First, set a good theme. Like composition, before you start writing, you should first think about what to express, that is, the theme and ideas, whether to write about scenery, people, events or feelings. The level of conception determines the height of poetry to a certain extent.
Second, the selected genre. Are we going to write quatrains or metrical poems, five words or seven words? If there is less content, you can choose five sentences and seven sentences, if there is more content, you can choose five sentences and seven sentences, and if it is long, you can choose to arrange music.
Third, think about rhyme. Poetry is beautiful to some extent because of its rhyme, that is, it is beautiful to read, and it can be composed and sung. The last word of the second and fourth quatrains must rhyme (the last word of the first sentence can be pledged or not), and the second, fourth, sixth and eighth sentences that rhyme must rhyme (the last word of the first sentence can be pledged or not). The common rhyme is an/ang/u/ing/i, and the rare rhyme is v/ie/o/ei/ue.
Fourth, follow the level. In ancient poetry, in order to make the tone harmonious, yin and yang ponder and the phonology comfortable, words with different tones are used in sentences to adjust each other, which is called "flat tone". I think the most difficult thing in poetry writing is leveling, because the pronunciation of many words is very different from that in the past.
Flat tones are divided into flat tones, rising tones, falling tones and entering tones, including rising tones, falling tones and entering tones. Now it's level tone, up tone, up tone and into tone. Generally speaking, among the four tones of modern Chinese, one and two are Guping tones, and three and four are Guping tones (too complicated.
Fifth, pay attention to confrontation. There are eight rhymes, which are called the first couplet, the parallel couplet, the neck couplet and the tail couplet. Among them, coordinate couplets and neck couplets, that is, the two couplets in the middle, must be right (that is, pairs), color to color, logarithm to number, noun to noun, adverb to adverb. For example, the couplet of Wang Wei's five laws "To the Fortress" says that the desert is lonely and straight, and the long river sets the yen. Du Fu's seven-law "Ascending the Mountain" couplet: leaves fall like the spray of a waterfall, while I watch the long river roll forward all the time.
Sixth, the scene blends. A good poem should be full of emotion in the scenery, lyrical in the scenery and integrated with the scenery, that is, the perfect unity of scenery writing and lyricism, that is, "all scenery words are sentimental", "climbing mountains is full of emotion, watching the sea is full of emotion".
For example, when we see "there is such a bright line at the foot of my bed", we may show homesickness; See "Guan Guanluo dove, in Hezhou." May think of love between men and women; See "The black magpie flies south and turns around the tree three times." You may think of wanting talents; See "Chunshu in Weibei, Twilight in Jiangdong." May think of friends far away; Seeing the "sunset" may produce a sense of wandering.