Specific introduction of feeling with scenery:
It is a skill of poetry to knot feelings with scenery, and it is also one of the ways to express feelings with scenery. It means that poetry comes to an abrupt end in the process of discussion or lyricism, and turns to writing scenery at the end, replacing emotion with scenery to end the poem, so that the poem is "ruthless at this time is better than emotion", which is still unfinished, and enables readers to gallop in the imagination and appreciate the artistic conception of the poem from the description of the scenery, resulting in endless artistic effects.
Detailed introduction:
For example, Wang Changling's "Joining the Army" says: "Pipa dances with new sounds, and always leaves old feelings behind. I can't stop listening to chaos, and the high autumn moon shines on the Great Wall. " The first three sentences of the poem are all lyrical, and the word "endless" is used when it comes to "border sorrow". So how can the last sentence express "endless" with a limited number of seven words? The poet gently put down a sum of money and tied the knot with the scenery.
It seems that after the scene of buying wine and drinking music in the army, a vast and desolate scene of the Great Wall reflecting the moon suddenly appeared: the ancient and majestic Great Wall was undulating, the autumn moon was shining high, and the scene was magnificent and sad. How do you feel about this? Is it infinite homesickness? It is an ambition to make meritorious deeds and a sorrow for reality.
In Xu Hun's "Farewell to Xie Ting", the last two sentences, "People wake up at dusk and it rains all over the sky in the west wing", are extremely empty, but the last sentence does not directly express sadness, but opens the scene. This kind of expressing feelings by scenery is more infectious than directly expressing other feelings, and it has a self-evident emotional charm that hurts people.
It makes the poem "It is better to be heartless than affectionate at this time" seem endless, and it also enables readers to gallop in the imagination and appreciate the artistic conception of the poem from the description of the scenery, resulting in endless artistic effects. It often makes poetry look lackluster, implicit and chewy. Judging from the position of the whole word, the underlined sentence at the end is a description, which belongs to the typical writing method of "bonding feelings with scenery"
From the tip of the title "completely different from the lively scene in front", it can be seen that this is a "silent" scene, which is naturally a dynamic and static contrast. If you don't know the expression skill of "bonding feelings with scenery", the answer to this question is incomplete.