The first issue of Sichuan Workers' Daily and the supporting machine stone explain the handsome men and beautiful women extracted from the "Sichuan oil construction culture"
It refers to the outstanding young intellectuals who have come out from the countryside (each commune has only one recruitment recommendation index) for more than three years and have been recommended to oil companies to become mature laborers of oil companies.
Embrace the colorful sun
All the references pin their bright hopes and infinite pursuits on the very strange but challenging oil front.
Take spring for example;
Educated young people who have been married for more than three years still have to be apprentices for three years. The starting salary is 65,438 yuan +06 yuan in January, plus 65,438 yuan+50 points living allowance for 0 yuan. Only 17 yuan 50 cents salary in January. But they all accepted the new historical mission arrangement happily without complaint. Spend precious life time studying technology and culture hard.
Will be soaked in the spring rain.
At that time, the whole country was learning Daqing, and the industry was learning petroleum. As role models for national enterprises, these young intellectuals who went to the countryside devoted all their blood to the hardest field construction work of the motherland's oil industry. Basically, the most difficult work in oil field construction, such as oil pipeline, welding installation, soil and installation of petroleum desulfurization plant, is carried out in the first line of production. Especially in the activities of learning Daqing in the industry and learning Lei Feng in the whole country. These educated youths who have been recruited to the countryside are at the forefront of the people's work needs throughout the country.
Dotted in the exposed soil of sand and gravel;
After the "Ten-year Cultural Revolution", the petroleum industry entered a new stage. These young intellectuals from rural areas have become the main force of production technology through hard study. In the most dangerous places, they are special teams composed of educated youth. Under the call of learning from Dazhai, these educated youths went to the oil factory run by the unit to become agricultural workers during the busy farming season.
Drop a string of gentle notes;
Especially in Dazhai, the whole country, enterprises run farms. During the rice planting and harvesting in Leshan farm, someone fell in the rice field for several days due to heatstroke and was carried out. Sweat has penetrated into clothes and trousers, so water can be pumped out.
Let a strong, rough figure,
Where there are oil workers, there are educated youths, where there are oil pipelines welded, installed and built, where there are educated youths, where there are the dirtiest, most tired and hardest places, and there are educated youths on the drilling platform. . . . . . . They are a new generation of iron men in the 1970s, who grew up in misery after the ten-year Cultural Revolution in the motherland.
Embossed on the green landscape connected with water that day.
The rapid development history of China petroleum industry is also the growth and exercise history of educated youth in China. When we use oil and gas, we think of oil workers who have been fighting in the fields and sleeping on the floor all the year round, and a large number of educated youths in China who are unknown in the oil front. They are one of the backbones of China Petroleum Special Forces. 1978 This poem expresses that China (Sichuan) oil workers are exploring for oil for the motherland in the mountains in the west of the motherland.
There is no need to completely innovate the spirit. Praise the optimistic spirit of countless oil youths in the activities of national industrial learning Daqing and learning from Lei Feng, and strive hard to realize their revolutionary ideal of fighting for the motherland and not being afraid of sacrifice. Monk
Monk.
Edvard munch (1863~ 1944)
Norwegian painter. 1863 65438+February 12 was born in Leten,1944 65438+/kloc-0 died in Oslo on October 23rd. My father is a doctor and deeply believes in Christianity. My mother died young, my sister died of lung disease, and my sister was mentally ill. The misfortune of his childhood has a far-reaching influence on his life's creation.
Monk entered Oslo Arts and Crafts School on 1880 to study painting with C. krogh, and was influenced by impressionist painting style. 1889 changed to traditional painting and created the variant painting "Spring" of "Sick Child", thus winning a scholarship to study in France and studying under L Bona. In France, on the basis of studying Impressionism, he became interested in post-Impressionism and Nabi School. He found that lines and colors have powerful expressive force, and tried to draw living people with them. They are breathing, feeling, suffering and loving.
Under the influence of philosophy and aesthetic thoughts at that time, he tried to explore various conditions in the human mind and express themes such as disease, death, despair and sex. Therefore, his creation has the title of "spiritual realism". During 1892, the exhibition held by the Artists Association in Berlin, Germany, was quickly closed due to the attack of conservative forces, but it greatly stimulated young German painters and promoted the emergence of the expressionist movement.
Monk's early oil paintings Sick Child (1886), Beside the Coffin Bed (1895) and Death of Mother (1899) are mostly memories of childhood and adolescence. 1890 oil painting "Night on St. Croix" and 1892 oil painting "Night on Carl John Street" marked the turning point of his style and showed the characteristics of his expressionist painter. The most representative works in the 1990s are Chun Qing (1894) and Scream (1893). The former depicts people's fear of claustrophobia, while the latter depicts people's fear of loneliness and death. /kloc-began to engage in printmaking in 0/894, with unique creations in woodcut, lithograph and copperplate. The themes of his prints are mostly taken from oil paintings, among which Life is the most outstanding group painting, which he himself calls the poems of life, love and death.
During 1908, Monk went to a nursing home in Copenhagen, Denmark for rest because of schizophrenia, and returned to Norway to live in seclusion after recovery. The decorative painting design of the festival hall of Oslo University 19 10, 19 16 was completed. Among them, the mural "The Sun" is influenced by F.W. Nietzsche's "Man Mountain", which shows people's desire for light. However, in Nietzsche's works, only a few people have crossed the mountains piled up by the victims' bones to achieve their goals, while Monk exaggerates the sun with a positive attitude towards life instead of Nietzsche's pessimistic symbol. In 2006, Monk was attracted by the beautiful nature near Oslo and the simple life of working people, and created a set of colorful pictures. Among them, the works that show the working people are the oil paintings snow blower and Workers Go Home. Monk is a good friend of playwright Ibsen and French poet Malamei. Since the 1920s, he has been drawing illustrations for Ibsen's plays, but he has never finished them.
Monk is a patriot. 1937, the Nazis declared that Monk's art was "degenerate" and "decadent", and the exhibition was prohibited. During the German occupation of Norway, he refused to cooperate with the Nazi regime and did not participate in the activities of artists' associations controlled by him. After Monk's death, all his works were unconditionally donated to Oslo according to his will. This huge legacy includes 1, 200 oil paintings, 4,500 sketches, 1, 800 prints, 6 sculptures and a large number of tools, notes and books. The pessimism and negative factors contained in Munch's art are caused by his time. His achievement lies in revealing the hidden hearts of his contemporaries, and revealing the beauty, ugliness, pain and joy in people's hearts in his paintings. He gave full play to the expressive force of painting language and promoted the development of western painting in the direction of freehand brushwork and symbol. He enjoys a high reputation in Norway. 1963, the Monk Museum was established in Oslo to display all his legacy works. 1983 10, Norwegian monk painting exhibition was exhibited in China Art Museum.