It is this "vigorous" article in "Twenty-four Products". The first product ". Si Kongtu described a realm in poetic language. Later generations also have many explanations for "vigorous". Yang Zhengang, a scholar in Qing Dynasty, said how to achieve this state in Shi Jie. He said that this is not a great talent, and universities can't ask. There are only Zhuang and Ma in the text and only Li and Du in the poem, which is enough. ... only by accumulating outside, vigorous and radiant, can this environment be created.
Zhang Shaokang said in the study of Si Kongtu and his poetics that the vigorous body has the way of nature, so it embraces everything, just like Dapeng in Zhuangzi, who is carefree and crosses space, so it cannot compete with it. To understand the weather in the prosperous Tang Dynasty, there was a representative Li Bai. He showed his special love for Dapeng in his poems. Song Yu Yan's Poems on Canglang: "Du Li counted several people, such as golden pheasants breaking the sea, crossing the river like elephants, looking down ... into the clouds. It can be said that the golden branches are eternal and luxuriant, and the jade leaves are fragrant and eternal ... like a golden rooster breaking the sea, like an elephant crossing the river. " "Elephants crossing the river" refers to a spiritual understanding of Buddhism. A golden rooster breaks the sea. The golden rooster here refers to Dapeng, and Dapeng birds soar on the sea. Li Bai's poems and songs just show his love for Dapeng birds.
Li Bai's "Li Yong" says that Dapeng rises with the wind and soars in Wan Li one day. If the wind weakens, it can still lift away the turbulent current. This poem was written in Kaiyuan in 789, when he was about twenty years old. When the young Li Bai visited Li Yong, the secretariat of Yuzhou, he wanted to talk to him about his lofty ideals. At that time, Li Yong thought that Li Bai was still young, so he didn't take it to heart. Li Bai felt frustrated, so this poem showed his lofty ideals. At the beginning of the poem, it is written about the Dapeng bird in Zhuangzi, which can spread its wings and soar for nine Wan Li. So he suggested that Li Yong should not look down on young people, and use Confucius' words to express his views. He said that Jessica Hester Hsuan's father can still be afraid of the afterlife, and her husband can't be young. The Analects of Confucius records that "the afterlife is awesome". He said that now you see that I am still very young, and I may be in the future. ...
Later, he went to China, left Beijing for a long trip and came to Jiangling, Hubei today. He came here and met Sima Weizi, the great Taoist at that time. Sima Weizi was a national scholar in the prosperous Tang Dynasty and a representative figure of Taoism. He met the young Li Bai and said that he was a sage-like type and could wander as he pleased. It is probably the Dapeng bird in Zhuangzi that can wander in the octupole. Therefore, Li Bai was very excited and wrote an essay, called "Dapeng meets birds and is lucky". In this poem, I once again compare myself to Dapeng in Zhuangzi.
Dapeng has been with Li Bai. On his deathbed, he wrote the last poem in his life, Near the Luge Pavilion, in which he said that he used ancient Chu songs to express his grief that his ideal could not be realized. In this poem, he once again thought of Dapeng bird, a big Pengfei that inspired eight generations, but heaven could not destroy it. The afterwind excited me. I swam with the help of mulberry trees. Later generations have to say, Zhong Ni is dead, who can cry for my death. It seems that Li Bai was writing this poem with that pen in his hand before he died. Although Li Bai suffered many setbacks in his life, the image of Dapeng has always been hidden in his heart. Therefore, Wang Qi, a scholar in Qing Dynasty, explained that the style of Tang poetry can also be represented by Dapeng described in Zhuangzi. Therefore, it may be more appropriate for us to use Li Bai's poems to understand the weather in the prosperous Tang Dynasty. As today's scholar Lin Geng said, he said that without Li Bai, our understanding of the prosperous Tang Dynasty would be reduced today. Without Li Bai, the climax of the Tang Dynasty would be reduced.
Li Bai is a typical representative of the weather in the prosperous Tang Dynasty. On the basis of the meteorological view in the prosperous Tang Dynasty, we can make a summary of the meteorological view in the prosperous Tang Dynasty.
Meteorology in the prosperous Tang Dynasty is a special term in China's literary criticism. Refers to the literature in the prosperous Tang Dynasty, especially the literary works represented by poetry, which showed a spiritual outlook. Open-minded, full of vigor and enterprising spirit. The "sea" in Li Bai's "Dapeng" and Zhang's "Moonlit Night on a Spring River" are typical images of meteorology in the prosperous Tang Dynasty. "Bold and unconstrained" is a typical style of meteorology in the prosperous Tang Dynasty. Li Bai, a poet, is a typical representative of the prosperous Tang Dynasty in his poetry creation. In other artistic creations, such as Li Guinian, Gong Sundaniang, Zhang Xu and Wu Daozi, they are representatives of music, dance and calligraphy respectively. ...