Zhang Jiuling's "Looking at the Moon and Thinking about the Distance"
The moon, at this time is at sea, over the end of the world.
People who love hate long nights and sleepless nights and miss their loved ones.
Put out the candle to love this moonlit room, and I wander in the deep night dew in my clothes.
You can't have beautiful moonlight, just want to meet you in your dreams.
Poetry uses "the sea" and "the end of the world" from the beginning, giving people infinite spatial associations. In addition, a bright moon rises in Ran Ran, rendering a quiet and ethereal atmosphere, creating a vast and quiet realm, full of rich lyrical atmosphere. The "full moon" is often accompanied. "Looking ahead and looking back" means Xie Zhuang's "A Thousand Miles of Bright Moon" (Yuefu), Wang Jian's "Looking at the Moon Tonight" (Looking at the Moon at Fifteen Nights), and Su Shi's "A Thousand Miles of Maid Juan" (the water is tuned to the song), all of which are famous sentences. Here, the author uses a word "* * *", covering all ages and regions, and writes that whenever people at the ends of the earth or at the ends of the earth see a bright moon, they will have a * * * mentality-missing people far away. The first couplet is closely related to the topic, with beautiful and far-reaching artistic conception, paving the way for the euphemistic and deep acacia below.
Zhuan Xu inherited the meaning of the first couplet and condensed "love" and "lovesickness" from all kinds of homesickness. For this kind of lovesickness, the author's next word "resentment" can be described as affectionate. Complaining about lovesickness is because of its depth, extreme lovesickness and helplessness. The word "Yao" in the poem is a pun and the root of resentment. Refers to the long night, lonely and desolate, tossing and turning, sleepless at night, full of resentment; It can also be understood that lovers are far apart, it is difficult to meet each other, and they can only look at the moon, which is also resentment. Hatred is still on the "long consideration of the night". Acacia is hard to say, mixed with sadness and joy, lingering, annoying and even staying up all night. How can you not complain? Judging from the whole poem, the word "resentment" implies the bitterness, pain and depth of lovesickness, which not only inherits the first couplet "looking at the moon and thinking about a distance", but also opens up the tortuous content of the neck couplet and the tail couplet.
The neckline changes its angle, trying to get rid of the pain of lovesickness. However, the passion of acacia has come and gone, continuous and tortuous. I once "put out the candles" and blew out the lights and candles. I want to go to bed early, right? But the moonlight in the room is soft, quiet, loving and reminiscent. A word "cherish" evokes the feeling of lovesickness in the moonlight; Once you get dressed, take a walk in the yard for a change. Maybe you can get rid of lovesickness? But after a long time, I don't feel that the dew has wet my clothes, and my love for acacia is even stronger. The word "dew" here not only refers to dew wetting clothes, but also means acacia.
The tail couplet comes from the neck couplet, which deepens the whole poem. "Talent" and "dream" are the key. Moonlight is so pure, bright and beautiful, just like missing a lover. No wonder it is "only under the eyebrows, but in the heart." Send a gift to a distant lover to show her mind and let her understand my mind, and she will be relieved. But I can't. This "unbearable" is another kind of complaint. I thought about it, but in desperation, I went back to the dormitory, hoping to meet the beauty of my dreams. But can the dream come true? This is the same as "giving", just a hope, just a dream. Another implicit complaint! It is really the pain of acacia, acacia is helpless, and acacia has a deep hatred.
Throughout the poem, a series of verbs used by the author, such as "life", "resentment", "rise", "despair", "pity", "affection", "gift" and "dream", are all related to the moon and are predestined friends with acacia, expressing a kind of acacia resentment that is hard to get rid of. Because of the beauty of the realm, the shallowness of the language and the flow of meaning, it makes people feel fresh and elegant, euphemistic and tortuous, and affectionate.