Complete works of four-character calligraphy idioms in regular script

1. Calligraphy idiom Daquan strokes dragon and snake, Yan Gu, iron-painted silver hook, penetrating the back of paper, free-hand strokes dragon and snake bǐ zǒu lóng shé Interpretation: Describe the calligraphy is very beautiful and skillful Yan Gu Yá n j Ρ n Interpretation: Yan: calligrapher of the Tang Dynasty; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty.

Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.

Iron-painted silver hook tiēHuàyín güu Interpretation: Describe that calligraphy is strong and soft, and penetrates the back of paper. Interpretation: Describe that calligraphy is strong and powerful, and the nib almost penetrates the back of paper. It also describes poetry as profound in conception and concise in words.

Handy Hu ē zü rú Interpretation: Describe drawing, writing, writing and writing at will.

2. Calligraphy idioms are characterized by falling rocks at the peak, changeable charm, vigorous and wrong, elegant and graceful, thunderous, combining rigidity with softness, superficial, Rowen tiger shock, repeated change of heart, elegant and delicate, dignified and elegant, unrestrained and uninhibited, concise brushwork, covering iron with cotton, smooth and orderly, and natural and delicate. Learn from others' strengths, be meaningful and handsome, simple and bold, vigorous and powerful, dancing like a dragon and dancing like a phoenix, with vivid charm, profound skill, smart and smooth, agile and shocking, magnificent, completely natural, gorgeous and natural, with thousands of miles of clouds, interesting all day long, pleasing to the eye, magnificent, graceful, graceful, dignified and smooth. Skilled brushwork, smooth charm, natural and graceful, peaceful and smooth, iron-painted silver hook, lifelike, round and smooth, simple and far-reaching, easy to write, well matched with bones and muscles, close to see, firm brushwork, moderate pen collection, smart and delicate, hearty and graceful, charming and healthy, beautiful structure, unique personality, tight and elegant.

3. Calligraphy idioms are characterized by falling rocks at the peak, changeable charm, vigorous and wrong, elegant and graceful, thunderous, combining rigidity with softness, superficial, Rowen tiger shock, repeated change of heart, elegant and delicate, dignified and elegant, unrestrained and uninhibited, concise brushwork, covering iron with cotton, smooth and orderly, and natural and delicate. Learn from others' strengths, be meaningful and handsome, simple and bold, vigorous and powerful, dancing like a dragon and dancing like a phoenix, with vivid charm, profound skill, smart and smooth, agile and shocking, magnificent, completely natural, gorgeous and natural, with thousands of miles of clouds, interesting all day long, pleasing to the eye, magnificent, graceful, graceful, dignified and smooth. Skilled brushwork, smooth charm, natural and graceful, peaceful and smooth, iron-painted silver hook, lifelike, round and smooth, simple and far-reaching, easy to write, well matched with bones and muscles, close to see, firm brushwork, moderate pen collection, smart and delicate, hearty and graceful, charming and healthy, beautiful structure, unique personality, tight and elegant.

4. Calligraphy four-character idioms, complete works of dragons and snakes at the bottom of the pen. Describe calligraphy as vivid and imposing.

Source: Xiao Xiaosheng of Ming Lanling's "Jin Ping Mei Hua Thorn" The thirty-first chapter: "Wen Gong is knowledgeable and knowledgeable, and the dragon snake at the bottom of the pen is really talented."

A long snake described calligraphy with a brush as vivid and magnificent.

Source: Tang Libai's "Cursive Song": "Always seeing dragons and snakes, the left side is shocked."

Silkworm head and phoenix tail describe calligraphy as dignified and light.

Source: Song Zhao's "Xuanhe Painting Spectrum Yan Zhenqing" "Only he is loyal to heaven and knows the world, so the spirit is seen in the table of calligraphy, which is unique and inclusive. ..... After the popularization of science, it is to seek the end of its shape, which is called the silkworm head dovetail, and it is just. "

Sink fast, firm and smooth, vigorous and hearty. Describe the fluency of poetry and calligraphy.

Source: The law book should be recorded. Volume one quotes an ancient cloud from Yang Xin's Who's Who: "The emperor of Wu is like grass, and the world calls it joy."

Calm, happy, strong and smooth, energetic and hearty. Describe the fluency of poetry and calligraphy.

Source: Song's Cang Shi Debate: "There are probably two things, saying that you don't want to travel far, you are calm and carefree."

Endless strength: fullness and fullness; Tendon: a ligament in a tendon or bone; Many: redundant. Calligraphy has bones and muscles, and its brushwork is vigorous. Metaphor font structure is solid and plump, and the brushwork is more than enough.

Source: Song Yiming's "Xuanhe Pu Shu": "At the beginning of the Three Kingdoms, the study of Chinese characters was lacking, so it became a family law. Commentators said that its strength was endless and it had the potential to travel in the rain."

Lu 'an Drifting Park: Go with the flow. Calligraphy originally described elegance and elegance, and later it was compared to the separation of husband and wife or the frustration of literati.

Source: Tang Hanyu's poem "Gashen Mountain": "Ke Dou's fist cover is upside down, the phoenix floats, and the tiger flies."

Phoenix dances, dragonfly describes calligraphy as powerful and flexible.

Source: "Biography of Heroes of Children" The tenth time: "Only this calligraphy can be written like this, which is really admirable."

Phoenix flies back to Hong Kong: fly high. Metaphor calligraphy strokes flying and stretching.

Source: Jin Fu on the Floating Clouds: "Luan Xiang, Hong Fei, whales catch the waves, thrush crocodiles run."

Ancient fat is barren now, which means different calligraphy styles.

Source: Tang Yuanyan's handwritten book Volume 2: "Impermanence is called ancient fat, and amethyst is called today's barren. Different from ancient times and modern times, fat and thin are the opposite. "

Crane knee and bee waist (1) This refers to two kinds of eight diseases of poetic temperament. Generally refers to the faults made in the melody of poetry. ② Two kinds of sick pens in calligraphy.

Source: Wei Songqing's "Poet Jade Scrap, Poetry Disease, Poetry Disease has Eight": "Three words are called bee waist, and two words cannot be synchronized with five words ... four words are called crane knees, and the fifth word cannot be synchronized with the fifteenth word."

Zhong You and Hu: Bell in the Three Kingdoms Period: Bell in the Three Kingdoms Period. Zhao Hu's fonts are thick, while Zhong You's fonts are thin. Describe the beauty of calligraphy.

Source: Zhang Tang Yan Yuan's "Fa Shu": "The Three Kingdoms are famous for creating running scripts, and Zhong You learns its methods. Hu Shu is fat and thin, and each has its own advantages."

A calligrapher who paints sand and ink, figuratively speaking, uses a pen.

Source: Liang Lun Shu: "Brush the sand like a cone and print the sand like mud."

Graffiti describes poor calligraphy or writing. Used as a word of modesty.

Source: Song Minglian's Time Series of Meeting Han Bo: "Grain Rain is insensitive and it is useless to teach. He responded with empty words, doodling every day and giving it every day. "

5. The four idioms in China's calligraphy are: horizontal posture of pen and ink, strong brushwork, dangerous brushwork, full brushwork, spring insects and autumn snakes, exquisite brushwork, dragon snake at the bottom of the pen, spring breeze at the bottom of the pen, sweeping a thousand troops, showing old brushwork, seeing the heart with one word, Ding Zhenkai grass, Ding Zhenyong grass, penetrating wood, penetrating paper back, writing wind and thunder, and the atmosphere. Vivid and fluent, with beautiful style and changeable charm, it floats in the phoenix, dances in the phoenix and flies in the dragonfly, belongs to the phoenix, is peaceful and fluent, learns from foreign teachers and is superior to nature, dances with dragons and flies in the phoenix, flies with dragons and snakes, shakes with Rowen tigers and bends with dragons. Dull and clumsy, thick and simple, naturally stretched, natural and natural, self-interested, flowing, like a cone painting sand, vigorous and vigorous, modest and concise, skillful and skilled, gorgeous and natural, superb skills, ingenious, Wang Yang wanton, Wang Yang Honghu, Wang Yang wanton, vigorous and powerful, began to write Huang Ting, began to learn graffiti, did not learn sword, painted sand. Luan Piao storm, Luan Jing, Luan Xiang Feng Zhen, beautiful women like flowers, falling cigarettes, iron-wrapped cotton, ink-debt mountains, angry rocks, thirsty horses rushing to the spring, angry thirsty horses, flying high, floating like clouds, playing in the sea, spitting jade and silver, Yan Gu, Yan Gu Liu Jin, Yan Gu, Yu Chu, to achieve implication, crane knees and bees waist, hide the head and protect the tail, thick and plump. Compact structure, beautiful structure, steep trend, smooth air, free style, hearty, pleasing to the eye, elegant and charming, fresh and frank, attractive and vigorous, meaningful and handsome, delicate and rich, falling from the peak, bold and unrestrained, simple and vigorous, simple and elegant, simple and peaceful, generous and graceful.

6. The four-character idioms in China's brush calligraphy include dragon snake at the bottom of the pen, fine brushwork, dragon snake in the pen, swallow-tailed silkworm head, hiding its head and protecting its tail, happy ups and downs, calmness, learning graffiti, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragons dancing with phoenix, strong muscles and strength, phoenix floating, phoenix dancing with dragonflies, phoenix dancing with dragons, and phoenix dancing back, etc. Strong bones and abundant muscles, thirst for spring, anger for spring, thirst for deer for spring, back on paper, clinical books, willow bones and muscles, dragon and phoenix dance, dragon and snake dancing, dragon stretching and bending, dragon jumping and tiger lying, Rowen tiger shock, Rowen tiger shock, Qi Long. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pen, Tang Lin posts gold, draws a silver hook with iron, spits a silver hook with jade, Wang Yang is arrogant, Wang Yang is arrogant, and literary talents are illusory, writing Lei Feng and Lu Xian.

7. Send a friend a complete set of calligraphy idioms while dancing.

Leon feifen w incarnation

Explain that the original description of the majestic mountains is magnificent, and later the calligraphy is also described as vigorous and smart.

Constant "Tokyo Fu" source: "My ancestor Longfei Baishui, Fengxiang participated in the market." Su Songshi's "Observing the Monument of Loyalty and Righteousness": "The mountain has long eyes, the water has flowers, and the dragon and phoenix dance is collected from Lin 'an. "

Structural combination.

Usage is often used to describe the momentum of calligraphy. Generally used as predicate, object and attribute.

Phoenix, Andrew; It can't be pronounced "fēnɡ". "

Distinguish the phoenix; Can't write "wind"

Synonyms are free and unrestrained.

Example: He is sitting in his seat; Spread a piece of red paper in front of you; Portable brush; I am preparing for this.