He aestheticized "daily life" and revised the collective "grand narrative" with personal trivial themes; Use plain, euphemistic and flexible language.
Reverse the rigidity of the all-encompassing "Mao discourse"; With a plain, implicit and restrained narrative, it exposes the melodramatic style of writing, and makes people relive the charm of the once-lost classic prose of celebrities.
Thus, it reflects the emptiness, exaggeration, falsehood and morbidness of China's contemporary prose, and makes the truth, goodness and beauty, daily life, calmness and elegance return to prose, and makes the prose go out of the "thousand faces and one cavity".
Extended data:
Wang Zengqi's prose does not pay attention to indoctrination, but it is thought-provoking. For example, "Is Bitter Melon a Melon" in "Eating Goods and Literature" tells the history of Bitter Melon. People's likes and dislikes of Bitter Melon have never been accepted, but they have been accepted in Beijing.
Finally, I talked about the problem of literary creation: "Don't easily deny or exclude works that you are not used to." "A work can be regarded as realism or modernism, as long as it is really a work. A work is a work. Just like bitter gourd, it can be said that it is a melon or a gourd, as long as it can be eaten. "
Baidu Encyclopedia-Wang Zengqi