I usually don’t like to read magazines and newspapers. I am confined to the room for a long time, and my routine is disordered. I have trouble sleeping at night, feel sleepy and have headaches during the day, and I can’t sustain my energy when reading classics and tomes. So I simply read through a few books I borrowed last year. The magazine is short and can be read in eight minutes out of ten.
I got it completely at random. I turned to page 205 of the fifth issue of "October" in 2018 and saw ""Female Tracker" Lin Huiyin" by Zhu Shanshan (which I am ignorant of). Li Zhuangxing. The fourth article in the prose series, which is two and a half pages in small four font (?) on A4 paper. After reading it, I was attracted by a series of shining names, so I read it again. I felt that the author is good at managing words. Just be smart and try to analyze it, it can be regarded as reading experience!
Looking at the whole article, the author's layout is: one foil, three "comparisons", and three "eyes".
Let’s first look at the background. The author visited Lizhuang for the first time and listed the six major institutions including the Academia Sinica and the Central Museum that were here during the Anti-Japanese War. Fu Sinian, Dong Zuobin, Li Ji, Liang Siyong, Shi He did not go into detail about the "gathering" of 16 people including Zhang Ru and Xia Nai, the "visit" of 4 people including Fairbank and Joseph Needham, and the "publication" of 5 academic masterpieces including "Yin Lipu", but only briefly mentioned it. And then, Lin Huiyin's heavy ink narration began. He has the spirit of "I only take one scoop of three thousand weak water and drink it".
Three "comparisons", one compares Lin with a female tracker who is struggling on the edge of survival, dragged his sick body on the ship of love and life, and miraculously survived; the other Lin and Li Qingzhao Comparing talents, appearance, temperament, love, and adversity, they are equally as graceful and unparalleled. Comparing the three generals, Lin, a famous lady in the capital, with Lin, who is on the run, we can see her chivalrous tenderness and diligent pursuit in the face of difficulties. I think the author should have the thought "If you make mistakes, you must do the same, and if you make mistakes, you must do the same" lingering in your chest and not want to vomit.
In the three "eyes", the author does not completely talk to himself. There is Lin's autobiography of "Beyond the Window", and there are the observations of Fairbank, a contemporary who was close to Lin and Liang. There are author translations of clips from biographies. These not only enhance the authenticity, but also achieve a good integration of narrative and lyricism.
Of course, the author's transitions are connected, such as "You won't know until you arrive", "The road to Shu is difficult, and you won't know it if you don't walk", "Women may be the same to men", "Don't talk about hardships, Yu Ru Yu "Cheng" and so on, all have achieved seamless connection, which is very impressive and worth learning.
In short, the author symbolically depicts Lin Huiyin in Li Zhuang Dynasty through the image of "female tracker", depicting a Lin Huiyin who is different from the popular one who combines beauty and talent, and depicts a tough and tough Lin Huiyin. The forbearing Lin Huiyin depicts a Lin Huiyin who has a complete experience, a sense of vicissitudes, and a sense of status due to absorbing the earth's atmosphere. As the author said, "She can be recorded in history and stay in my heart forever.
”