1, Blue Sky with Cinnamomum cassia twig by Liu Yong: blue sky, yellow leaves, autumn colors, cold smoke and green waves. The mountain reflects the setting sun and the sky meets the water, and the grass is ruthless, even outside the setting sun. Dark homesickness, chasing travel, every night unless, good dreams make people sleep. The bright moon tower is lonely, and the wine turns into sorrow and tears.
2. Xin Qiji's "Xinyi Guizhi": Guizhi, I have said it several times. It is difficult to get to the Mid-Autumn Festival before people arrive. Ten years have passed, and my face is getting more and more spotted. I like it and I have tasted all kinds of troubles. Osmanthus fragrans is sad in one season, like last year, others are still sad. Osmanthus fragrans has been sad for a season, and it is hard to go back now.
3. Gao Qi's Ode to Osmanthus fragrans: Osmanthus fragrans is dark and lingering in Lin Qiu. On the moon, the silver barrier paved the water country, and the golden urn shed tears and sprinkled the sacred heart. The warm wind blows the palace tree hair at first, and the Nosaru song is stolen on a cold night. Never elegant, always beautiful.
4. Jason Wu's Ode to Osmanthus fragrans: The Orchid Bridge is sunny after the rain, and the Pearl Pavilion is half open. Chongyang banana leaves are called festivals, and late-maturing osmanthus comments on Xiuying. In the morning, the bright moon shines on the world, and the beluga whale overflows the garden at night. Who loves singing and dancing, jade furnace smoke gathers and nourishes nature.
5, Xiao Tailai's "Osmanthus fragrans": A cluster of fragrant flowers is pregnant with jathyapple, and two clusters of bright flowers are welcoming the autumn wind. Osmanthus fragrans was really amazing when it first opened, and its jade capacity was cold. Millennium has not been hidden in the shadows, and Xia Hong has been half stained by the silver bushes. At this time, the people of Luqi are competing, which means they want to be separated from each other.
Interpretation of the Seven Laws
The Seven Rhymes is one of the poetic genres, and it is a form of rhythmic poetry developed in the Tang and Song Dynasties. It is known as the "crown of rhythmic poetry" and one of the representative forms of Chinese classical poetry. The characteristic of the seven laws is that each poem has seven paragraphs, and each paragraph consists of four sentences, each with 28 sentences. The number of words in each sentence is the same or similar, and the sentence pattern is informal, but the rules of rhythm, flatness and rhyme should be observed.
There are two rhythms in the Seven Rhymes: one is the rhyme method "Ping, Ping, Ping" (also known as "Miao Yun"), that is, every two of the first six sentences rhyme and the last one rhymes; The other is that the rhyme method is "flat, flat and flat", that is, every two sentences of the first six sentences rhyme with a flat and flat, and the last sentence rhymes with a flat and flat.