We will introduce you in detail from the following aspects: "Worrying about an alarmist can get wind quickly":
I. The full text of Liu Yinzhi, the Warrior of Lanling Click here to view the details of Liu Yinzhi, the Warrior of Lanling.
Liu Yin is straight and smoky.
On the Sui Dyke, I saw silk several times, and the water fluttered to bid farewell.
Who knows how tired Beijing guests are when they visit their old country?
Changting Road, since last year,
You should bend the flexible belt thousands of feet. Looking for ancient traces,
The wine left the table when the funeral music and lights shone.
Pear blossom and elm fire urge cold food. Worried that the arrow will be fast,
Half a pole is warm, and you can count the columns as soon as you turn around.
Look at people in the north. Sad,
Hate to pile up like mountains! Farewell, lingering,
Tianjin is silent, the sun sets in Ran Ran, and the spring is endless.
Read the moon and join hands, and smell the flute on the bridge.
Meditate on the past, as if in a dream,
Tears are black.
Second, Zhou Bangyan's other poems
Su Curtain, Six Ugly Roses after Xie Zuo, Big Spring Rain, Night Magpie, River Bridge, Warrior Lanling Willow. Three. translate
Liu Yin is straight and smoky. On the Sui Dyke, I have seen it several times, and the water fluttered to bid farewell. Who knows how tired Beijing guests are when they visit their old country? Changting Road, which came last year, should be flexible across thousands of feet.
At noon, Liu Yin fell straight, and in the fog, willow branches swayed with the wind. On the ancient Sui Dyke, how many times have I seen catkins flying and rushing away? Every time I climb the high platform and look at my hometown, Hangzhou is far away from mountains and rivers. Living in Beijing makes me very tired, but who knows the hidden pain in my heart? On the way to this Shiliting, I broke thousands of wickers, but I always sent others away year after year.
Looking for old traces, drinking and mourning strings, leaving a watch and light. Pear blossom and elm fire urge cold food. Worry about an arrow, the wind is fast, and half a wave is warm. I can count posts as soon as I turn around, hoping that people are at the ends of the earth.
I used my spare time to go to the suburbs. Originally, I came to find Lao whereabouts, just to send a farewell party to my friends. The lights are shining, I raise my glass, and sad music is dancing in the air. Pear blossoms beside the post station remind me that the Cold Food Festival is coming, and people should use elm willow as firewood. Sadly, I watched the boat leave like an arrow, and the bamboo pole at the tip of the boat was inserted into the warm water waves and moved forward frequently. When the guests on board looked back, the post station had fallen far behind and left the worrying capital. He wanted to take another look at me in the north of the sky, only to find that it was already a blur.
Mourning, hate accumulation! Farewell is lingering, Tianjin is quiet and silent, and the sunset is endless in spring. Read the moon and join hands, and smell the flute on the bridge. Meditation on the past is like a dream with dark tears.
I am miserable alone, and I have accumulated thousands of sorrows and grievances. Farewell to the riverbank twists and turns, and the ferry bunker is silent. Spring is getting stronger every day, and the sunset is hanging in the air. I can't help but think of that time, holding hands and playing in the waterside pavilion, and the moonlight dissolved. We were at the Dew Bridge together, listening to people playing the flute until the end of the song, and recalling the past was like a big dream. I've been crying secretly.
Four. notes
Liu Yin Straight: The willows on the long embankment are arranged neatly, and their shadows are connected in a straight line.
Smoke: mist.
Silk green: slender and gentle wicker flutters with the wind, playing with its bright green beauty. Grab it and wave it.
Brush water and float cotton: willow branches brush water lightly and catkins fly.
Color: the scene and situation of people before departure.
Jinghua Leike: The author claims to be. Jinghua refers to the capital, and the author has been shopping in the capital for a long time and is tired.
Changting: In ancient times, there was a pavilion ten miles long and five miles short, which was a place for people to rest and say goodbye.
Soft strips: willow branches.
Crossing thousands of feet: A lot of words make a lot of mistakes.
Old path: refers to the place where I once went to the levee to say goodbye.
See you again.
Wine mourning string: when drinking, play the music of parting. Take advantage, chase, and follow. Sad strings, sad music.
Leave: Say goodbye to the party.
Cold food: the day before Qingming is cold food.
Arrows fly fast: it means that the ship is sailing like an arrow when it is downwind.
Half-pole wave warmth: refers to the bamboo pole propped up in the water. The season is near the end of spring, so it is called wave warmth.
Jump point: it's far away.
Post office: post office.
Look at people: give them away.
Grief: sadness.
Hate: This means regret.
Gradually: just.
Beppu: The water at the farewell party.
Lingering: water waves whirl.
Hengbo: A lookout near the ferry. I hope I can stay. Tianjin, ferry. Yes, the post.
Cen Ji: Cold and lonely.
Ran Ran: It moves very slowly.
The promise of spring: infinite spring.
Read: I remember.
Moon Pavilion: A pavilion in the moonlight. Pavilion, an open house built on a high platform.
Dew bridge: A bridge covered with dew.
Verb (abbreviation for verb) background
Since the Qing Dynasty, Zhou Ji's Selected Poems of Song Sijia called this poem "the way to see the guests off", and many annotators adopted it as a farewell poem. In fact, this word is Zhou Bangyan's mood when he left Beijing. At this time, he was tired of Beijng Tours-Private One-day Tour, but he was still attached to his lover there, reminiscing about the past with her and reluctantly leaving by boat.
Sixth, appreciate
The title of this word is "Liu", but the content is not to chant Liu, but to mourn. As soon as I came up, I wrote Liu Yin, wicker, catkin and wicker, which first rendered my separation from willow.
The last part, the willows on the Sui Dyke, set off a parting atmosphere. "Liu Zhi Yan Ming." The word "straight" can be understood from two aspects. It's noon, the sun is hanging in the sky, and the shadow of willow trees is evenly scattered on the ground. This is one of them. On the long embankment, willows line up, and Liu Yin stretches along the long embankment, drawing a straight line, which is the second one. The word "Liu" has a perspective-like effect in painting. "Smoke is full of beauty", she rewrote the willow tree. The branches of the new willow are slender and delicate, like silk. They seem to know that they look beautiful in blue, so they deliberately wave them to show their beauty. The blue color of wicker has a hazy beauty when seen through the mist of spring. This sentence is about the willow color I saw on the Sui Dyke when I left Beijing this time. But I have seen this willow color more than once. When I bid farewell, I said, "On the Sui Dyke, I have seen it several times, and the water fluttered to bid farewell." The words "brush water and float cotton" have been carefully polished, vividly depicting the reluctant farewell of willow trees. At that time, the poet climbed the high embankment and looked at his hometown. The return of others touched his hometown. Who can understand the frustration and sadness of this guest who is tired of living in Beijing? "Who knows that Beijing's tired visitors visit the old country?" Emperor Liu of Sui just brushed Shui Piao cotton to say goodbye to pedestrians, but didn't take care of the tired guests in Beijing who saw him off. In fact, tired customers who want to go back are even more sad. Then, the poet put aside his ego and led his thoughts back to the willow tree: "Changting Road will cross thousands of feet next year." In ancient times, there were ten-mile long pavilions and five-mile short pavilions on the post road. The pavilion is a place for people to rest and see off. The poet imagined that on Changting Road, year after year, Broken Willow would probably surpass thousands of feet. These words seem to cherish willow trees on the surface, but the deep meaning is to lament the frequent parting between people. Affection is profound and intriguing.
China movies will express their feelings. The sentence "looking for old traces" is easy to be ignored when reading. The word "Xun" is not found walking around the Sui Dyke. Trace is not the place where you have been. "Seeking" means thinking, recalling and recalling. "Trace" refers to the past. "Wandering around looking for old traces" means recalling the past. When the ship is about to sail, the poet is busy saying goodbye to others and can't be idle; At this time, the ship has set off, and the surrounding area is quiet, and the heart is idle, naturally recalling the past in Beijing. This is the meaning of the word "casual search". At this moment, Zhou Bangyan remembered: "The wine mourned again, and the lamp shone and left. Pear blossom and elm fire urge cold food. " This is an old story that came to my mind after the ship set sail. The night before the Cold Food Festival, his lover sent him away. At the farewell party, lights and candles flashed and people drank with sad music. This scene is unforgettable. The word "you" here shows that the poet recalled it more than once after the farewell dinner, and now he is sitting on the boat recalling the scene at that time. "Pear blossom and elm fire urge cold food" means the time for farewell dinner, and the Cold Food Festival is the day before Tomb-Sweeping Day. In the old customs, it is forbidden to eat cold food on this day and make a fire after the festival. In the Tang dynasty, Qingming took the fire of elm willow as a gift to a recent minister. The word "urge" in "urging cold food" has the feeling that years are in a hurry. Time flies, goodbye is coming. "Worry about an arrow, the wind is fast, and half a wave is warm. You can count posts as soon as you turn around, hoping that people are at the ends of the earth. " In fact, these four sentences are very true, unlike the imaginary words, which should be what the author saw and felt when he looked back at the shore from the ship. "I am worried that an arrow will fly fast and half a wave will be warm. I can count posts when I turn around." When the ship is in trouble, pedestrians should be happy, but the word "worry" is used between the lines. This is because someone makes him miss. Looking back, the man was far away and saw an indistinguishable figure. The word "looking up to the north" contains infinite disappointment and sadness.
After the next movie is finished. The time of these two films is continuous, but the feelings are turbulent. "Hey, hate to pile up!" The farther the ship goes, the heavier the regret, and it is difficult and unwilling to send it away. "Don't pu's voice gradually lingering, jin jing is silent. Sunset and the Promise of Spring in Ran Ran. Starting with the word "Liu", it seems that the departure is at noon, and now it is already evening. The word "gradually" also means that some time has passed, not just the time to break up. At this point, the people in front of me have already disappeared, and all I can see is the scenery along the way. Dashui has a small bypass called Pupu, which is where the water is diverted and the water waves rotate here. Because it was already evening, the ferry was deserted, and only the observation station stood there alone. The scenery coincides with the poet's mood. "Hand in hand to read the pavilion, dew bridge smell the flute. Meditation on the past is like a dream with dark tears. " In the moonlight pavilion, on the exposed bridge, those nights spent left unforgettable impressions, just like dreams, emerging one by one. Thought of here, unconsciously shed tears. "Dark drop" is to shed tears behind others' backs, and feel sad because others can't understand their worries and feelings, and they don't want others to know.
Throughout the whole word, there are twists and turns, which seem shallow but not deep, and there are endless worries hovering among them. Both landscape language and love language are very intriguing.
Poetry of the same dynasty
General Cao, Xiaqutang, Tengwangge, mistress attacked his wife and complained about the cold, and Tang Meishan's poems were also played as notes, with the title Cherish, abandoned as the value of rice crossing, seeing off guests, exclamations and titles.
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