Chen Tiejun was born in a family of overseas Chinese businessmen. Under the impact of the revolutionary wave of the May 30th Movement, she changed from a college student who pursues personal progress to a revolutionary who cares about the future of the country and the nation and actively participates in progressive activities, and joined the * * * Production Party on 1926. 1927, after Chiang Kai-shek launched the "April 12th" counter-revolutionary coup in Shanghai, the "April 15th" counter-revolutionary event also took place in Guangzhou, and white terror enveloped Guangzhou. At this time, she assisted Comrade Zhou Wenyong in his work. Zhou Wenyong, secretary of the Guangzhou Municipal Party Committee, is preparing for an armed uprising against the Kuomintang massacre policy day and night. Due to the need of work, the Party instructed Zhou Wenyong and Chen Tiejun to share a house and set up a secret contact point. In order to cover their work, they disguised themselves as husband and wife and carried out activities in secret. Loyalty to the party, love for the people, mutual help at work, and the struggle between life and death have closely linked the two young people. But at that time, they all focused on their careers and ignored personal love.
1927 After the failure of the Guangzhou Uprising, Guangzhou fell into a sea of blood slaughtered by the enemy. Zhou Wenyong and Chen Tiejun, who took an active part in the uprising, continued their underground struggle in Guangzhou after the uprising failed. Because of the traitor's betrayal, both of them were arrested and imprisoned at the same time. In prison, they persisted in their struggle. Zhou Wenyong wrote this poem on the wall: "The head can be broken and the limbs can be broken, but the revolutionary spirit cannot be destroyed. The head of a strong man is a party fall, and the body of a brave man is a group crack! "
1928 On February 6th, Zhou Wenyong and Chen Tiejun were taken to the execution ground by the enemy. The two martyrs were calm and sang "Internationale" with their heads held high. At the Honghuagang execution ground in Guangzhou, Chen Tiejun announced to the surrounding people: "We are going to hold a wedding, and let the gunfire of the reactionaries be used as a salute for marriage!" A pair of revolutionary lovers died heroically and generously. Zhou Wenyong, a native of Kaiping, Guangdong, was born in August 1905. 1923 joined the China socialist youth league, 1925 joined the China * * * production party. He used to be a member of the Working Committee of Guangdong District Committee, the captain of Guangzhou Workers' picket team, the director of the Organization Department of Guangzhou Municipal Committee and the secretary of the Working Committee of Guangzhou Municipal Committee.
Formerly known as Chen, born in Foshan, Guangdong, 1904 in March. 1922 In the spring, Chen Tiejun was admitted to the junior middle school of Wei Kun Girls' Middle School. /kloc-in the autumn of 0/924, she was admitted to the College of Literature of Guangdong University. During her study, in order to pursue progress, Tiexin followed the producer of * * *, and she changed her original name to Tiejun. 1April, 926, Chen Tiejun joined the China * * * production party.
The background music of the revolutionary poem "Wedding on the Execution Ground";
Conquest of paradise (yes, majestic and gentle)
Hans Zimmer, the Red Warrior (the first half is suitable for lyric, and the second half is very explosive, so grasp it well).
Popular times (there is nothing to say, in a word, strong! )
The sound of silence (strong natural breath)
Green Snake Governing Water (China Flavor)
Thinker Poseidon
Thinkers rule the world (peace contains strength)
You can try the symphony version of Princess Ghost.
Johann Strauss II, Lightning Polka
This fast dance is one of the author's most famous polka dances, written in 1868. Johann Strauss II deliberately added a lot of "timpani vibrato playing method" to this song, and with the help of cymbals, he vividly described the sounds of high winds, thunderstorms and lightning in nature.
The whole song is a trilogy of Aba, showing a warm atmosphere from beginning to end.
There are two themes in paragraph A. The first theme is the omen before the storm, and the atmosphere is active. In the second theme, you can clearly hear the sound of "thunder and lightning", as if there really was a scene of thunder and lightning and heavy rain. The following is the colorful part of the whole song.
In the melody of singing, the theme of paragraph B is punctuated by scenes such as "thunder and lightning" from time to time, and the colors are intertwined and vivid. The total time of the whole song is not long, but it is enough to leave an indelible impression on the audience.