1, Jing Chang: Describe the most common scenery, without beauty and grotesque;
2, true feelings: sincere feelings, very close to life, literally easy to understand;
3, the word is easy: no uncommon words, often used words, simple and very simple;
4. Reason: Although the scenery is common and the words are changeable, the reason and meaning contained in it are very profound and particularly worth remembering.
The second poem and its simple appreciation are as follows:
Original poem:
Back to the garden, second place.
(Jin) Tao Yuanming
There are few people in the wild and few wheels in the backcountry.
Close the door during the day and think in an empty room.
The music of Fuxing market is full of grass.
Sang Ma has a long way to go.
The days in Sang Ma are long, but those in our country are wide.
Often afraid of frost, scattered with the grass.
Appreciation (from content to artistry):
To interpret this poem in detail, we must fully understand the other four poems. The five poems of Returning to the Garden are an inseparable organic whole. They not only described the poet's seclusion life from resignation, gathering with relatives and friends, enjoying farming, visiting the elderly and drinking at night, but more importantly, their feelings were natural and enjoyable. Despite the emotional confusion in this poem,
Return to the Garden focuses on the tranquility of rural life. First, it says "tranquility" from the front. Living in a remote country, there is little secular entertainment and entertainment, and few guests from chariots and horses come to visit. It is precisely because there are no ordinary people to disturb that it is "hiding the scenery during the day and thinking about the empty house." Chai Men, a quiet room, is isolated from the noise of the world from a distance.
However, when Chai Men opened to the outside world, poets often talked about Sang Ma with their neighbors. But in the poet's view, it is not a secular "personnel" to associate with simple farmers. * * * Sang Ma's words are not "miscellaneous words". Compared with officialdom full of cleverness and hypocrisy, there is a new world here. -This is the external "dynamic" and the internal "static".
Country life also has its joys and sorrows. "The days in Sang Ma are long, but the days in China are wide", which makes people relaxed and happy. At the same time, "always afraid of frost, so careless." However, this kind of joy and fear is not a kind of "thinking about dust". On the contrary, this simple joy and fear means that working in the countryside makes the poet's mind clear and pure, and his feelings simple. This is to further express his inner "quietness" with his inner "movement".
Poets tell readers to appreciate the tranquility of the countryside and their own state of mind from the front or side. Yuan Haowen once said, "Is this man a poet? He wrote it directly on his chest. " In this longing, the poet described a quiet and pure world.
As far as artistic features are concerned, this poem is similar to the other four "Returning to the Garden" and can be summarized into four words:
1, Jing Chang: Describe the most common scenery, without beauty and grotesque;
2, true feelings: sincere feelings, very close to life, literally easy to understand;
3, the word is easy: no uncommon words, often used words, simple and very simple;
4. Reason: Although the scenery is common and the words are changeable, the reason and meaning contained in it are very profound and particularly worth remembering.
This is also the most common artistic feature of Tao Qian's poetic language. The prosaic poetry is integrated into the artistic conception of the whole poem, which makes spoken language become poetry and harmoniously unifies the prosaic and poetic beauty of spoken language.
Attached are four other songs from Return to the Garden for your reference:
Guiyuan Tianju (1)
Without vulgar rhyme, I naturally love Qiushan.
Fall into the dust net by mistake, thirty years.
The caged bird loves the old forest, but the pond fish misses the old source.
Open up wasteland in the south and return to the garden.
There are more than ten acres of square houses and eight or nine straw houses.
Yin's back eaves, in tang qian.
Warm and distant people's villages, the smoke in the Yi market.
In the deep alley where dogs bark, chickens call mulberry trees jump.
The house is clean and messy, and the vacant rooms are more leisure.
After staying in a cage for a long time, you will return to nature.
Gui yuan Tian ju (er)
There are few people in the wild and few wheels in the backcountry.
Close the door during the day and think in an empty room.
The music of Fuxing market is full of grass.
Sang Ma has a long way to go.
The days in Sang Ma are long, but those in our country are wide.
Often afraid of frost, scattered with the grass.
Gui yuan Tian ju (3)
Planting beans is at the foot of Nanshan, and the grass is full of bean seedlings.
In the morning, I was busy with waste and filth. I took the lotus home.
The road is narrow and the vegetation is long, and the evening dew is stained with clothes.
Clothing is not enough, but it is not against your wishes.
Return to Garden House (4)
After a long trip in Yamazawa, you will like the wild forest.
Try to take your son and nephew and put them in the wild market.
Wandering between mountains and dragons, I don't want to live in the past.
There are remnants in the well, and the mulberry and bamboo rot.
Ask people who get paid, this person is different.
The wage earners told me that there is no end to death.
It's true that I abandoned the market all my life.
Life seems illusory, and eventually it will be empty.
Gui yuan Tian ju (5)
Regret is the only way to return, and the rugged calendar is hazelnut.
The mountain stream is shallow, and it must be my foot.
I'm drinking my newly cooked wine, and two chickens attract the latest game.
As soon as the sun entered the room, it was dark and the salary was bright.
Happiness comes and bitterness goes, and the dusk is short, which has returned to Tianxu.