As an ordinary China student, I can't tell you what Yu Guangzhong is like: a spit of embroidery is half a prosperous Tang Dynasty; I can't write the same sentence as Du Fu: Putting pen to paper scares the wind and rain, and poetry makes the gods cry. I can think of a way to evaluate Li Bai's poems, which is to read them repeatedly. After reading it several times, how to evaluate it is reassuring.
In my opinion, the most important thing in poetry is not how superb the skills are, how gorgeous the rhetoric is, and how profound the inspiration can be for readers. In poetry, the most important thing is qi. Ci is the flesh and blood of poetry, and qi is the soul of poetry. The reason why classic literary works can last for a long time is that they can arouse readers' * * * Li Bai said that chivalrous people: kill one person in ten steps and leave a thousand miles behind. I brushed off my clothes and hid my fame. Liao Liao's strokes vividly outline the image of a chivalrous man in people's hearts. Li Bai said the waterfall: It flies straight down to thousands of feet, and it is suspected that the Milky Way has set for nine days. Only this sentence, the waterfalls written by other poets are three points less imposing. Li Bai said loneliness: until I raised my cup, I asked the bright moon to bring me my shadow and let the three of us. There are not so many images symbolizing loneliness to build loneliness. I am loneliness itself.
To be sure, the spirit in Li Bai's poems is beyond the reach of any poet. Other poets write poems with freehand brushwork, while Li Bai writes poems with spirituality, which is probably the difference between human beings and immortals.