Nine Plum Blossoms (Part I) Gao Ming Qiong Qi Purple is only suitable for Yaotai. Who planted it everywhere in Jiangnan? In the snow-capped mountains, nobles lie down, and under the moonlight, beautif

Nine Plum Blossoms (Part I) Gao Ming Qiong Qi Purple is only suitable for Yaotai. Who planted it everywhere in Jiangnan? In the snow-capped mountains, nobles lie down, and under the moonlight, beautiful women come in the forest. Cold-dependent sparse shadow Xiao

Question 1: The first couplet says that plum blossom should have bloomed in Yaotai, but I don't know why it bloomed in Jiangnan, showing its extraordinary characteristics; (2 points) Zhuan Xu compared Mei to a beauty of Gao Shi, showing aloof and noble qualities; (2 points) The necklaces are faint in fragrance, revealing the characteristics of indifference and self-love. (2 points)

Question 2: Borrowing the allusions of He Xun, (1 minute) said that no one in the world really knows Mei except He Xun. The implication is that only the poet himself really understands Mei today, expressing the poet's loneliness. (2 points) The poet cited Mei as his confidant and expressed his noble and arrogant character. (2 points)

Question 1: Analysis of test questions: The author praised plum blossoms from the beginning. The first two sentences are about the magnificent charm like plum blossoms. I should have played Qiong Yu on the Yao stage, but I didn't know that fairies were planted in the mountains in the south of the Yangtze River. Zhuan Xu said that plum blossom is, after all, a sage-like style. After all, it came to the world, but it disdained to grow in the dust. It is this aloof and unconventional desire for privacy; The last sentence says that plum blossom is a "beauty" that the world wants to get close to, but this beauty is a fairy, so it can't be seen easily. You should appreciate and get rid of all vulgar ideas. You can only see its delicate and touching appearance in the spring of the forest under the cool breeze and bright moon. These two sentences still write plum blossoms differently. "The neck couplet is divided into couplets, and it is further claimed that the bamboo in the mountains will naturally not miss the opportunity to get along with the nobles. They dedicated the coolness of rustling bamboo to the figure of plum blossom, making the graceful plum shadow look more dignified through this coolness; The silent moss in the mountains also knows that it loves beauty. When the plum blossom completed the mission of heralding spring, the petals of lingering fragrance were eroded by half in the spring mud, and moss covered up the "beautiful" body with its own body.

Comments: To grasp the image of poetry, we must grasp the image of poetry. First of all, we should find out which images the poet used, and then grasp the overall characteristics of these images, so as to sum up the image characteristics of poetry.

Question 2: Analysis of test questions: William said that he Xun, a poet in the Southern Dynasties, had never met a bosom friend since he went to Meihua. Since then, no one has praised himself like him. In the long years, he has been lonely and sad under the spring breeze. Unfortunately, he has never met a second person like him. The plum blossom in the poem is narcissistic, laughing at the ancients, and it is difficult to find a bosom friend. The nobility of plum blossom is probably the portrayal of the author himself.

Comments: Poetry expresses the poet's feelings and conveys the poet's thoughts with the help of specific language descriptions. These feelings and thoughts are what we call ideological content. Whether it is the feelings of worrying about the country and the people, the pain of the country's destruction, or the sorrow of the wanderer, the grievances of the couple are all touching. Appreciating the ideological content of literary works can start from the following aspects: 1, understanding the content of poetry and grasping the theme of poetry. 2. Analyze the thoughts and feelings expressed in poetry. 3. Explain the social significance of the work. 4. Grasp the interesting artistic conception of the work.