The most beautiful love poems in Cangyang Gyatso (1)
That day, that month, that year, that life.
On that day,
Close your eyes in the incense fog of the temple,
I suddenly heard the truth you recited;
In January of that year,
I turn all the curved pipes,
Not to cross, just to touch your fingertips;
That year,
I kowtowed and climbed the mountain road.
Not to see, just to keep your warmth;
At that time,
I put mountains, water and pagodas,
Not to repair the afterlife, just to meet you on the road.
The most beautiful love poems in Cangyang Jiacuo (2)
Look and don't look
You see me or you don't see me,
I was there, neither sad nor happy;
You read me or you don't read me,
Love is there, neither coming nor going;
You love me, or you don't,
Love is there, neither increasing nor decreasing;
With or without me,
My hand is in your hand, don't give up;
Come into my arms,
Or, let me live in your heart.
Silence, in love;
Silence, joy.
The most beautiful love poems in Cangyang Jiacuo (3)
Who holds my hand?
Who held my hand and made me crazy for half my life;
Who, kiss my eyes, cover my half-life displacement;
Who touches my face and soothes my half-life sorrow?
Who, with my heart, melted my half-life frost;
Yi, cover my lips and dispel my past life;
Yi, hold my arms, except for my frivolous past life.
Hold your hand and accompany you crazy;
Kiss your eyes deeply and stay with you forever.
I, holding your hand, take away all your life;
I, caressing my neck, will protect you from the storms of your life.
Brief introduction of Cangyang Gyatso
Cangyang Jiacuo is one of the most famous Tibetan poets. His poems are well-known at home and abroad, which not only have an important position in the history of Tibetan literature, but also have a wide and far-reaching impact on the Tibetan people, and are also remarkable in the world of poetry. It has aroused the research interest of many scholars. Some Tibetan originals are published in manuscripts, some are printed in woodcuts, and some are circulated orally. Explain the deep love of the Tibetan people for it. There are at least ten Chinese versions published and distributed, either neat five or seven words or lively free poems, which are welcomed by people of all ethnic groups throughout the country; The English translation was published in 1980. Professor Yu Daoquan gambled on the original Tibetan poems in Chinese, which were translated into Chinese and English. The Chinese version is rigorous in wording, meticulous in deliberation, faithful and accurate, and maintains the poetic rhyme of the original. Together with Dr. Zhao Yuanren's International Phonetic Alphabet, it sets an example for scientific recording, sorting and translation of Tibetan literary works. Cangyang Jiacuo's contribution to Tibetan poetry is enormous, creating a new poetic style, which is always worthy of commemoration and respect. [1] Cang Yang Jia Cuo 14 years of rural life gave him a lot of worldly life experiences and his own love for nature, which inspired him to write poems. Not only did he not restrain his thoughts and words with canon, but he wrote many sentimental "love songs" according to his independent ideological will. There are about 66 of his poems. Except for a few carols, most of them describe the loyalty and joy of men and women's love and the sadness when they are frustrated, so they are generally translated into love songs. The original Tibetan version of Love Song is widely circulated, some in oral form, some in manuscript form and some in woodcut form, which shows that Tibetan readers love it deeply. There are at least 10 Chinese versions at home and abroad, and there are English, French, Japanese, Russian and Hindi translations abroad. Representative works: Yi Na, Ask Buddha, Live Up to the Tathagata, Live Up to the Qing Dynasty, Poems of Ten Commandments, etc.
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