I am your dangerous soul
I am close to your dangerous soul
I thought you'd say hello.
Thought you'd say hello
Break your discovery.
Suddenly you want to leave.
Breaking you may be lonely.
Will you feel lonely when you are separated?
Angel, what are you thinking?
Angel, calm down and think about it.
It scares you to think so.
I think your trauma is over.
Say hello and send you away
Say hello and come to see you off.
Breaking you may be lonely.
You should be lonely when you break up.
You know you said you were leaving.
You know, you said you were leaving.
You don't know how much I love you.
You have no idea how much I love you.
I found it was going to collapse.
Broken-hearted, I found it and left.
I can't go deep into the soul.
But I can't feel at ease anymore.
Angel, now you think so.
Angel, now you think so, don't you?
Don't frighten dangerous souls.
No longer afraid of this dangerous soul
Break my discovery
Suddenly I'm leaving.
Breaking you may be lonely.
Will it be lonely to break up?
You know you said you were leaving.
You know, you said you were leaving.
You don't know how much I love you.
You have no idea how much I love you.
Break your attempt to go
After breaking up, you struggled to leave.
I can't go deep into the soul.
But I can't feel at ease anymore.
You know you want to go.
You know, when you're struggling to leave
You don't know how much I love you.
You don't know how much I love you.
Break your attempt to go
Broken, you struggle to leave
I can't go deep into the soul.
But I can't feel at ease anymore.
Extended data:
Song background
This song was sung by Ding Ke, composed by Mu Sen and written by Ding Ke, and included in the album Island.
A song with simple lyrics, sung to the depths, feels like a melody and slowly sinks into the bottom of my heart. Soul-level singing is good at expressing the richest emotions with the simplest lyrics. What is commendable is that it has more flavor than the real female voice, and the black and white feelings are intertwined with classicality, backwardness and fantasy.
Ding Ke didn't deliberately cater to the public. He left the time and space of his own creation behind so that you could listen. Walking from the stage to the backstage is not something that ordinary people are willing to do. He lives very clearly.
He is well aware of his position and goals. For example, "Blood Walking in Xun Mei" is just an opportunity for him to explore a new direction of music. He tried it with the instrument and form he wanted to express. I seldom appear in music festivals, but settle down and do some music work for my favorite movies.
He is fully capable of composing pop songs, but he prefers to make his own music, even if it is a minority. He once said, "the world itself has its ups and downs, and making music itself is a kind of self-realization, so I must be happy and satisfied in this process." As for what the public thinks, it is not my consideration, nor can I control it. "