Read Li Bai's poem "One Day in and Out"

# Appreciation of Poetry # Introduction Journey into and out of the Sun is a poem written by Li Bai, a great poet in the Tang Dynasty, using the ancient theme of Yuefu. This poem borrows the ancient meaning of Han Yuefu, and holds that people should not "go against the Tao and go against the sky", but should conform to the laws of nature, show simple materialism and fully demonstrate the poet's positive romantic spirit. Let's take a look at Li Bai's "Sunrise and Moonrise". Welcome to read!

day after day

Don? Lipper

The sunrise in the east seems to come from the ground.

After a long day, I entered the West Sea again. Where does Six Dragons live?

Its beginning and end are endless, and people can linger with it for a long time without energy?

The grass does not thank it for its glory in the spring breeze, and the trees do not complain about the fallen leaves in autumn.

Who wields the spurs and drives the four great wealth? Everything has its ups and downs, which is natural.

Xi him! Xi him! Aren't you surfing?

What is the virtue of Luyang, fighting at the scene?

There are many false accusations against the law and discipline.

I will include a large piece and share the same theme with you!

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"Sunrise in the Sun" was originally a worship song of the temple in the suburbs of Han Yuefu, including "Sunrise in the Sun, Poor?" Times are different from people. Therefore, spring is not my spring, summer is not my summer, autumn is not my autumn, winter is not my winter "and so on. , showing deep helplessness to life and the infinite universe. Li Bai did not agree with this. He actively explored the secrets of nature and the laws of the universe, singing "Who drives the four fortunes with bone spurs? Everything is natural, and it is believed that sunrise, sunset and the change of seasons are natural laws, and people can only adapt to nature if they adapt to it. It shows Li Bai's simple materialism.

The poet said that "the grass does not thank it for its glory in the spring breeze, and the wood does not blame it for its autumn", pointing out that although there is a causal relationship between the decline and prosperity of vegetation and the changes of the four seasons, it is not out of resentment, but because of natural laws. Just as the change of seasons is an inevitable trend, no one can stop its operation; The rise and fall of the world, sharing weal and woe are also the laws of the universe. People should understand and follow the laws of nature, and they can also act according to the laws of nature. The reason why these two poems are sung through the ages is that they are philosophical but vivid because of questions and answers, which makes people feel the poet's unique mind.

Extended reading: Li Bai's poems and songs

Li Bai's achievements in Yuefu, Gexing and Jueju are as follows. His songs completely broke all the inherent forms of poetry creation, with no one to rely on and many strokes, reaching the magical realm of vagaries and swaying. Li Bai's quatrains are natural and lively, elegant and chic, and can express endless feelings in concise and lively language. Among the poets in the prosperous Tang Dynasty, Wang Wei and Meng Haoran were good at the Five Wonders, while Wang Changling and others wrote the Seven Wonders well. Li Bai is the only one who is good at both the Five Odds and the Seven Odds.

Li Bai's poems are magnificent and elegant, and his artistic achievements are extremely high. He eulogized the mountains, rivers and beautiful natural scenery of the motherland, with bold and unrestrained style, elegant and fresh, full of romantic spirit, and achieved the unity of content and art, so he was called the "fallen fairy". His poems mainly described the mountains and rivers and expressed his inner feelings. Li Bai's poems have the artistic charm of "the pen is shaken by the wind and rain, and the poem makes the gods cry", which is also the most distinctive artistic feature in his poems. Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming. He and Du Fu are called "Big Du Li" (Li Shangyin and Du Mu are called "Little Du Li").

In Li Bai's poems, imagination, exaggeration, metaphor, personification and other techniques are often used comprehensively to produce magical brilliance and magnificent artistic conception, which is the reason why Li Bai's romantic poems give people heroic and unrestrained, elegant and immortal.

Li Bai's poems and songs had a far-reaching influence on later generations. Han Yu, Meng Jiao and Li He in the middle Tang Dynasty, Su Shi, Lu You and Xin Qiji in the Song Dynasty, Gao Qi, Yang Shen and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poems.

Extended reading: Li Bai's style

Bold and unrestrained, fresh and elegant, rich in imagination, wonderful in artistic conception, wonderful in language, romantic and clear in artistic conception.

Li Bai lived in the prosperous Tang Dynasty. He has a heroic personality and loves the mountains and rivers of the motherland. He traveled all over the country and wrote many magnificent poems praising famous mountains and rivers. His poems are bold, fresh and elegant, with rich imagination, wonderful artistic conception and light language. People call him "Poet Fairy". Li Bai's poems and songs not only have typical romantic spirit, but also have typical romantic artistic characteristics from the aspects of image shaping, material intake, genre selection and the application of various artistic techniques.

Li Bai successfully shaped himself in his poems, expressed himself strongly, and highlighted the unique personality of the lyric hero, so his poems have distinct romantic characteristics. He likes to express himself in a magnificent image, expressing his feelings in his poems without disguise or restraint. For power, he "holds a chrysanthemum and stirs two thousand stones" (one of the two songs "Send Cui Shiyu after Drunk"); Seeing the hard work of the working people, he was "heartbroken like rain". When the country was destroyed and the people perished, he vowed to cross the river to clear the Central Plains. Draw a sword and hit the front column, and the sad song is hard to recover "("South Ben Shu Huai "), so impassioned; When drinking heartily with friends, "two people fall in love, one cup after another." I'm drunk and want to sleep. The Ming Dynasty intends to hold the piano ("Mountain Lovers"), which is so naive and straightforward. In a word, his poems vividly show his bold character and bold image.

Boldness is the main feature of Li Bai's poems. In addition to the factors of ideological character and talent, the artistic expression and genre structure used in Li Bai's poems are also important reasons for his bold and elegant style. Being good at relying on imagination and being subjective and objective are the important characteristics of romantic artistic techniques in Li Bai's poems. Almost every article has imagination, and some even use a variety of imagination throughout. Realistic things, natural landscapes, myths and legends, historical allusions and dreamland have all become the media of his imagination. With the help of imagination, we often transcend time and space, interweave reality with dreams and fairyland, and interweave nature with human society to reproduce objective reality. The images in his works are not the direct reflection of objective reality, but the externalization of his inner subjective world, which is the truth of art.

One of the artistic techniques of romanticism in Li Bai's poems is to skillfully combine personification with metaphor, empathize with things and compare things with people.