Huaizuomingdu, Zhuxi is a good place with few saddles on the initial journey. Ten miles after the spring breeze. All the wheat is green. Since Huma went to see the river, he abandoned the trees by the pool and still hated talking about soldiers. Gradually dusk, clear the angle and blow the cold. All in the empty city.
It is not surprising that Du's reward is too heavy now. Vertically speaking, although the dream of a brothel is good, it is difficult to be affectionate. The 24th Bridge is still there, the waves are swaying, and Leng Yue is silent. After reading the red medicine by the bridge, you will know who you should live for every year.
Mr. Ye Jiaying believes that the genre of ci has developed into a kind of fu after experiencing ci and poetry, and Jiang Kui's Yangzhou People is a typical representative of such fu. The characteristic of Ci Fu is to write words with rational thinking and skill arrangement, rather than relying mainly on inner direct feelings like words and poetic words. So where is Yangzhou Slow's rational thinking and skill arrangement?
Name of lyrics and songs
Self-tuning: The traditional creative form of words is "filling words according to sounds", and the words are tuned first. Jiang Kui claimed that "Yu Puxi composed his own music, and at first he introduced long and short sentences, and then the rhythm was coordinated, so there were many differences before and after" ("Song of Baishi Taoist"). This "Yangzhou Slow" is a "conscious song" in which he writes lyrics according to his emotional needs and then creates new songs to convey his feelings. So we will be more free in thinking and structure.
Yangzhou: In the author's mind, there is a saying that cicadas sing after the rain and autumn floats. Moss covered the steps, and Bai Niao deliberately stayed behind. The mist in the evening is getting deeper and deeper, and the sunset gradually lowers a small building. Who knows Zhuxi Road, singing Yangzhou ",whether you like lively or quiet, Yangzhou is a good place to satisfy you; "Down and out Jiangnan wine, Chu waist palm light. Ten years later, I felt the dream of Yangzhou and got the name of brothel. " Yangzhou is a dream that you don't want to wake up after ten years; "Ten miles long, even the bridge to see the fairy. Life only coincides with Yangzhou's death, and Zen wisdom Shan Ye takes care of the graveyard. " Yangzhou is the true love that will live and die together. "
"Slow" means "slow song", and the words filled in by "slow song" are "slow words". In the Qing Dynasty, Mao said in the Interpretation of Ci: "Ci is slow, so is slow music. Drag, I don't want to do it. " As the saying goes, "More haste, less speed, a song will never move until noon" (Cen Can's Song of Qin Zheng Send my nephew Zheng Xiao back to Beijing), which shows that the slow tone is long and slow, soothing and low, mostly complaining. According to the slow songs, most of the slow words are long tones, rendered layer by layer, longer than arranger, and suitable for lyricism.
Second, the preface precedes the words.
Time is the day of Xichun Shen Bing. The solstice in winter is a day for family reunion, sitting together to eat jiaozi and chat. At this time, Jiang Kui is on a journey. This can't help but remind people of Jiang Kui's life as an official.
Give it to Weiyang, pass by, pass by. When you pass by Yangzhou, you must stop, because the poet has a Yangzhou in his heart. Yangzhou in the author's mind is associated with the beautiful spring in March and the scene of flowers blooming. It is Yangzhou in history and literature, especially Yangzhou described by his idol Du Mu-prosperous, rich, romantic and affectionate.
At the beginning of the night snow, I look forward to writing about the environment outside the city: after the snow, everything in Chu Qing was silent, and wherever the poet went, he only looked forward to a field of wild wheat, reminding people that "he was separated from the millet and was the seedling of the millet" (The Book of Songs, Wang Fengsu).
Entering the city, you will look around for depression, cold water is green, dusk is rising, and corners are sad. "Depression" is always written in my eyes, which seems incredible, so I look around. I saw the dusk getting thicker and thicker, the clear water getting colder and colder, and even the voices I heard seemed to groan and lament.
I feel sad from it and feel sorry for past lives, because I am watching this song. The old man in Yan Qian thinks there is a kind of sadness of "separation". "Mourning for the Past" is always about emotion, which gives birth to words and songs. Through the evaluation of Yan Qian's old man, it directly points out the emotional core of the sadness of "parting".
In the preface, Yangzhou Man explains the time, background, origin and what he saw, heard and felt through Weiyang. A few words, the combination of prose and prose, the alternation of narration and discussion, through a series of verbs such as "Guo", "Wang", "Gu", "Qing" and "Du", depict the image of a poet who is sad, wandering and lamenting. The brushwork is calm and deep, the style is quiet and meaningful, the bearing is calm and natural, the expression is clear and smooth, and it complements the subject.
Subject terminology
In the preface, it is said that he "enjoys this song" only when he "feels the present and the past", and "After Huma's Visit to the River" in Shangcheng is the boundary between the present and the past, which is an important time node. Before this, Yangzhou was "the land on the left of Huai River and the beautiful land on the west of Zhu River", so the author will "take off his saddle and stay here" when passing through here. But now, after Huma went to see the river, Yangzhou, which used to sing and dance with tea every night, has become an "empty city": what he saw and heard was actually "green wheat, waste trees in the pond, clearing the corners and blowing the cold", and the pond and platform were heartless, but he still talked about soldiers tirelessly, which made people feel sad, not to mention people with flesh and blood? At sunset and dusk, the clear horn echoed in the twilight, and the sound in the bleak empty city was sad and desolate.
In Uptown, the author uses the word "peep" to describe Jin Bing's yearning for the Central Plains, points out the reasons for the empty city, and naturally compares Yangzhou's past and present: the former prosperity contrasts with today's desolation, revealing the emptiness and melancholy of the poet after his high mood drops sharply.
If we say that the first part of this word is a comparison between the past and the present with "Huma Peeping at the River" as the time boundary, the second part is an expression of emotion with "hard to show affection" as the node of virtual and real transformation.
The desolation and decline of Yangzhou after the war is quite different from that poetic and romantic city. Obviously, Jiang Kui himself was "surprised" by the reality, saying that "Du Lang will be surprised, and it is difficult to be affectionate". This imaginary virtual scene is more like what Du Mu once wrote, "The green hills are faint, and the grass in the south of the Yangtze River is not withered in autumn." Where does the Jade Man teach oral sex at Bridge 24 on a moonlit night? ""more than thirteen o' clock, cardamom in early February. Spring breeze is ten miles on Yangzhou Road, so it is better to roll up the bead curtain. "When poems are brought to readers, they enrich the connotation of words and naturally lead to the following.
The 24th Bridge is still there, and Leng Yue has been swinging in Apollo's heart for thousands of years. The red medicine on the bridge also blooms and falls with the seasons. Writing about things is the same thing as writing about people's right and wrong. These words should still exist in the form of "Carving a column to build a jade, but Zhu Yan changed it", but they are very different. Jiang Ci only objectively describes the images of "Twenty-four Bridges", "Moon" and imaginary "Red Medicine", which is similar to the "Zero Lyric" in the novel, but in the last sentence, it reveals some sadness by "for whom"; Li Houzhu, on the other hand, conveyed a strong sadness of vicissitudes of life with the tone of "should return" and "just" through the common things in previous lives such as "Carving Jade" and "Zhu Yan". What's more, he asked, "How much sadness can you have? Just like a river flowing eastward, the pain of national subjugation pours out.
Fourth, the theme:
The unfortunate poets of the country are lucky, they have been endowed with vicissitudes. "Yangzhou Slow" depicts the residual water in the mountains with subtle and meticulous brushwork, which is heartbreaking, and expresses "sadness" with the language style of "ethereal and elegant". Whether it is the orderly transfer of time and space, the change of reality, the anthropomorphic comparison and the use of allusions, it all reflects the author's careful arrangement. Liu Xizai commented: "The words of a gifted scholar in Baishi are the words of a hero in Jiaxuan. Talented men and heroes, each according to his own feelings, are biased in arguing about gains and losses.
References:
Hong Jiuxiang: On Jiang Kui's Poem Yangzhou Slow
? Liu? Kay: The Artistic Features of Jiang Kui's Yangzhou Slow
? Zhang? Shuang: On the "Artificial" Elegance of Jiang Kui's Ci