Excuse me, is it important for freshmen to review the history of ancient literature?

Chapter VI Jian 'an Literature 1. Noun explanation 1, Three Caos: the names of Cao Cao, Cao Pi and Cao Zhi in the Han and Wei Dynasties. They are famous for their prominent political position and outstanding literary talent. They express their political ambitions and social scenes in their poems, and they lament generously. They are representative poets in the Han and Wei Dynasties and occupy an important position in the development history of five-character poems. Cao Zhi is known as "the first strange man in Jian 'an". 2. Seven sons of Jian 'an: Kong Rong, Chen Lin, RoyceWong, Xu Gan, Ruan Yu, Angelababy, Serina Liu and other seven writers in the Jian 'an period of the Eastern Han Dynasty. They are all famous for their poems and essays, and they are the core members of Cao Wei's literary group. Together with San Cao, they are important writers in Jian 'an era. Among them, RoyceWong and Liu Zhen have the highest achievements. 3. Jian 'an style: it is an image summary of Jian 'an style. Jian 'an is the title of Emperor Xian of Han Dynasty. At that time, many works reflected the social reality of alienation and expressed the desire to unify the world and the pursuit of an ideal life. His poetry is generous and sad, and his language is vigorous and bright. Later generations called the achievements of Jian 'an poetry "Jian 'an character". 4. "Sorrow Poem": the title of the poem. Cai Yan, a famous poetess in the Han and Wei Dynasties, is said to have two poems in Sao style and five characters. Among them, five fonts have higher credibility. This 540-word poem describes the unfortunate experience in the turmoil at the end of the Han Dynasty and reflects the common destiny of the people, especially women, during the turmoil at the end of the Han Dynasty, which is of typical significance. The whole poem is full of twists and turns, lyrical and weeping, and extremely infectious. Second, the essay question 1. Who were the famous poets in Jian 'an period? What are the common characteristics of their poetry creation? Reference answer: The famous poets in Jian 'an period are "Three Caos" (Cao Cao, Cao Pi and Cao Zhi), "Seven Sons" (Kong Rong, Chen Lin, RoyceWong, Xu Gan, Ruan Yu, Angelababy and Serina Liu) and the poetess Cai Yan. The common characteristics of his poetry creation are: they are all devoted to the creation of five-character poems, showing the chaotic social reality, showing the desire to unify the whole country and the ideal spirit of being proactive, with passionate emotions, vigorous and bright language, "deep ambition and long writing, so the outline is drawn", forming the so-called "Jian 'an style". 2. What is the difference between the poetic styles of "Three Caos"? Reference answer: Cao Cao's poems are lyrical and personalized, full of positive and enterprising spirit, simple and vigorous language, sad and generous style, vigorous and gloomy. Cao Pi's poems are mostly about wandering women, with the sadness of life and the feelings of enjoyment, full of the sad voice of the times, and the poetic style is beautiful and sad. Cao Zhi was the first writer who wrote five-character poems vigorously, and his poems strengthened lyricism. Detailed description, good use of metaphors, enhanced the image and vividness; Colorful characters, pay attention to duality and refinement, beautiful and natural language, harmonious rhythm and tone; Pay attention to the layout The style is "extremely high-spirited, and the text is taken from Huamao". 3. Briefly describe the changes and reasons before and after Cao Zhi's poetry creation? Reference answer: Cao Zhi's early poems are full of high spirits, while his later poems are generous and sad. The change of poetic style is due to the change of its political status, which leads to the change of theme and artistic technique. Cao Zhi was very talented in his early years, so his poems often praised his ideals and ambitions of making contributions, and also wrote some works of feasting and having fun, which were full of romantic optimism. In the later period, he was deeply suspicious, so he mainly wrote about his grief and injustice of being condemned and abandoned, or about his friends and his resentment of being persecuted, or used the traditional theme of in my heart forever to express his mind, or expressed his mind, or borrowed the gods to dispel his inner anguish. A large number of metaphors and symbols are used to express the poet's spirit of resisting persecution. Those who are proud of the world are innocent of the eternal show and win the autumn heart. The sky is thin and yellow, and the world of mortals is cold to this day. Chapter seven is the beginning of literature 1. Noun explanation 1. Zhengshi Literature: Literature in the Zhengshi period of Wei Dynasty. At that time, the internal struggle of the ruling class was fierce, the philosophy of Laozi and Zhuangzi prevailed, and literary creation was seriously affected. Advocating negative thoughts encourages the tendency to be divorced from reality. Only Ruan Ji and Ji Kang's works can implicitly express their hesitation and anguish, reveal their dissatisfaction with reality and make great achievements. 2. Seven Sages of Bamboo Forest: Ji Kang, Ruan Ji, Dan Tao, Xiang Embroidery, Ruan Xian, Wang Rong and Liu Ling in Wei and Jin Dynasties. These seven scribes were named "Seven Sages of Bamboo Forest" because they were friendly to each other and swam in the bamboo forest. 3. The letter of breaking up with Shanjuyuan: The title of the article is a letter written by Ji Kang to Dan Tao in the early years of Cao Wei. This is a declaration of breaking with Sima Group. The article said that he didn't want to be an official in order to harm others. Put forward that "seven people can't stand it, and two people can't", and put forward that "it's not Tang Wu, it's a small hole". Second, the composition topic 1. What are the main ideological contents and artistic features of Ruan Ji's Poem of Chanting to the Huai? Reference answer: its content is to express loneliness and worry about life and disaster; The second is to satirize current politics and expose social ugliness and corruption; The third is to show the life of drinking and seeking immortality. The artistic features are: first, being good at expressing emotions; Second, be good at competing with others; Third, be good at using allusions; The fourth is to be good at writing. The first concrete technique is to combine symbolism with the uncertainty of meaning, and the ambiguity of allusions makes the meaning of poetry profound and difficult to understand; The second is to use a variety of metaphors to form a complete artistic conception, so that the meaning is hidden. The style is deep and subtle, and the so-called "Ruan purport is far and deep" and "Jue purport is far and wide, and interest is hard to find". Chapter VIII Literature of the Jin Dynasty 1. Explanation of nouns 1. Tai Kang Ti: The Poetic Style of Emperor Wu of Jin Dynasty in Tai Kang Period. Represented by Pan Yue, Lu Ji, Zhang Zai, Zhang Xie and Lu Yun. His poems pay attention to carving chapters and sentences, pursue rhetoric, and have a gorgeous surface, which represents the mainstream of poetry at that time. 2. Three Land, Two Left: It refers to the names of eight poets who mainly lived in the years of Taikang and Yuankang in the Western Jin Dynasty. They are: Zhang Zai, Zhang Xie, Zhang Kang, Lu Ji, and his nephew Penny, and Zuo Si. 3. Zuo Si Li Feng: It is an image summary of Zuo Si's poetic style in the Taikang period of the Western Jin Dynasty. Language is Zhong Rong's poem. Zuo Si is the most outstanding poet in the Western Jin Dynasty, and his masterpiece Eight Poems of Ode to Histories has a bold style and deep feelings, which is quite different from the gorgeous poetic style popular at that time. His poems inherit Jian 'an's character, express his embrace, attack the reality, and have many unfair voices. It is called "Zuo Si Feng Zhi" because of its vigorous momentum, forceful style, majestic writing, vivid image and unique style. 4. Metaphysical Poetry: refers to the works of "Zhu Xuan who speaks virtue and expresses meaning" which are popular in the poetry world under the influence of metaphysics in the Eastern Jin Dynasty. The representative writers are Sun Chuo and Xu Xun in the Eastern Jin Dynasty. Metaphysical poems understand Hyunri with metaphysical thinking, which is not poetic, but works expressing philosophy through scenery have played a catalytic role in the production of landscape poems. 5. Poems about Immortals: Fourteen Poems about Immortals is the representative work of Guo Pu, a poet in Jin Dynasty. It combines the thoughts of Laozi and Zhuangzi with Taoist immortal theory, and conveys the feelings of being frustrated as an official and avoiding the world. Being called "wandering immortals" is actually a way to express one's dissatisfaction with reality. Guo Pu's poems are vivid in image, apt in metaphor, fresh in words, vigorous in momentum and far-reaching, which is better than the metaphysical poems prevailing at that time. Second, the essay topic 1, what is the main creative tendency of the literary world before and after Taikang in the Western Jin Dynasty? Who is the representative writer? Reference answer: the main creative tendency is to simulate the prosperity of the ancients; The second is to carve chapters and sentences, pursue gorgeous rhetoric and double neatness. Only Zuo Si is unique, expressing the injustice of the poor with vigorous brushwork, and directly inheriting Jian 'an's character. The representative writer is "three Lu, two Left". 2. What are the artistic features of Zuo Si's eight epic poems? Reference answer: Zuo Si's eight epic poems are masterpieces of epic poems in the Middle Ages. Its artistic characteristics are that one or eight poems are independent and mutually inherited, forming an organic whole, and the form of group poems can accommodate more abundant contents; 2. Inherited the tradition that Jian 'an poets combined lyricism with lyricism and ambition, and called it "ode to history", but in fact it was "ode to the bosom", which was more closely combined; Third, the performance is more diverse, such as metaphor, comparison, comparison and discussion, which further enriches the artistic expression of the theme of chanting history. 3. List the important representative phenomena in Jin's poems? Reference answers: Tai Kangti, Zuo Si Li Feng, Xuan Yanshi, You Shixian. Chapter 9 Tao Yuanming. Noun explanation 1. Pastoral poetry: refers to poems describing rural scenery and rural life. Tao Yuanming's pastoral poems describe the rural scenery and rural life in many aspects, showing the tranquility of the countryside and the poet's carefree mood, as well as the poet's mood of participating in rural labor and having a happy exchange with farmers. It was originally different from Xie Lingyun's landscape poems, but with the attention of Xie Shu's landscape poems in the Southern Dynasties to common scenes in daily life, the boundaries between pastoral poems and landscape poems gradually blurred. In the prosperous Tang Dynasty, people generally called it the "pastoral school", which shows that the two schools merged. Second, the composition topic 1. Briefly describe the ideological content of Tao Yuanming's poems? Reference answer: Tao Yuanming's poems can be divided into two categories: pastoral poems, nostalgic poems and epic poems. Pastoral poems describe rural scenery and rural life in many ways, which can be roughly divided into three aspects: one part shows the tranquility of the countryside and his own carefree mood; The other part sings enthusiastically about agricultural labor and the friendship established with farmers in labor; Some of them showed the poverty in the countryside and their poor life, expressed their interest in living in poverty and happiness, and pinned their ideals on life. Tao Yuanming inherited the tradition of Ruan Ji and Zuo Si, and showed the anguish of his own ideals and the impossibility of realizing them, as well as the noble quality of caring about current politics and not colluding with the rulers, exposing the darkness of social politics in twists and turns. It is worth noting that pastoral poems contain feelings, and there are also many descriptions of scenery in poems about feelings and history. There is no clear boundary between these two types of poetry. 2. Explain the artistic style of Tao Yuanming's poems? Reference answer: The style of Tao Yuanming's poems is simple and natural, and his pastoral poems reflect this feature. It is embodied in two aspects: first, the unity of plain and mellow beauty. Under the plain appearance, Tao's poems imply warm thoughts and feelings and a strong flavor of life, which is meaningful, light and elegant. The second is the unity of emotion, scenery and reason. Tao Yuanming is good at writing scenery, dyeing the scenery with freehand brushwork, and his artistic conception is lofty, but he does not describe the scenery purely and objectively. In his works, the scenery is always full of the poet's feelings and embodies the poet's character. Poets often use simple language to explain some life philosophies in lyrical scenery writing, which is full of interest and rationality, and integrates interest and natural beauty. However, there are also some works of King Kong that are generous and bold, such as Ode to Jing Ke and Reading the Classic of Mountains and Seas. 3. What is the position and influence of Tao Yuanming in the history of poetry? Reference answer: Tao Yuanming was the most accomplished poet in Wei, Jin, Southern and Northern Dynasties, and made outstanding contributions to the development of poetry. He not only created pastoral poetry, but also made daily life full of interest and poetry as never before, expanding the theme of poetry; He created a simple and natural poetic mood and set a higher artistic standard for later generations. He also created many poetic forms. First, he injected new life into the rigid form of four-character poems with vivid content; Secondly, the five-character poems chanting for the bosom were developed. According to the characteristics of content and form such as Ode to History, Drinking, Ode to Poverty and Return to Garden, the classification is more detailed, and the internal structure of poetry is more ingenious than that of predecessors. Tao poetry was not valued by people at that time, and the school of landscape pastoral poetry rose and established its position in the Tang Dynasty. After Zhao and Song Dynasties, Tao Yuanming was highly respected and established his position as a first-class master. Chapter 10 Poetry in the Southern Dynasties 1. Noun explanation 1. Xie Tao refers to the poets Tao Yuanming and Xie Lingyun in the late Eastern Jin Dynasty and early Song Dynasty. Du Fu has a saying, "How to get a poem like the hand of Xie Tao, so that the canal can walk with you", referring to these two people. They are all good at describing natural scenery. But Tao wrote pastoral, Xie wrote landscape; Tao's poems are simple and natural, while Xie's poems pay attention to rhetoric and duality, advocate beauty and have different styles. 2. Yuanjia Sanjie: The guides are Xie Lingyun, Yan Yanzhi and Bao Zhao, three famous poets in Yuanjia period of Song Wendi. Xie's poems are rich and delicate, Yan's poems are gorgeous and elegant, and Bao's poems are bold and unrestrained, which was called "three-body" in the early Song Dynasty. The differences in poetic styles are obvious. * * * has similarities in describing mountains and rivers, and pays attention to rhetoric and duality. 3. Yongming style: the poetic style formed during the Yongming period of the Qi Emperor in the Southern Dynasties. Also known as new poetry. This kind of poetry combines the metrical double tones since Jin and Song Dynasties, pays attention to the theory of four tones and eight diseases, increases the formal beauty of poetry art, and has a great influence on the formation of modern poetry. Representative writers are Shen Yue, Xie Tiao, Wang Rong, Fan Bin, Jiang Yan, He Xun, Wu Yun and Chen Yinke at the time of Qi and Liang Dynasties. 4. A poetic style formed by the Southern Liang Dynasty for court creation. Most of them describe boudoir feelings, which are beautiful, but they are hurt by lightness and vulgarity. The advocators are Emperor Liang Jianwen and Xiao Gang, and the representative writers are Xu Ling and Yu Xin. Their creative style is elegant and agile, and after "clever editing", they are called "Yu Xu style". So, Jiang Ye and the general manager created this kind of works. Xu Ling compiled Yutai New Poetry, but only collected Yan Poetry, which can be said to be a collection of poems in the palace style. Second, the essay topic 1, a brief analysis of the characteristics of Xie Lingyun's landscape poems? Reference answer: Xie Lingyun is the first person who consciously entered poetry with mountains and rivers in the history of poetry. With rich and delicate language and vivid rhetoric, he described the natural scenery in detail and vividly, showing the beauty of mountains and rivers. First, some beautiful sentences show his superb painting skills and his creation in artistic skills. Secondly, according to the tour order, the scenery seen along the way is incorporated into the poem by step-by-step transformation. Third, most of them are written in the mode of narrative-scenery-lyricism, which has a monotonous structure and affects the ambiguity of poetic artistic conception. 2. Please describe the ideological content of Bao Zhao's poems? Reference answer: 1. Reflect social injustice, criticize the suppression of talents by the gate system, and express the anguish and cynicism of the poor; Second, describe the life of the frontier war, express the ambition of serving the country and show the spirit of being proactive; Third, expose social darkness and sympathize with people's sufferings; Fourthly, there are other works that describe homesickness, express love, sentimental life and write scenery and praise things. 3. Briefly describe the artistic style of Bao Zhao's poetry and its contribution to the development of poetry? Reference answer: Bao Zhao's poems are divided into five types: ancient poems and Yuefu poems, which inherit the form and tradition of Yuefu poems in Han and Wei Dynasties and express strong feelings with vigorous and powerful brushstrokes; Good at writing scenery, good at comparison, intonation and uneven sentence patterns; Strange and magnificent, vigorous weather, heroic and elegant style, quite romantic. Bao Zhao inherited and carried forward the poetic style of Han and Wei Dynasties, which represented the correct direction of poetry development and contributed to the development of poetry. First, innovate frontier poems, increase the content of frontier scenery, and attract people's worries. The second is the creation of seven-character style. He was the first poet who consciously devoted himself to the creation of seven-character poems and made high achievements. He changed the rhyme of the seven-character poem sentence by sentence, creating miscellaneous words and deeds. In addition, the poems about Yuefu and frontier fortress in the Southern Dynasties also had a great influence on the formation of the Five Wonders in the Tang Dynasty. 4. What are the new features of Xie Mao's landscape poems? Reference answers: First, focus on the common scenes in daily life, and expand the subject range of landscape poems; Second, in the aspect of scenery writing, Xie Lingyun broke through the overall layout, carefully selected and cut the scenery, and formed a more harmonious artistic conception; Thirdly, in the description of scenery, the images of lyric heroes blend naturally with scenes, especially some scenery poems, which are ethereal and pure and quite tang style. 5. What is New Style Poetry? Who are the representative writers of new style poetry? Reference answer: Shen Yue, a poet of Qi Dynasty, summed up the previous research results on phonology, studied the coordination of sound, rhyme and tone in poetry according to the overlapping rhyme of four tones and two tones, and pointed out that eight kinds of rhythm defects should be avoided in poetry creation, and the coordination of rhythm and duality formed a new rhythmic poetic style. Because it appeared in the Qi and Yong Dynasties, it is also called Yongming Style. It is a form of transition from ancient poetry to modern poetry. Xie Shu's new style poems, with colorful words, neat antithesis and smooth coordination, are close to those of the Tang Dynasty. In addition to Xie Shu, there are Shen Yue, Wang Rong, He Xun and Yin Keng. The first chapter of XI poetry in the Northern Dynasties. Noun explanation 1. Three talents in the Northern Dynasties: Wen Zisheng, Xing Shao and Wei Shou, writers who can consciously learn the culture of the Southern Dynasties and promote the confluence of northern and southern literature. Generally speaking, they are imitators of the style of writing in the Southern Dynasties. Some of Wen Zisheng's poems are elegant in style, flowery in rhetoric, and pay attention to duality, which are similar to the Southern Dynasties. Some of his poems were influenced by northern folk songs. Xing Shao's poems mostly imitate the Wei, Jin and Southern Dynasties. Director Wei Shou is in Stone. 2. Mourning Jiangnan Fu: Title the article. North left. The author worked as an official in the Southern Dynasties, then went to the Western Wei Dynasty and was detained to serve in the Northern Dynasties. Although he has a prominent position and good treatment, he often misses his hometown and recalls the past, so he was given this gift to express his feelings. Based on the author's own experience, this paper describes the process of the rise and fall of the Liang Dynasty, exposes the corruption and incompetence of the rulers of the Liang Dynasty, and describes the profound disasters suffered by the people in the war. From the perspective of artistic style, the meter is strict but not loose, full of vitality in desolation and depression, with unrestrained feelings, sonorous timbre and rich personality. Second, the essay topic 1, combined with Yu Xin's experience, briefly explains the changes of his poetic style in his early and later years? Reference answer: Yu Xin's life is divided into two periods: before and after the Western Wei Dynasty. In the early days, Shi Liang was a representative writer of palace poems, which was called "Yu Xuti" together with Xu Ling's palace poems. His poetic style is hurt by lightness, and at the same time, there are a lot of works to suit the occasion. Some poems are vivid in description, ingenious in sentence patterns and harmonious in rhythm, showing fresh and elegant personal characteristics. At the age of 42, Yu Xin was ordered to be detained in the Western Wei Dynasty. Although he lived in the Western Wei and Northern Zhou Dynasties, he often had the idea of going to the countryside and the feeling of being detained. Coupled with the frontier fortress scenery and the hatred of national subjugation, it suddenly became a song and a poem, forming a bold and unconstrained spirit and a desolate and tragic artistic conception. His later poems are extensive in content, clever in allusion, antithetical in works, exquisite in language and harmonious in sound and rhyme. Du Fu said that "Yu Xin's writing style is more mature, and Ling Wen's writing style is vertical and horizontal", and his "twilight poems stir the rivers and lakes" just pointed out the changes of his later poetic style. 2. Why do you say that Bao Zhao is a writer who combines the literary achievements of the Northern and Southern Dynasties? Reference answer: Yu Xin has made a remarkable contribution to the development of modern poetry. He further legalized and parallelized poetry, combined with a wide range of themes, bold and unconstrained spirit and desolate and tragic artistic conception, and his poetry truly integrated the poetic style of the North and the South, which had a direct impact on the development of Tang poetry; His ci fu and parallel prose also reached the highest level in the Six Dynasties and became a master of literature in the Northern and Southern Dynasties. Chapter XII Yuefu Folk Songs in the Southern and Northern Dynasties 1. Noun explanation 1. Wu Ge: Yuefu poetry? The Collection of Songs of Shangqing mainly comes from the Southern Dynasties folk songs in the lower reaches of the Yangtze River with Jianye as the center, and there are 326 existing songs. Most of the existing Wu Ge songs are sung by women, which vividly and intensively express the feelings and complex mentality of the protagonist under specific historical conditions, such as the longing and firmness for love, the joy and pain of lovesickness, the depression of freedom of marriage, and the resentment of men's infidelity. 2. Opera: refers to Yuefu poems? The collection of Shang Qing's Quci mainly produced in the middle reaches of the Yangtze River and on both sides of the Han River, with Jiangling as the center, including the folk songs of the Southern Dynasties in some surrounding cities. There are 142 songs today. Traditional operas mostly describe the lovesickness of businessmen's wives and the love life of laborers. The theme is slightly wider than that of Wu Ge, and the style is more lively. 3. Song of Music: the title of Yuefu miscellaneous songs. Folk songs of northern dynasties. The lyrics of Chile are translated from Xianbei. Gao Huan in the Northern Qi Dynasty was defeated by Zhou Jun and ordered Hu to sing this song to boost morale. This poem praises the vastness of grassland and the prosperity of cattle and sheep. The style is unusually bold and simple, and it is worthy of being the masterpiece of Yuefu folk songs in the Northern Dynasties. Second, the composition topic 1, try to summarize the ideological content of folk songs in the Northern and Southern Dynasties respectively? Reference answer: Most folk songs in the Southern Dynasties show the love between men and women. Wu Ge and traditional Chinese opera are slightly different in artistic conception and style due to different regions (see the section on basic knowledge). Although the number of folk songs in the Northern Dynasties is small, their themes are quite extensive. There are four main aspects: one is to describe the magnificent mountains and rivers and nomadic life in the north; Second, it shows the rugged and heroic character and chivalrous and martial spirit of the northern nationalities; Third, it reflects the frequent wars in the north and the pain of leaving home; Fourth, it reflects love and marriage. 2. Try to compare the artistic styles of folk songs in the Northern and Southern Dynasties? Reference answer: The folk songs of the Southern Dynasties are short and pithy, mostly in five words and four sentences. The language is fresh and natural, and the biggest feature of the language is the use of puns, which not only makes the language vivid and smooth, but also makes the expression of feelings more euphemistic and implicit. The language of folk songs in the Northern Dynasties is simple and vigorous, the style is rough and bold, natural and fresh, and the format of miscellaneous words is mainly five words. 3. What is the classification and preservation of folk songs in the Southern and Northern Dynasties? Reference answer: Guo Maoqian's folk songs and Yuefu poems in the Southern Dynasties? There are mainly two kinds of songs in Qing Dynasty: Wu Ge and Traditional Chinese Opera, and a few chants. In addition, a small number of folk songs of the Southern Dynasties are also preserved in miscellaneous songs and miscellaneous songs. Most of the northern folk songs preserved in Guo Maoqian's Yuefu poems? The Song of Cross Blowing in Song of the Drum and the Beam. Most of the works of the Northern Wei Dynasty, the Northern Qi Dynasty and the Northern Zhou Dynasty were introduced to the Southern Dynasties, and the Yuefu organs in the early Liang Dynasty were preserved. 4. Please describe the content and artistic features of Xizhou Qu? Reference answer: Xizhou Song is one of Yuefu Zaqu. It was written by Anonymous in the Southern Dynasties, and it was a five-character style. It was named after the first sentence "Recalling Xizhou, Xia Mei". Originally a folk song in the Yangtze River valley, it was processed by literati. The content describes a girl's psychology of missing her long-lost lover. Through the transformation of characters' activities with seasonal characteristics, the work shows a girl's yearning for distant lovers from spring to autumn step by step. Beautiful language, delicate brushwork, lingering emotion, truth and pun are the remarkable characteristics of his techniques. There are 32 sentences in the whole poem, and four rhymes, which are smooth and harmonious. "Xizhou Song" is the best work of Yuefu folk songs in the Southern Dynasties, and it is also the longest lyric poem. 5. Try to analyze the ideological content and artistic achievements of Mulan's poems? Reference answer: Mulan poetry is the most outstanding work among Yuefu folk songs in the Northern Dynasties. It tells the story of a woman named Mulan who disguised herself as a man to join the army instead of her father, but didn't want Mu to retire to the countryside after making meritorious deeds. It has shaped the immortal artistic image of Mulan, which is the embodiment of ancient people's ideals. In her body, it embodies the heroism and noble sentiments of the Chinese nation. Artistic achievements: first, it is legendary and a model of combining realism with romanticism; Secondly, the artistic techniques commonly used in folk songs, such as overlap, arrangement, metaphor, duality, contrast and truth, are skillfully used to enhance the artistic effect; Third, the pen and ink are concise, concise and appropriate, and the sentence pattern is dominated by five words, mixed with seven words and nine languages, patchwork, sonorous and full of musical beauty.