What are the characteristics of Li Bai's romantic poems?

As a romantic poet, Li Bai is great and the most typical. He said that his poem was "Xing Han put pen to paper to shake the five mountains, and the poem became a small Aoling Cangzhou". Du Fu praised his poems and said, "Putting pen to paper scares the wind and rain, and a poem makes you cry." This magical artistic charm is indeed the most distinctive feature of his poems. His poems not only have the strongest romantic spirit, but also creatively use all romantic methods to make the content and form highly unified. Li Bai is not an infallible poet. On the contrary, he seems to care about everything. He has experienced and shown a lot of life. Although he can't satisfy his life forever, his passionate feelings and strong personality have left an indelible mark on poems expressing various lives, leaving a strong subjective color of self-expression everywhere. When he wanted to be an official in Beijing, he declared, "Laugh to the sky. Are we Artemisia people? " When politics is frustrated, they will shout, "The road is like the blue sky, but there is no way out before my eyes!" " He wanted to accuse himself of injustice, so he said, "I want to climb the dragon to see the Lord, and Lei Gong plays the drums." He misses Chang 'an, that is, "the wind blows my heart and hangs Xianyang trees in the west." When he climbed Taibai Peak, let Taibai talk to me and open the sky for me. When he asks for immortality, there must be "the immortal caresses me and I become immortal." He wants to drink, including Dongzaoqiu in Luoyang, "Building a restaurant for the south of Tianjin Bridge". He lamented Xuancheng's good wine making and asked, "Without Li Bai at the night stage, who is the wine sold to?" This strong subjective color of self-expression, in terms of artistic effect, adds overwhelming momentum to poetry in some places and takes the lead; Some places make people feel warm and kind when reading. Of course, this subjective color is not limited to poems and poems with the word "I". For example, in many poems, the names of Lu Zhonglian, Yan Ziling, Zhuge Liang, Xie An and others are often regarded as first-person pronouns by Li Bai, which makes the ancients fully incarnate him. In line with the above characteristics, he did not suppress and converge in the expression of feelings, but gushed and poured thousands of miles. When ordinary language is not enough to express his passion, he exaggerates boldly; When things in real life are not enough to describe, compare and symbolize his thoughts and wishes, he relies on unrealistic myths and all kinds of wonderful and amazing fantasies. From some lyric poems quoted in the last section, we can already feel this feature. Using "but since the water is still flowing, although we cut it with the sword" as a metaphor to "raise a glass to relieve sorrow" is extremely exaggerated, but it makes people feel the highest truth. Another example is "White hair and three thousands of feet, sorrow is like a long beard" in Song of Autumn Pu. With tangible hair, it highlights invisible worries, and exaggeration is extremely bold. Others, such as "Chivalrous Man", said, "Three cups spit infinite, and five mountains are light." Take the five mountains as light and exaggerate the importance of chivalrous promises. "Elegant Ballad": "Speak out of turn, trust a friend, and welcome Jiu Feng's suspicion." Mountain peaks are also used to exaggerate the estrangement and suspicion between friends. In "Popular North", "Yanshan snowflakes are as big as seats, and pieces blow down Xuanyuantai". Everyone is familiar with it, but there are two sentences at the end of the poem: "The Yellow River can hold soil, and the north wind hates rain and snow." It is also thrilling. Without this amazing metaphor that the Yellow River can be blocked, we would not understand the deep despair and sorrow of the wives of fallen soldiers. Bold exaggeration can never be separated from amazing imagination. Here, we would also like to focus on his most romantic landscape poems, especially "Difficult Road to Shu", which made Li Bai gain a great reputation: Hey, shh, it's dangerous! Such a trip was more difficult than climbing the blue sky, until the two rulers of this area squeezed in in the foggy age. Second, he is eight thousand years old and has nothing to do with Qin Sai. And Dabaishan, to the west, still has only one bird path, all the way to the peak of Emei. Once it was broken by an earthquake, some brave people lost it, and then the ladder stone pile was hooked. On the high flag, six dragons drive the sun, and far below, the river lashes its twisted channel. Such a height is difficult for a yellow crane, poor monkey, they only have claws to use. The Green Mud Mountain is made up of many circles. For every hundred steps, we have to turn nine times in the middle of its mound. Panting, we passed Orion, passed Jingxing, and then fell to the ground with our arms folded and groaned. We want to know whether this path to the west will never end. The road is too steep to climb, and nothing can be heard except the cries of birds surrounded by ancient forests. The male bird rotates smoothly and follows the female bird. Jathyapple, what comes to us is the melancholy voice of Du Fu, a sad empty mountain. This kind of trip is more difficult than climbing the blue sky, and even hearing it will make people pale! ..... This poem, with a magic pen, rises out of thin air. From Can Cong Yufu to Wuding Mountain, all myths and legends are used to set off a strange atmosphere. Putting high standards in the sky can make "Six Dragons Return to Japan" and also rely on myths to gallop fantasy. The following is an exaggerated embellishment with yellow cranes, apes, sad birds and rules, and then the narrative of threatening, caressing and fading Zhu Yan is inserted as the backbone of the whole poem. The poem "it is hard to go ascended to the sky" appeared three times in the text, which set the tone for these five complicated movements. Li Bai has never been to Jiange in his life. This poem is entirely based on legend. Because of this, his mind and personality have been fully displayed here. Fan Yin's "He Yue Ling Photo Collection" said that this poem is "both strange and strange, and it is rare for a poet to return it." It just reflects the surprise and admiration of contemporaries for this poem. Today, when the Shu Road is unblocked, it is still an immortal masterpiece with historical and aesthetic value. His two poems "Looking at Lushan Waterfall" and "Lushan Ballad" are also well-known works. In the latter poem, he wrote about the view of the great river from the top of Lushan Mountain: "I climbed to the top of the mountain. I look around the world, and the great river is gone forever. The yellow cloud was blown away by the wind for hundreds of miles, and a snow peak was surrounded by a vortex with nine times the current. " He completely got rid of the shackles of the sense of real space and exaggerated it with bold imagination, highlighting the magnificence of mountains and rivers and showing the poet's magnificent mind. Bai Juyi's poem "Climbing to the top of incense burner": "The river is as thin as a rope, and the city is smaller than the palm." Completely realistic. Comparing the two poems, the artistic value is self-evident. Li Bai's romanticism is based on his rich life. His poems are often full of emotion and changeable characteristics. We have seen this from the first poem of "Difficult to Go", Uncle Yun's farewell school book in Xiezhaolou, Xuanzhou, and Tianmu sleepwalking. His masterpiece "Into the Wine" is also a very prominent example in this regard. In the poem, he encourages people to drink to their heart's content: "Oh, let a man with spirit take risks where he likes, and don't point his golden cup at the moon! He seems to be content with a decadent and enjoyable life, but his feelings are as unpredictable as the Yellow River. He suddenly said, "Since God has given talent, let him get a job! , spin one thousand silver, all back! ! Strong confidence suddenly replaced negative sighs. There is a similar situation in his Liang Yuan Shi Hua. In the first paragraph of the poem, he described the carnival and even lamented the impermanence of fame and fortune with tears in his eyes, but in the end, he suddenly said, "Songs and ballads have far-reaching influence. It is not too late to make a comeback and help the poor. " The poet's feelings were changed in an instant. Only a few poets in the history of poetry have reached this level by handling contradictory and complicated thoughts and feelings so freely and flexibly and achieving a high degree of artistic perfection. From this change, he continued to develop, so in some poems, he used both romanticism and realism. Some poems are both realistic and imaginative, such as those popular in North China and Guan Shanyue. Sometimes, the ideal desire and the reality of suffering are combined in a poem, such as "The Nineteenth Return of Antique: Journey to the Lotus Mountain in the West and Look at the Stars in the Distance". Holding a white hibiscus flower in both hands, curled up into a ball. Dressed in colorful clothes, elegant clouds floated high into the sky. I boarded the rainbow platform and bowed to Wei Shuqing. Anxiously follow them and take Hongyan to Zixuan. Inadvertently, the Luoyang Plain was full of soldiers in the Anshi Rebellion. The bones are bloody, and the traitors turn their backs on the court. In the beautiful fantasy of ascension, I suddenly saw Luoyang being ravaged and destroyed by An Lushan. We can't help but think of the ending of Li Sao: "I was promoted to emperor, and suddenly I was shocked by my native land." "The plummeting of feelings and the disillusionment of romantic fantasies profoundly show the poet's extremely painful patriotism." Clear water produces hibiscus, carving nature. "Li Bai's two poems are the most vivid description and summary of his poetic language. Li Bai's poetic language can reach such an ideal simple and natural state, which is inseparable from his careful study of Yuefu folk songs in the Han, Wei and Six Dynasties. According to Quan Deyu's Preface to Wei Qumou's Poems, Li Bai once taught eleven-year-old Wei Qumou the Ancient Yuefu. There are many imitations of ancient Yuefu in his Yuefu poems, which are well known and need not be exemplified. But his most effective place in Yuefu folk songs is language first. The language of his Long March and Midnight Wu Ge is very similar to Peacock Flying Southeast, Midnight Song and Xizhou Song. " I don't know the month when I was a child, so it's called Bai Yupan. I also suspect that Yao Taijing has flown to Qingyun. ""The breeze and bright moon don't need a dollar to buy, and Yushan is not pushed by people. " "Such a trip is more difficult than climbing the blue sky. "How vivid and natural, unforgettable to read." Don't you see how the water of the Yellow River flows down from the sky into the ocean and never comes back? "Learn Han Yuefu's" Long Songs ":"When will the hundred rivers return to the east and the sea to the west? "How can shine on you. At first glance, these places seem to be the most common, but none of the poets who imitated Li Bai in later generations reached such a highly perfect situation. It seems difficult to learn an accent, but it is easy to learn a language. Li Bai used a variety of poetic styles, but the seven ancient poems and the seven unique poems contributed the most. These two poetic styles were also the newest and freest at that time, especially adapted to his free and bold personality. His achievements in this respect are also very effective in learning Yuefu folk songs. Needless to say, the ancients. Here are just a few of his famous seven wonders: Mount Emei falls flat on the Qiang River in the first half of autumn. In the evening, Qingxi went to the Three Gorges, but the four gentlemen did not see Yuzhou. -"Emei Mountain Moon Song" goes to the colorful clouds in Baidicheng, and a thousand miles away in Jiangling. The cries of apes on both sides of the strait are still unconsciously crowing in their ears, and the canoe has passed the heavy green hills. -"Early Baidu City" The old friend stayed in the Yellow Crane Tower in the west, and the fireworks went down to Yangzhou in March. Sailing alone in the blue sky, I can see the Yangtze River flowing in the sky. -"Yellow Crane Tower Farewell to Meng Haoran on the way to Yangzhou" Li Bai was about to go by boat when he heard singing on the shore. Even if the Peach Blossom Pond is deep, it is not as deep as Wang Lun's sending away my love. -"To Wang Lun" Shen Deqian's "Tang Poetry" said: "Seven-character quatrains are close to feelings, and spitting is more expensive. Just looking at the prospect, talking, there is an implication, which makes people stay away from it, too white and embarrassing. "These characteristics he mentioned are actually the naive natural charm of folk songs. That is to say, as far as the poem "Send Baidicheng Early" is concerned, the meaning of the whole poem comes entirely from the "martial arts" in the Notes on Shui Jing, but the natural language and joyful artistic conception are quite different from the original style. His four outstanding achievements have always been as famous as Wang Changling's, each with its own characteristics. But as far as folk songs are concerned, he surpassed Wang Changling. His Five Laws convey the simplicity and grandeur of ancient poetry in temperament style, which is often eclectic and unique. Such as "Niu Zhu's Night Sleeping Thoughts" and "Farewell to Friends" have always been cited by critics. Li Bai inherited the rich heritage of the previous generation of poetry in his creation. The traditions he inherited were firstly Chu Ci and Yuefu folk songs in the Han, Wei and Six Dynasties. He was influenced by Qu Yuan in many ways. He carried forward Qu Yuan's patriotism and indomitable spirit of struggle, and also inherited Qu Yuan's romantic creative methods, such as casting myths and legends, boldly exaggerating fantasies, and attaching importance to the inheritance of folk songs. He is exactly the same as Qu Yuan. As far as specific works are concerned, such as Farewell, Fu Liangyin, Tianmu Sleepwalking and even Shu Daonan are similar to Qu Yuan's works in mental outlook, theme, conception and syntax. He also carefully studied the works of literati in the Han, Wei and Six Dynasties. Duan Youyang Miscellaneous Notes said: "If the three drafts of Li Bai's Selected Works are not satisfactory, burn them. "This legend must have a certain basis. He praised Jian 'an's poems, Ruan Ji, Tao Yuanming, Xie Lingyun, Xie Zhao and Bao Zhao. There are countless examples of his imitating and using the poems and songs of these poets. The poems Du Fu gave him also pointed out that his works were similar to those of Bao Zhao, Yu Xin and Yin Keng. He could not have become a great romantic poet without carefully studying his legacy.