First, defamiliarization-prolonging the process of perception and highlighting the aesthetic purpose.
In a sense, "misty poetry" evokes the subjective awakening of aesthetic subjects. In fact, the aesthetic defects of any poem are swept away by thumbs and onions. The defamiliarization technique and artistic purport created and formed by the obscure poetry tide have, to some extent, opened up a broader road for China's poetry, provided evidence for the transformation of contemporary aesthetic concepts, and made it possible to diversify the artistic expression forms of new poetry.
2. Individualization-Individualization of self-lyrical misty poems is not an isolated artistic phenomenon, but its ideological basis is precisely the individual freedom spirit and brand-new life consciousness shown in the criticism of "Left" politics and traditional ideology and culture. In the new period, the awakening of China people's mind is first manifested in poetry, and personalized lyricism is obviously the inheritance and publicity of the modern traditional spirit of the May 4th new poetry. From the artistic point of view, it is closely related to China's modernist poetry in 1930s and 1940s, especially the poems of modernist poet Dai Wangshu and others (paying attention to the inherent melody, suggestibility and hazy beauty of images), and the poems of nine-leaf poet Mu Dan and others (dignified, rich and strong subjective spirit), which have had a positive influence or spiritual induction on Shu Ting, Beidao and other obscure poetry schools. The poet properly casts the group consciousness and the role essence of "spokesperson", and at the same time gives full play to the potential and persistence of personalized lyric. The individualized lyrical style of misty poetry has completed an extremely special and important step for the development of our new poetry.
Third, folk-it is a writing position and also an aesthetic freedom.
The folk position is embodied in the poet's writing, that is, to get rid of the institutionalized position as much as possible, pursue aesthetic freedom in thought and art, adhere to the individual spirit, and maintain the pure independence of individual writing. The creative pursuit of misty poetry follows such a kind of freedom. Both the early exploration and the later principle of consciousness are closely related to this position and theme. It presents a truly unique personal life experience, and misty poetry makes every poet's artistic personality more distinct in a single and plain traditional style of writing.
To sum up, the artistic pursuit of misty poetry has reached a peak in the history of contemporary literature in China, and its unique style and aesthetic purport are a model of poetry. As Mr. Xie Mian said: "The tide of new poetry leveled the biggest break in the history of new poetry, and continued and extended the tradition of new poetry that began in the May Fourth Movement: it ended the long-term degradation of new poetry to classicism and effectively repaired and promoted the interrupted modernization process of new poetry; It ended the suffocation of the "great unity" of new poetry thought and art, and faced the world with an open attitude, thus opening the operation of diversified development of art. The wave of new poetry ended the night of new poetry and spread the dawn of poetry in the new period with dynamic practice. " [1] The emergence and disappearance of misty poetry are all due to that specific historical and humanistic environment, which has made indelible contributions to the development of contemporary literature in China, especially the progress of China's poetry.