Jade incense, red wax tears, partial photos of Qiu Si in the painting hall.
The eyebrows are thin, the temples are clouded, and the night is long and the pillow is cold.
buttonwood, it's raining in the middle of the night, and it's bitter to leave your feelings.
a leaf, with a sound, drops to the light in an empty step.
Appreciation
This is a poem by always in my heart. As a representative of Huajian Ci School, Wen Tingyun's ci style is gorgeous, and he mostly writes about life in the boudoir. What is commendable about this word is that it not only writes always in my heart with exquisite brushwork, but also writes the scenery lyrically, giving the camp an ethereal and sad artistic conception.
The first part of the poem describes the incense burner with smoky smoke, the red wax with long-flowing wax tears, and also depicts the fading eyebrows, messy hair and trouble sleeping's dissatisfied wife in the boudoir, which sets off a lonely and sad always in my heart in autumn night from the environment to the characters.
In order to set off the characters' sad mood, Xiatan described the monotonous rain in autumn night in detail. "Indus tree, it rains in the middle of the night, and it is bitter to leave love." In autumn, the leaves of Indus tree dried up, and autumn rain fell in the middle of the night. (They) didn't know that the people in the house were worried about leaving love, and the dense raindrops kept hitting the dead leaves, which was even more annoying. "A leaf, a sound, the empty steps drop to the light", the rain hits the dead leaves, making a dull and monotonous sound, and then drops to the empty steps, making a disturbing sound. This rain has not stopped all night, and the mood of the dissatisfied wife can be imagined. Although there is no word to mention the worries and melancholy of the dissatisfied wife, it is rendered by the ethereal and beautiful night scene of rain hitting the plane leaves and dripping water from the empty steps, thus highlighting her mood and being ingenious.
the style of Wen tingyun's works can be summarized by the combination of beauty and sadness. However, this work is very special: it is not too gorgeous, and it shows people an autumn night, a lonely young woman who is not combed and wears little makeup, and is unable to sleep in the rain in an empty house. Here, once you wash away the gorgeous and leaden flowers in the past, you can realize "sadness" with Qiu Si autumn scenery and autumn rain and autumn night under light makeup. The makeup of the characters is light because of strong feelings; The intermittent description of the scenery is also to set off the sadness. In particular, the long-term haunting image of sleepless nights and lying down listening to the rain dripping down the trees at night highlights the image of the heroine who is deeply grieved and tearful. This kind of writing method, which sets off the image with scenery, is, as the predecessors said, borrowed from the superb means of painters and painters, and the result is implicit and artistic appeal.
this poem is about parting with love, alternating shades, with the upper part being rich and the lower part being sparse. Throughout from day to night, from night to dawn. Its environment is secluded and its feelings are bitter. On the film, three sentences are written about the environment, and three sentences are written about people. In the painting hall, only the incense of the stove and the tears of wax are opposite, how lonely it is. When the night is long and cold, it is even more worrying. The eyebrows are thin and the temples are broken, which shows that the exhibition turns to the opposite side and the thoughts are extremely sleepless. The next film, bearing the long night, wrote a single rain on the phoenix tree, straight down, shallow language and deep feelings. Song people say: "The tears in front of the pillow are raining in front of the window." From then on, I was born out, but I didn't have the rich and beautiful match mentioned above, so I didn't have such a deep word.