As for the Tang Dynasty, it was hard to get out of the fairyland, but the Song people got out of the fairyland surprisingly. As soon as the theory of expressing the mind fell, it immediately attracted thousands of ripples and various schools. I only know that there is nothing new in the poems after Su Huang, and who can become a countercurrent in poetry and cross the ocean?
Note Su Huang: Su Shi and Huang Tingjian were famous poets in the Northern Song Dynasty. Su Shi's poems are broad, bold and elegant; The style of Huang's poetry is rigorous, fresh and tough, which has a great influence on the poetry circle in the Northern Song Dynasty. Cross-flow of the sea: wild flow, which is a metaphor for the countercurrent in poetry and may refer to Jiangxi poetry school. Zong Tingfu's Poems of Ancient and Modern Times: "Since Su Huang, more innovative has washed the rhythm of the Tang Dynasty, and then it has gone with the wind. It is stiff and arrogant, and even worse, it is blamed as a figurine. Mr. (Yuan Haowen) is generous, so he has the responsibility. "
Appreciating this poem is a criticism of the poetic style of seeking novelty and pursuing danger and its disadvantages. Su Shi and Huang Tingjian are famous poets with great influence in the Northern Song Dynasty, and their poems have made great achievements. Su Shi's poems are magnificent, full of narration, unrestrained artistic conception, vigorous brushwork and full of rational interest, but Su Shi's poems tend to be prose and discussion. Su Shi is brilliant and knowledgeable, so it is inevitable to show off and create new ideas in his poems. Huang Tingjian's poetry strives for novelty, likes to use unused allusions and other people's words, makes strange sentences, gambles on dangerous rhymes and makes hard words. His poetry style is new, thin and hard, and he is good at winning by surprise.
He used "replacing bones with fetuses" and "turning stone into gold", which increased the tendency of "learning as poetry"