Some poems are boring after we read them once, and we don't want to read them any more.
Some poems are never tired of reading, and the more you read, the more interesting it becomes.
The reason may be related to the realm. The former is too straightforward, and the poet has finished what he wants to say, leaving no room for imagination for readers; The latter, rich in connotation and profound, requires readers to explore and think for themselves in order to understand Samadhi. This state is called implicit artistic conception.
Many poets and poetics in ancient China attached great importance to artistic conception. Liu Xie deliberately distinguished between "concealment" and "manifestation" in the article "Literary Mind Carving Dragons and Hiding": "Literature has concealment and manifestation. Hermits also emphasize the purpose outside the text. " "Love is hidden outside the words, and the appearance is in front of you." Liu Xie's "feelings are beyond words" and "emphasis on words" is a kind of implicit beauty. This kind of aesthetic feeling is restrained, gentle and deep, very close to reading, and has a quiet environment. Implicit beauty is also particularly suitable for the traditional aesthetic feeling and lifestyle of orientals. So we often see such comments as "nothing, everything is romantic".
In fact, implication includes two aspects:
First, the content of poetry is implicit and profound, with implications and implications;
Second, the twists and turns of expression are obscure.