The first two sentences describe your son wearing brocade brighter than rosy clouds and riding happily in the early morning for a spring outing in the wild. Between the lines, his luxury and power are revealed. The poet used the artistic technique of contrast and contrast, and compared the splendor of "Jinyi" with the rosy clouds, which showed that he was of noble birth and lived a luxurious life. The word "Jin Hongyiduo" shows the distinctive color of Jin Yi.
The last two sentences focus on the identity of the son to expose his arrogance.
At the end of the Tang Dynasty, Yan's poem "Peasant Woman" wrote: "At midnight, it is difficult to plow when you call, and the cows are gradually unable to walk. When people don't know the hardships of farmers, they will say that Tanaka Valley is born. " It is those idle aristocratic children who "don't know the hardships of farmers." They live a parasitic life of arrogance and extravagance, don't know the hardships of farmers and crops, only care about galloping in the fields and enjoying the scenery, completely ignoring the crops in the fields and treating trampled wheat seedlings as a child's play. The poem "I don't know the hardships of farmers" seems dull, but it is actually a manifestation of the exploiting class's contempt for the working people. Poetry is very suitable for the identity characteristics of aristocratic children, and it is also very thought-provoking.
In art, this poem also has something to commend. It seems common to trample on wheat seedlings. But what is reflected here is not the general unintentional stepping on crops, but the behavior of aristocratic children trampling on other people's fields at will. The poet's expression of "trampling on wheat fields and green grass" with the dissolute amusement of Quan Hao's sons and daughters as the background makes the nature of its harm to the people more obvious and exposed more thoroughly.
The purpose of this poem is to criticize the despicable behavior of the dude in "The Prince and the Grandson" who didn't understand the hardships of farmers' crops and let the horse trample on wheat seedlings at will during the spring outing. Compared with the first sentence, the bright colors of gorgeous brocade capture the bright rosy clouds, and the opening also responds to the topic, pointing out that people who travel are aristocratic childe, and it has been written in the Book of Songs in July that all clothes with fine workmanship and bright colors should be dedicated to aristocratic childe, "I am Zhu Kongyang, dressing for childe". Caixia can be regarded as a real text. It was a bright spring morning, and the sky was rosy. The sons went to the countryside to play by bike. Poetry does not criticize their luxury and amusement, the third sentence directly invents arguments, and the fourth sentence reveals their irritating behavior through narration. These sons don't understand the hardships of farmers' farming, and even let arrogant horses trample on farmers' hard wheat seedlings at will. Although there are no words that directly reveal the author's feelings in the three or four sentences, the arrogance of horses is also the arrogance of people. It is conceivable that their children and grandchildren are arrogant and arrogant.
The art of poetry is not particularly good. The value of poetry lies in its ideological nature, which reveals the estrangement and alienation between the government and the people. This is not a quality problem of individual children and grandchildren, but a social problem worth pondering. How to let the rich second generation, the official second generation or the urban second generation who are not rich know the hardship of crops is also a problem that needs attention in past dynasties. The theme of poetry is of practical significance across the times. There are examples of stepping on wheat seedlings in the Romance of the Three Kingdoms. Chapter 17 of this book quotes the record of Cao Zang's Biography quoted in the Ji of Emperor Wu: On the way to Zhang Xiu, Cao Cao rode wheat seedlings and cut his hair instead of others. Although many people think that this story shows Cao Cao's hypocrisy, at least Cao Cao showed his sincere concern for Nong Sang with his actions, instead of being as indifferent as the above-mentioned son Wang Sun. The art of poetry has the following aspects: First, the combination of narrative description and discussion in short poems is realistic and critical. Second, there are three levels of contrast. A layer of contrast is the rosy clouds mentioned above. The second contrast is the glamorous clothes and despicable behavior of sons and grandchildren. The third contrast is the beautiful spring against the sunrise and the trampled green wheat seedlings. Three layers of contrast make the theme more prominent. Third, the characters "Duo" and "Jiao" are both artistic and expressive. Fourthly, poetry criticism is typical and full of vitality. The Ming Dynasty metabolized "Poetic Talk in Caozhai": (Meng) tasted the poem "Gongzixing", saying, "The splendor of golden clothes is better than the clouds, and it invades the wild pavilion. I don't know the hardships of farmers, I am arrogant and arrogant. " There are hundreds of poems called "Jin Ao Collection". In the same year, I got along well with Li Yun ... Yun sent a poem saying, "Teenagers took books and swords to bid farewell to Xiangtan and to be no.1 XIII. In the past, the reputation was low, and now the price of poetry is full of Jiangnan. "
Wang Shiyuan's Notes on Tang Poems by Zong Yuan in the Qing Dynasty: The style is magnificent.
Modern Liu Yongji's "The Essence of Tang Poetry: The Journey of the Tang Dynasty Childe" describes ignorance, but only cares about pleasure and doesn't know the suffering of farming. Once he got the shadow of his grandfather and went to court, he would behave himself and do nothing good, endangering the people and the country!
Modern Wen Yiduo's Miscellaneous Comments on Tang Poems: This gentle understanding and touching spring scenery itself can cause infinite leisure. Enough spring outing. Where is my son going?