No. Youqi Jushi. He was a native of Qiantang (now Hangzhou, Zhejiang), and one said he was a native of Haining (now Zhejiang). The dates of birth and death and life events are unknown. "Hui Feng Ci Hua" states that "Shu Zhen and Zeng Bu's wife Wei (Mrs. Wei) were Ci friends", and "there is no doubt that she was from the Northern Song Dynasty". According to Zhu Shuzhen's "Xuanji Illustrated Notes" written in the third year of Shaoding (1230), some people identified him as a Southern Song Dynasty person. However, Wei Zhonggong's "Preface to the Collection of Broken Heart Poems" was written in Renyin of Chunxi (1182), so Shao Ding should be Shaosheng (1094~1098), which coincides with Mrs. Wei's life. She was born into an official family. My father once "traveled to western Zhejiang as an official". Zhu Shuzhen loved reading when she was young, loved literature, and was good at poetry. He claims that "the ability to write in calligraphy and calligraphy is not a woman's business. What one likes by sex and love, one can sing without realizing it" ("Preface to the Poem of Holding the Water and the Moon in Hand"). She mainly lived in Hangzhou, and after getting married, she traveled to other places with her husband. It can be seen from the collection of poems that she once visited Huainan and traveled to Xiaoxiang. Because the marriage failed, Su Zhi was in great mental pain and died in despair. It is said that Zhu Shuzhen composed many poems throughout her life. After her death, she was "burned in a fire by her parents, and not a single one of them survives" (Wei Zhonggong's "Preface to the Anthology of Broken Heart Poems").
Zhu Shuzhen’s poems truly reflect her life, thoughts and feelings. Due to her unsatisfactory marriage, she wrote a large number of poems describing her lonely life and expressing her inner pain, such as "Sorrow": "When gulls, herons and mandarin ducks form a pond, you must know that their wings are not suitable. If Dongjun does not mainly focus on flowers, how can he live forever?" "Li Zhi", as well as "Long Night", "Sleepless Winter Night", etc., all reveal a sense of loneliness of "who are you throwing your tears at" and "who are you talking to about your dull feelings". The themes of Zhu Shuzhen's poems are quite broad. She used poems to record her travels, give gifts, and express her nostalgia for her "family curtains" and "family houses" when she was a guest in a foreign land. She also wrote some epic poems, discussed history, and commented on characters, which were all very insightful. For example, "Two Poems of Xiang Yu", "Lu Jia", "Han Xin", "Zhang Liang", "Chao Cuo", etc. praise Xiang Yu, who is "an unparalleled hero who can conquer mountains", and Lu, who "can understand the new language" Jia, Han Xin, who "will endure humiliation forever", Zhang Liang, who "retires after becoming famous", Chao Cuo, who "please cut him down and kill him". Her poem "Self-blame" wrote: "It is a crime for a woman to be sincere, but she can sing to the moon and sing in the wind. It is not my job to grind through iron inkstones, but it is meritorious to embroider and fold gold needles." It reveals her thoughts on the feudal constraints imposed on women. Indignant. She also often showed her concern for sericulture, farming and people's lives, and wrote poems such as "I Feel the Bitter Heat when I Hear the Field Man's Words", "Happy Rain", and "New Winter". She also wrote many poems about scenery and objects. The scenery of lakes and mountains, and the changes in the four seasons were all artistically reproduced in her poems.
There are about 30 preserved poems by Zhu Shuzhen, which are far less in number than her poems, and there are also fakes among them. But his achievements have always been valued by people, such as "Bodhisattvaman" "It's half autumn in the mountain pavilion and waterside pavilion, and the phoenix curtain is lonely and unaccompanied. I am so depressed that the two moths can only frown. When I get up and approach the embroidered house, there are sometimes sparse fireflies. "Thank you for the mercy of the moon, I can't bear to be full tonight", "Die Lianhua", "Thousands of willows hanging outside the building", "Eye at Kinmen", "Spring is half over", etc., are all excellent lyrical lyrics. In her poems, she often expressed the lonely life and depressed and sad emotions of "walking and sitting alone, advocating working alone and sleeping alone" ([reduced word Mulanhua]). This is completely consistent with the basic style of her poems. Although these words express the unfortunate fate of women in feudal society whose talents were suppressed and their marriages were unsatisfactory, overall their ideological content is relatively thin and depressing. There are also some poems written by Zhu Shuzhen, such as "Qing Ping Le", "The smoke stirs up the dew", "Jiang Chengzi", "The slanting wind and drizzle make the spring cold", etc., which express the passionate yearning and pursuit of love. As a female writer, because the description of love life in these words is very frank and bold, and the language is extremely harsh and popular, she has been criticized by some commentators who defend feudal ethics. "What is right" (Volume 7 of "Dongwei Ziji"), "What is wrong for a good woman" (Volume 2 of Yang Shen's "Ci Pin").
Zhu Shuzhen’s poetry inherited the poetry style of the late Tang Dynasty and the Five Dynasties, and also received the influence of Liu Yong, Zhou Bangyan and others. The language is fresh and beautiful, and he is good at using euphemistic and delicate techniques to express beautiful objective scenery and personal inner world. She was an outstanding female poet second only to Li Qingzhao in Song Dynasty. Chen Tingzhuo said: "Zhu Shuzhen's Ci poems are not as talented as Yi An's, but he scales the scale of the Tang and Five Dynasties without losing any sense of proportion." (Volume 2 of "Bai Yuzhai Ci Ci") Wei Zhonggong said that Zhu Shuzhen's Ci poems are "fresh and graceful, thoughtful and emotional, and able to express people's thoughts." , how can it be achieved by the general" ("Preface to the Anthology of Broken Heart Poems").
His poems include 10 volumes of "Collection of Broken Heart Poems" compiled by Wei Zhonggong of the Southern Song Dynasty, 8 volumes of "Post Collection" (some are incomplete), annotated by Zheng Yuanzuo of Qiantang, and 1 volume of "Supplement". There is a copy of "The Legacy of Wulin Wangzhe". Also, Volume 1 of Duanchangci has the Siyinzhai version. Today's Ji Qin has "Zhu Shuzhen's Annotations", printed by Zhejiang Ancient Books Publishing House. (Deng Kuiying)
(Part 2)
Female writer of Song Dynasty. No. Youqi Jushi, a native of Qiantang (now Hangzhou, Zhejiang). His ancestral home is Shezhou (the state governs present-day Shexian County, Anhui). He was alive in the early Southern Song Dynasty. Born into an official family, it is said that he died of depression due to dissatisfaction with his marriage. Able to draw and understand music. The poems are full of resentment and sentimentality. I can also write poetry. There is a collection of poems called "Bangchang Collection" and a collection of poems called "Bangchang Ci". "Bangchang Collection" has an annotated version by Zheng Yuanzuo of the Song Dynasty. ("Cihai" 1989 edition)
Bangchangci: the name of the collection of words. Written by Zhu Shuzhen of the Southern Song Dynasty. One roll.
Shuzhen was a woman from Qiantang (now Hangzhou, Zhejiang). She suffered a self-inflicted injury, so she was nicknamed "broken heart". There are the Ming Dynasty editions of "Poetry Miscellanies" by Jiguge Ke and the Qing Dynasty Wang Pengyun's "Siyinzhai Engraved Poems" edition, etc. (Same as above)
(Part 3)
Shu Zhen was born in Qiantang, a young Jing Hui, good at reading, good at poetry, and romantic. In his early years, his parents were ignorant and he married into a wealthy family. Shuzhen was depressed and frustrated, and died of grief. His parents taught him the Dharma and his life writings. Tang Zuo, the king of Lin'an, wrote a biography for him. Wei Duanli of Wanling compiled his poems and called them "Broken Heart Collection". (Ming Dynasty Tian Rucheng's "West Lake Tour Chronicles")
(Part 4)
In Xinmao, Shunzhi, there was a guest in the clouds holding a ji in a stone house. A scholar asked about it, and wrote: "I don't know anything about it." The scholar asked where the immortal came from, and the scholar wrote: "My family originally lived in ancient Qiantang, and there was a poem called Broken Heart." The scholar asked what the immortal's surname was, and wrote He said: "It is still said that the small characters are in the Ci field." The scholar didn't know who wrote "The Broken Heart Collection", so he saw that it was called "Erjia", which meant his girl, and said: "Isn't it better to be an immortal than Su Xiaoxiao?" The book said: " Manba Ruolan Fang Shushi said: "How about Li Yi?" The book said: "It should be noted that Qingzhao Yi Zhenniang, Zhu Yan said it to Ren Jun." The scholar realized that he was Zhu Shuzhen, so he answered the questions and formed a palace in Huanxi Sha. . Then I offered my blessings and asked for pearls and jade. Ji also wrote: "In the blink of an eye, there are no more peaches and plums, and tea leaves are blooming again. Occasionally, I talk about three lives, and I don't realize that the sun is moving. It's gone. I sigh that the spring light is like water." Ji then didn't move. Or if you are suspicious of what the guest did, those who know it will say that the guest only knows how to support the shackles, but does not know how to write. .
("Miscellaneous Notes of Lake [Tuzhi]")