The life in Lu De 'an's poems is almost "wooden": the growth secret of "suppressing a moth/wiping it off the ground/like wiping off a color", the process of "changing from shiny buttocks to dim animals only used to carry hay" and the life "dog feeling" of "being alone in the sun, like gnawed bones". The vague and powerful female image in memory is another kind. Looking back at Lu Diao, the aesthetic feeling of the opposite sex in the poem has already been turned upside down. Perhaps it is absurd to interpret the "content" of poetry in this way. Please remember Lu Dean's words: "Tone is the most basic expression of a poet's attitude towards things, and it is also the direction of a poem." Today, when the metrical pattern of poetry has been greatly diluted, "the form of language" is still the basic instinct of the poet-the elegance of Lude's style, which is actually closely related to Han Dong's "Poetry stops at language".